Hi,

it's interesting to hear that. I've only used Supra 100 in this
country (UK), and not much of it at that. It's been ok, but I haven't
shot in highly contrasty conditions here. When I use Supra I normally
use the 400. The Portra sounds like a good idea, so I'll try some of
that before my next trip.

I don't like flash because I've brought myself up in the tradition of
photographers who don't use flash. There are several other reasons why
I don't like it. For the reasons that Shel often gives, namely that it
is too obtrusive; also, I find it very unpredictable and difficult to
use, so I'm not at all confident with it; I think that it's very
noticeable when it's been used (of course if it's good I wouldn't know
it had been used) and it looks artificial.

In the situations that I like to photograph it would be (imo) highly
impolite to blast away with a flashgun going off - one of the reasons
why I'm now mostly using Leicas, because they are so quiet and discreet.

---

 Bob  

mailto:[EMAIL PROTECTED]

Saturday, November 17, 2001, 8:39:09 PM, you wrote:

> Bob,

> I found your post interesting.  I have shot quite a bit of Supra 100
> and find it to be somewhat contrasty.  A good friend of mine just came
> back from Africa having shot mostly Supra 100.  I can say that the
> film didn't hold up all that well to the contrast.

> I would certainly give Konica Impressa 50, Fuji Reala 100 and possibly
> one of the portrait films a try.  In my test and usage, these films
> handle high contrast much better.  They don't work as well when the
> conrast drops too much.

> I was also a bit surprised by your comment about hating fill flash.  I
> am wondering why?  When done properly, the only telltale sign is a
> catchlight in the eyes (usually a good thing).  I have done many shots with fill 
>flash and
> without (back to back) and when the shadows are strong, fill flash
> really comes to the rescue.  Care to elaborate on your feelings?


> Bruce
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