Mark, just curious as to what digital you are using?
Ken Waller
----- Original Message -----
From: Mark Cassino <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, November 28, 2001 11:59 AM
Subject: Re: When "good enough" ain't: was Re: what I think of current
digital cameras


> I using digital and getting excellent results.  I really don't care about
> the sophistry that's being bandied about: I'm doing large prints (13 x 19)
> taken with digitals, and they are not just good enough, the quality is
great.
>
> You can advance the personal insult argument and claim that I have low
> standards, settle for good enough, am too stupid to know the difference,
> etc.  I don't care.  I have exacting standards and have been quite
> pleasantly surprised by the quality of digitals.
>
> You can also offer up theoretical 'proofs' as to why digital is
> inferior.  I really don't care.  I've seen the results and the 'proofs'
are
> wrong.
>
> I'm reminded of a photo.net discussion some time ago where someone asked
> about the Pentax 500mm f4.5.  He got a slew of answers, almost entirely
> from people who never used the lens, explaining why it would surely be a
> sub standard piece.  I've used the lens.  I knew they were wrong.  The
same
> holds true with a lot of the sophistry regarding digitals.
>
> My use of digitals is really quite limited, and there's a lot that cannot
> be done with it now.  I think people should use the formate and media that
> meets their needs the best. For some that's 35mm, for some that's MF or
> large format, for others that's digital.  My small format digital provides
> a DOF in macros that's almost impossible to get with a 35mm.  But it can
> hardly be used to selectively focus on one subject, with a blurred
> background.  It has strengths, it has weaknesses, just like any other
> format.  But the basic quality of the images is every bit comparable to
the
> best scan I can get using a 2820 dpi scanner and 35mm film.
>
> The only aspect about digital that I find worrisome is Pentax's lagging
> adoption of it.  Their failure to adopt to bayonet mounts a quarter
century
> ago result in them dropping from a dominant position to that a second
> tier.  Slow and late adaptation of autofocus has knocked them back
further.
> And failure to adopt to digital may be the death blow.  And with them goes
> my investment in Pentax 35mm gear.
>
> - MCC
>
>
>
>
> At 02:19 AM 11/26/01 -0500, you wrote:
> >In a message dated 11/25/01 8:43:52 PM Eastern Standard Time,
> >[EMAIL PROTECTED] writes:
> >
> > > Don't sit around and dismiss it because it's not like the old tools
you
> > have
> > > at hand.
> > >
> >One of the first things I learned back in 1982 when I was first
introduced to
> >writing code for computers was the phrase:
> >"GI=GO" (garbage in equals garbage out). Not that digital is garbage, at
> >least not my own device(s), but when making a print from small format
digital
> >files, small format digital simply does not input as much raw data as
film.
> >
> >Scanning a negative or slide, (and realizing most under $10,000 printers
> >can't begin to utilize ~all~ the inputted small format film data), gives
you
> >an embarrassment of riches datawise. Not so with small format digital.
> >
> >Perhaps then, digital devotees ought to simply note that, beside using a
> >Polaroid, small format digital is another quick and easy way of making
> >images, rather than Digital's supporters seeing (promoting) small format
> >digital as a direct competitor to small format (35mm) film, which it most
> >certainly isn't.
> >***Current and future small format digital cameras hold the same
unenviable
> >position to 35mm film as small format film does to medium format film.
More
> >raw data makes better, denser prints. Scan small format digital images by
> >whatever method or machine you choose, then drum scan 35mm negatives or
> >slides and film wins hands down. Further, digitize a small format film
drum
> >scan, then output it digitally and the comparisons weigh even more
heavily in
> >favor of film.
> >
> >You can make any comparisons you want, as long as you realize you won't
> >(can't) achieve near the same data input from small format digital what
you
> >get from 35mm film, the exact same discussion steadily raging between
medium
> >Vs. small format film supporters.
> >
> >Mafud
> >[EMAIL PROTECTED]
> >[EMAIL PROTECTED]
> >-
> >This message is from the Pentax-Discuss Mail List.  To unsubscribe,
> >go to http://www.pdml.net and follow the directions. Don't forget to
> >visit the Pentax Users' Gallery at http://pug.komkon.org .
>
> - - - - - - - - - -
> Mark Cassino
> Kalamazoo, MI
> [EMAIL PROTECTED]
> - - - - - - - - - -
> Photos:
> http://www.markcassino.com
> - - - - - - - - - -
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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