The wide crop works MUCH better, IMHO.  The surroundings fill out the story, 
and there was way too much contrast in the narrow crop, 

Rick

http://photo.net/photos/RickW


--- On Sun, 3/7/10, frank theriault <knarftheria...@gmail.com> wrote:

> From: frank theriault <knarftheria...@gmail.com>
> Subject: PESO - Cellist on Augusta - wider crop
> To: "Pentax-Discuss Mail List" <PDML@pdml.net>
> Date: Sunday, March 7, 2010, 5:03 PM
> Stan wondered how a wider crop of my
> earlier PESO might look, and for
> the "benefit" (such as it is) of Stan and possibly others
> who might
> have been curious (but might not have looked back at the
> original
> thread to see this one), here's our cellist friend with
> more back- and
> foreground:
> 
> http://knarfdummyblog.blogspot.com/2010/03/cellist-on-augusta-wider-crop.html
> 
> I cropped from a different photo that I took seconds before
> or after
> the earlier PESO as there were fewer "offensive bits" in
> this version.
>  I still think there are to many distractions in this
> version.  I
> really like environment in street shots, but it has to be
> part of the
> story and be aesthetically pleasing - or at least not
> offensive as
> this is to my eye.
> 
> Anyway, comment if you wish, but I'm putting this out there
> more to
> contrast with the earlier PESO than anything else.  If
> do prefer this
> to the "original"
> 
> http://knarfinthecity.blogspot.com/2010/03/cellist-on-augusta.html
> 
> I'd be interested to know.
> 
> thanks,
> frank
> 
> -- 
> "Sharpness is a bourgeois concept."  -Henri
> Cartier-Bresson
> 
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