I mostly disagree.  It's pretty close to being just another "cute kid"
shot, which is at least as tired a category as kittens/puppies/flowers.


On Thu, May 13, 2010 at 09:44:34AM -0400, Daniel J. Matyola wrote:
> Gee, I don't know how you can say Eggleston's work is distasteful.
> This one, for example, is downright charming:
> 
> http://www.egglestonphotography.com/portfolio.html
> 
> Dan
> 
> On Thu, May 13, 2010 at 9:05 AM, Tom C <caka...@gmail.com> wrote:
> > I have a philosophy?... Thanks Bill... :-)
> >
> > If I have one, it's simply that I when I find a subject that moves me
> > to press the shutter button, I try to think about how to best render
> > the subject so that the viewer will also know why I pressed the
> > shutter button.
> >
> > That's likely why I found Eggleston's work distasteful. It struck me
> > as largely antipodal to my own. I saw no reason for him to have
> > pressed the shutter button, much less feel that the images were
> > display worthy.
> >
> > I know others see something in it. I saw something in some of them...
> > but a number of them, like the bags of garbage and the oven
> > interior...
> >
> > I suppose I feel as Mark said. ?OK, maybe his work is interesting in
> > some respects, but I saw a big disparity between what he actually
> > produced and the amount of adulation received.
> >
> > Tom C.
> >
> > On Wed, May 12, 2010 at 10:14 PM, William Robb <war...@gmail.com> wrote:
> >>
> >> ----- Original Message ----- From: "Bob Sullivan"
> >> Subject: Re: What Makes a Good Photograph? Was: Chicago
> >>
> >> I'm quite enjoying the exchange of ideas.
> >> Both Doug and Tom are photographers whose images I respect at worst, and
> >> like a whole lot at best. Getting their philosophies as well is huge.
> >>
> >> William Robb
> >
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