I had a similar thought at first, but I like the fact that everything
else of consequence is at least slightly out of focus.  The sharpness
of the car really makes it pop.


"> Wonderful shot.  I'm curious why you didn't come in a lot tighter.
I think that I'd have shot from about half the distance, so that the
car was about as close as possible to the lower left corner and the
top of the frame didn't extend much beyond the brick building.
>
> Were you trying to get more of the neighborhood to set context?"

-- 
Steve Desjardins

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