This may help explain it:

http://www.earthboundlight.com/phototips/nikon-d300-d3-14-bit-versus-12-bit.html
http://www.earthboundlight.com/phototips/14-bit-raw-12-bit-part-two.html


On Sun, Nov 7, 2010 at 12:46 PM, Boris Liberman <bori...@gmail.com> wrote:
> Hmmm, so a camera with so many bits of RAW can do what then?  Discern
> 2^so many shades, right? And the dynamic range is about when it goes
> to saturation either to pure black and pure white. Ok, so tell me
> then, the wise people of PDML, is there a way looking at the same
> picture shot with K-7 and K-5 to  tell them apart? Or better yet, how
> do I /see/ that one camera has wider DR than the other and that more
> BPS in RAW are more beneficial than less BPS in RAW in real life. And
> how all that translates to actual print?
>
> The only thing that comes to my mind is that wider DR and more BPS
> gives me wider range of corrections in post or RAW development before
> I start to see things like posterization etc. Anything beside/beyond
> that?
>
> On Sun, Nov 7, 2010 at 6:23 PM, Miserere <miser...@gmail.com> wrote:
>> On 7 November 2010 08:09, Adam Maas <a...@mawz.ca> wrote:
>>> Dynamic Range in EV has no effect on the amount of shades the K-5 can
>>> discern, it is merely defines the maximum and minimum brightness
>>> values which supply usable data at the same time. The ability to
>>> discern individual shades (or more properly differences between two
>>> shades) is solely controlled by how many bits wide the ADC system is.
>>> The K-5 can discern 2^14 shades maximum across a 14.1 EV ( a
>>> brightness range of 2^14.1) range according to the DxO tests. There is
>>> no direct correspondence between the two.
>>>
>>> -Adam
>>
>> What Adam said.
>>
>>  --M.
>>
>> PS: Thanks for saving me all that writing  :-)
>>
>>
>> --
>>
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>>
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>
>
>
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> Boris
>
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