Aaron,

Of course I got one.  In a previous post I mentioned the new P67II, AE
II Finder, 90 2.8 and hotshoe grip.  Boy am I excited!  Thanks for the
tips on the film.

Are there any differences between 120 & 220 other than # of frames.
Such as wear & tear, light leakage, etc. I thought I would stick with
120 unless I have a definate need for more frames on the roll.

I'm not changing my vote until you say congrats though.


Bruce Dayton



Sunday, February 10, 2002, 8:55:19 AM, you wrote:

AR> On Sunday, February 10, 2002, at 01:48  AM, Bruce Dayton wrote:

>> Hey all you 67 users,
>>
>> Do you have any tips or guides to go by when handholding this thing?
>> Is the 1/focal length rule still good to follow?

AR> Hey, Bruce...does this mean you GOT one?  :)

AR> I hold my 67 the same way I hold my 35mm -- left hand under the mirror 
AR> box, with left fingers and thumb cradling the lens and operating focus 
AR> and aperture.  I think you can figure out how to use your right hand.  ;)

AR> I've found that I can hand hold 1/60 with the 105mm without any real 
AR> trouble, and I can pull off 1/30 hand-held with the mirror lock most of 
AR> the time.  Whenever the subject is stationary, I use the mirror lock, 
AR> more out of paranoia than anything else.  I haven't tried even slower 
AR> speeds with the 75mm yet.

>> Also, I will probably be looking a bit differently at films now that
>> the negative is of good size.  I had been using quite a bit of Reala
>> for it's lower contrast, small grain and saturated colors.  Should I
>> still be using it on the 67 or are there other alternatives/favorites
>> that you all have?

AR> If you like Reala, then 120 Reala will give you what you like and then 
AR> more.  Just try to envision all of your favourite 35mm films with less 
AR> grain and smoother tones.

AR> I like NPC from Fuji, which is like Reala, but a little more saturated 
AR> and a little less crisp.  If you've used NPS, NPC is simply a saturated 
AR> version of NPS.  I also like NPS for a little more restrained colour 
AR> palette.  Agfa Portrait is also wonderful for this, and in 120 is less 
AR> plagued by its large-ish (compared to NPS) grain.  Agfa Portrait is even 
AR> less saturated than NPS.

AR> -Aaron
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