On Feb 10, 2011, at 5:09 AM, Larry Colen wrote:

> I've always had mixed feelings about my pfa 50/1.4.  There have been times 
> when I really needed the extra 2/3 stop of speed that it gave me over my 
> f/1.8 glass. When you're shooting slower than 1/15 second and your subjects 
> are moving, that's a critical difference in speed. On the other hand, I never 
> really gained any affection for it.  When I use a super tak 50/1.4 I can 
> forgive it a lot because of the beautiful way that the manual focus feels. I 
> bought my DA 40 for its size, but quickly grew to love the pictures it took. 
> If my FA77 were a woman, I'd be tempted to propose marriage.  But the PFA 
> 50/1.4 is almost the dirty little secret in my lens bag.  When I need it, I 
> use it, but I almost never just put it on the camera to go shooting.  I'm 
> more likely to grab the DA40, or especially now, the 16-50.
> 
> A week or so ago, I took some shots that made me wonder if something might be 
> wrong with it.  I was also using a teleconverter at the time, so I wasn't 
> going to automatically blame either piece of glass.  I just spent some time 
> doing some trivial sharpness tests, and it turns out that between f/1.4 and 
> f/2.0 it gets a lot better, and much better yet by 2.8  Which, I guess, is 
> the reputation of the lens.  Soft wide open, but reasonably sharp if you stop 
> it down a bit.
> 
> I suppose there are a couple of reasons I hadn't really noticed this before.  
> The first one is that when you're pushing the sensor as hard as you can, and 
> shooting at some stupidly slow shutter speed, the loss of sharpness from 
> running the lens wide open was barely going to be noticed. Another likely 
> reason is that I don't actually spend a lot of time pixel peeping, and as 
> glaringly obvious as something might be at 2:1 on a 24" monitor, it may not 
> be nearly as obvious under normal use.
> 
> So, I guess that there really isn't anything wrong with the lens, and now I 
> think I know why I never really fell in love with it. For that matter, the 
> ridiculous sensitivity of modern sensors are going to pretty soon make it 
> totally unnecessary to shoot with any glass faster than f/2.8.  But, part of 
> me is still rather disappointed at how sharply performance dropped off at the 
> wide end.

Did you manual focus? If you're shooting wide open, and your autofocus is off 
by even a relatively small amount, your results will be soft. The performance 
of this lens on my K20 is what first convinced me that fine focus adjustment is 
a necessity. I've since seen that the FA50/1.4 required more adjustment than 
any of my DA or DA* lenses. 
Paul


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