Is that how you got into moving pictures?

stan

On Feb 27, 2011, at 5:04 PM, Cotty wrote:

> When I was at art college in 1978 there were half a dozen Zenit E's and
> one old Spottie in the photography dept. The Spottie's film door was
> broken and held together with tape. The first and last time I used one
> of the Zenits it chewed the perfs at the end of the roll and I couldn't
> rewind it!
> 
> From then on I ran (did not walk) for the Spottie every time, taped back
> door and all. It was a dream to use which was fine by the other guys as
> they preferred the Zenits (which were all brand new). Hence how I grew
> fond of Pentax.
> 
> Once, upon returning to the college to process in the darkroom, I was
> waiting my turn in line when the door on the Spottie popped open of its
> own accord and the (rewound) cassette flew out at warp ten. These
> cassettes were re-usable and loaded from a bulk loader by the lab tech
> every day. They were old and tired (the cassettesm not the lab techs).
> As soon as it hit the floor, both ends of the cassette parted company
> with the main body and the film was thoughtfully exposed to ambient
> light for the second or two it took for me to rugby-tackle it to the
> floor. I collected it up in my shirt and (claiming emergency rights)
> sprinted into the darkroom. I recall that only a few frames were ruined,
> and in fact in seeing the interesting effects of double-exposed perfs on
> adjacent frames, started me on an experimental kick with all sorts of
> weird shit.
> 
> --
> 
> 
> Cheers,
>  Cotty
> 
> 
> ___/\__
> ||   (O)  |     People, Places, Pastiche
> ----------      http://www.cottysnaps.com
> _____________________________
> 
> 
> 
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