On Mon, May 14, 2012 at 4:28 PM, Larry Colen <l...@red4est.com> wrote:
> One thing that I don't understand is how a handheld light meter would work 
> significantly better with digital than taking a photo and looking at the 
> histogram.  Or, for that matter, if it's an important shot, why not just 
> bracket.  Drop $100 on a light meter, and that will buy you a terabyte of 
> storage.  Plus, if you bracket in digital, you always have the option of 
> combining the frames in post production.

I can't argue with your logic, Larry.
Oh, of course I can.
:)

Firstly, I hate this line of arguement because it implies that one
need not learn the principles of photography if one can only take
enough bracketed exposures of something. The problem is, that many
subjects are captured in a moment of time and the timing of the moment
of exposure is essential. (Simply mashing down on the shutter button
and shooting 5 fps *might* capture that same moment [or one close to
it] but again it might not. Similarly, one could shoot video and
extract a frame and call it a photograph but I wouldn't call such a
one a photographer.

The more automatic things become, the less today's photographers need
to learn & understand in the individual components (building blocks)
and how they inter-relate & how they apply to capturing a given scene
or situation. Even in digital, a lot of people don't understand what
they are giving up as they crank up the ISO. (I'm thinking that we
could make a similar argument to Larry's in explaining why we no
longer need tripods, we can just crank up the ISO to get the shot. But
clearly there are great benefits that will be visible in an image
taken at a lower ISO - especially if it is a wider dynamic range scene
that we are trying to capture.)

Secondly, not everyone wants to spend copious amounts of time in
post-processing. Theoretically, we could bracket every shot we take
and later combine them using HDR (or whatever pseudonym you prefer).
Which works pretty well, as long you have the time and nothing was
*moving* in the frame.

Thirdly, you can bracket all you want, as long as you weren't
pre-visualizing a certain amount of motion freezing/blurring (since
bracketing by changing shutter speed is going to affect that) or you
desired a certain amount of DOF (since bracketing by aperture is going
to affect that). In fact, your combining of images is going to
sacrifice something in one department or the other when you blend.

I'm not quite sure why so many of today's photographers are so willing
to sacrifice time in the planning/pre-visualizing/taking stages of
photography, but then so willing to spend that time (and more) in
post-processing. I think it may have something to do with being more
comfortable with the  computer than with the camera.

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