In my work I have seen a lot of Elvis on velvet. My favorite was Elvis
as a toreador. These are usually in very small houses with heavy red
velvet drapes on the picture window. I bow to no man when it comes to
being an Elvis fanboy but toreador??
pdml-requ...@pdml.net wrote:
Message: 7
Date: Mon, 5 Aug 2013 16:25:11 -0500
From: Bob Sullivan<rf.sulli...@gmail.com>
To: Pentax-Discuss Mail List<pdml@pdml.net>
Subject: Re: I went to a street fair Saturday afternoon
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<caodncb2nluuq7yzht2y+xk30metemirfcdfn+90em6e3h_v...@mail.gmail.com>
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Steve,
Have you seen my photos of Elvis on velvet.
Just the thing for over the couch in the family room.
Regards, Bob S.
On Mon, Aug 5, 2013 at 1:21 PM, steve harley<p...@paper-ape.com> wrote:
>on 2013-08-05 11:25 Larry Colen wrote
>
>> Based on that assumption,
>>if I tried to make a living selling prints at a street fair, ether I,
>>or my self respect as an artist, would quickly starve to death.
>
>
>i am a strong art (and craft) appreciator and often visit galleries and some
>street fairs in Denver (and when i travel); in general, i will not go to
>just any street fair because the "artistry" is much as you describe; at the
>better fairs (e.g. Cherry Creek Arts Festival), i still find that painting
>and photography are the most oft-debased art forms; something about the fair
>audiences means that success seems to pair with (artistic and personal)
>glibness
>
>i find myself spending much longer in the booths of fabric, glass, ceramic,
>jewelry and other artists; still a mixed bag, but there's something about
>these other arts that allows more true creativity in the commercial context
>of a street fair; i am more often challenged by these artists' works
>
>galleries are another matter; good ones keep truly interesting and
>challenging art coming, and painting and photography seem stronger in the
>gallery world; despite the many flaws of the gallery system, i would
>probably be much happier pursuing an art career through galleries
>
>
>
>
>
>
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