Godfrey DiGiorgi wrote:
Yes.

The Graflex Speed Graphic 4x5 I used at the Photo Staff when I was in high 
school had a typical Wollensak Raptor 135mm f/4.7 lens, about the EFoV 
equivalent of a 35 or 40 mm lens on a 35mm FF camera. One of the challenges was 
getting the focus and focus zone right because you had so little DoF to work 
with.

With the lens wide open (to get enough shutter speed for basketball) and the 
focus set to 15' (a typical basketball shot distance at the basket), you had 
about three and a half feet of DoF total. In 35mm with the Nikon F, that would 
take a 35mm f/1 lens, wide open, at the same focus distance. I certainly didn't 
have any 35mm f/1 lenses in my bag in 1971… :-)

Interesting.

Here are a couple of the shots that gave me pause, where the plane of focus 
seemed almost more geometrical then optical:

http://i2.wp.com/roadsandkingdoms.com/uploads/2013/09/1200w_hor-talagante.jpg?w=2048&quality=75&strip=all

http://i1.wp.com/roadsandkingdoms.com/uploads/2013/09/1200-mike-and-david.jpg?w=2048&quality=75&strip=all

http://www.davidburnett.com/gallery.html?gallery=Big%20Camera#/15

http://www.davidburnett.com/gallery.html?gallery=Big%20Camera#/1

http://www.davidburnett.com/gallery.html?gallery=Big%20Camera#/14

http://www.davidburnett.com/gallery.html?gallery=Big%20Camera#/11

http://www.davidburnett.com/gallery.html?gallery=Big%20Camera#/12



So you can see the dynamics of format influence are very profound. Just 
sticking a lot of megapixels onto a tiny chip wafer does not net a large format 
camera view of the world. For my needs with a 35mm FF format camera, 24 MPixels 
are enough … More is occasionally nice, but mostly unnecessary. And no 35mm FF 
format camera supplants the Hasselblad 500 or SWC in terms of overall image 
dynamics … they're just too different.

In theory, with something like the Lytro you could recreate a lot of the feel 
in post processing.


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