Ann, Steve and Jack,

Thank you all for your comments on my blog entry.


Steve,
>i don't know how Buddhism is presented in the book,
>but Andy Karr practices and teaches Tibetan Buddhism,
>somewhat different from Zen

That was declared at the end of the book.
However "the attitude", if I may call that, was obvious from the start.

The blown highlights...
Well, I have re-visited the original and I must tell you that there
are NO blown highlights. In fact, the image (raw) has been
underexposed about 1/2 stop! The apparent problem stems from my post
processing to increase the contrast. I have tried to correct it and I
liked the re-appearing detail (ripples) on the top 1/5 (the image at
PN remains the same). The contrast is still just fine. Thanks for
bringing this into attention.


>one question that arises is,
>just how much manipulation should one do in contemplative photography?

The book is clear about that: A heavy-handed post processing defeats
the purpose (of contemplative photography).

I will be trying to print the revised version of the Blue Boat soon.
It looks beter now. Thanks very much, again...
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2015-11-21 6:07 GMT+02:00 ann sanfedele <ann...@nyc.rr.com>:
> I guess we shall have to ponder that
>
> a
>
>
> On 11/20/2015 8:25 PM, steve harley wrote:
>>
>> On 2015-11-20 15:50 , ann sanfedele wrote:
>>>
>>> Yup the monitor varience, but also, to me the white on the boat really is
>>> white, and looks right whereas the very tippy top of the frame to me is
>>> blown outin the sense that it is too glary and pulls your eye away
>>> fromthe
>>> subject.
>>
>>
>> one question that arises is, just how much manipulation should one do in
>> contemplative photography?
>>
>>
>
>
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