Looks better up top - viewed just now...
ann
On 11/21/2015 4:01 PM, Bulent Celasun wrote:
Ann, Steve and Jack,
Thank you all for your comments on my blog entry.
Steve,
i don't know how Buddhism is presented in the book,
but Andy Karr practices and teaches Tibetan Buddhism,
somewhat different from Zen
That was declared at the end of the book.
However "the attitude", if I may call that, was obvious from the start.
The blown highlights...
Well, I have re-visited the original and I must tell you that there
are NO blown highlights. In fact, the image (raw) has been
underexposed about 1/2 stop! The apparent problem stems from my post
processing to increase the contrast. I have tried to correct it and I
liked the re-appearing detail (ripples) on the top 1/5 (the image at
PN remains the same). The contrast is still just fine. Thanks for
bringing this into attention.
one question that arises is,
just how much manipulation should one do in contemplative photography?
The book is clear about that: A heavy-handed post processing defeats
the purpose (of contemplative photography).
I will be trying to print the revised version of the Blue Boat soon.
It looks beter now. Thanks very much, again...
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2015-11-21 6:07 GMT+02:00 ann sanfedele <ann...@nyc.rr.com>:
I guess we shall have to ponder that
a
On 11/20/2015 8:25 PM, steve harley wrote:
On 2015-11-20 15:50 , ann sanfedele wrote:
Yup the monitor varience, but also, to me the white on the boat really is
white, and looks right whereas the very tippy top of the frame to me is
blown outin the sense that it is too glary and pulls your eye away
fromthe
subject.
one question that arises is, just how much manipulation should one do in
contemplative photography?
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