Although I’ve written thirty-five articles about the origins of 
capitalism over the years, I never suspected that my first for 
CounterPunch would be prompted in a roundabout way by my relationship 
with a topless dancer forty years ago.

In the middle of May, I blogged an excerpt from an unpublished comic 
book memoir I did with Harvey Pekar in 2008. It covered my experience in 
Houston in the mid-seventies, part of which involved an affair with a 
comrade who had been dancing in Montrose just before I arrived, a 
neighborhood that mixed bohemia, gay and topless bars, and apartment 
complexes geared to swingers in double-knit suits.

About a week after the excerpt appeared, someone directed to a Facebook 
page that belonged to a well-known ISO dissertation student who having 
posted a link to my blog frowned on the idea that I would write a memoir 
without ever having done anything. Since the memoir was written under 
the direction of Harvey Pekar, who toiled for decades in obscurity as a 
file clerk in a veteran’s hospital in Cleveland, I doubt that the 
student had a clue about the memoir’s intention. It was not a saga about 
exemplary deeds in the revolutionary movement but recounted instead the 
humdrum life of a rank-and-filer who felt deeply alienated by what 
amounted to a cult. Plus, lots of jokes. After all, it was a comic book 
as Harvey insisted on calling his work.

full: 
http://www.counterpunch.org/2015/06/05/the-topless-dancer-slavery-and-the-origins-of-capitalism/
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