I Googled Go-Jo and found a company that makes a lot of products including a
hand sanitizer.  Can anyone tell me which Go-Jo product you are referring to
and where it can be purchased?  Does it removed the finish or just clean it?
Thank you.
Tom

-----Original Message-----
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Charlotte Mager
Sent: Thursday, October 22, 2009 7:27 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Never thought it would happen to me

There is a fellow keeping a data base of Victors. You can ad yours by going
to http://www.victor-victrola.com

Charlotte aka Waves
http://www.wavesllc.com

On Wed, Oct 21, 2009 at 11:16 PM, Douglas Houston
<cdh...@earthlink.net>wrote:

> Of course, I'm not there to see it, but my first guess would be a buildup
> of grime from all those years. The dining room set here was bought by my
> mother in 1925. Our house in Detroit had been heated with coal, as were
> many others in those days. On the chairs, on the top crossbar, the top
> surface was black, and I assumed that it was the finish. For the first
time
> ever, I went over the dining set with Go-Jo, and the black "finish" on the
> top bar got gooey, and wiping it away, a nice walnut finish was exposed.
>
> At the time I bought my VV-XVIII, it needed a good going over to remove
> grime, but wasn't as bad as some cabinets I've seen. I went further and
> flowed the original shellac finish with alcohol. Except for some areas,
the
> finish is as new.
>
> I wonder if anyone is keeping a log of serial numbers on these
phonographs.
> I have the impression that all of the jobs came down the line, and were
> consecutively numbered, with no special notation for such special
> treatments as electric motor, circassian walnut, or other woods. One
> interesting little detail: one of our phono collectors in this area has a
> XVIII Electric drive. The cabinet has a cute decoratice cover over the
> crank hole. Evidently, all cabinets were drilled for the crank.
>
> My XVIII has mahogany finish, and spring motor; a cheapie. The serial
> number is 1277. The name plate on the motor board is the copper one. A few
> years ago, one was on eBay, with a serial number around 1309, and it had
an
> aluminum name plate. So, it appears that, somewhere between mine and the
> one for auction, Victor changed name plates.
>
> At present, I'm getting my Victor Electrola 12-25 put together, checking
> everything carefully before I put power to the amplifier. I did the Go-Jo
> treatment to the cabinet. The finish on it is a mirror. I've never seen a
> cabinet that old, in that perfect shape. I'm anxious to have it going. I
> also have a 12-15 Electrola, and it's dynamite.
>
>
> > [Original Message]
> > From: Andrew Baron <a...@popyrus.com>
> > To: Antique Phonograph List <phono-l@oldcrank.org>
> > Date: 10/21/2009 10:04:42 AM
> > Subject: Re: [Phono-L] Never thought it would happen to me
> >
> > Thanks, Douglas.  Needless to say, the novelty of seeing this visitor
> > in my music room hasn't begun to lose its luster, and the XVIII will
> > soon regain its.
> >
> > I thought of Go-Jo as well, at least as a first step.  The black
> > residue is dense here and there, but it must also be darkening the
> > finish even where it doesn't appear to be built up to opaqueness.
> >
> > Andy
> >
> >
> > On Oct 20, 2009, at 4:46 PM, Douglas Houston wrote:
> >
> > > I've had my  VV-XVIII for about 25 years. It took a moment to
> > > realize just
> > > what I was looking at, but $120.00 was a reasonable price,
> > > regardless of
> > > condition. Everything was there, except the storage albums. One
> > > spring was
> > > broken at the outer end, and was quicly repaired. A going over with
> > > Go-Jo
> > > made it clean as new. I know just how you feel, Andy!
> > >
> > >
> > >> [Original Message]
> > >> From: Mobility Scooters <mobilityscoot...@xtra.co.nz>
> > >> To: Antique Phonograph List <phono-l@oldcrank.org>
> > >> Date: 10/21/2009 1:26:44 AM
> > >> Subject: Re: [Phono-L] Never thought it would happen to me
> > >>
> > >> Andy
> > >> Great story!
> > >> Well done that is just fantastic and to think of  how many people
> > >> must of
> > >> seen it before you did in the afternoon.
> > >> I would say it was waiting for you.
> > >> There will be no stopping you going shopping with your wife for the
> > >> rest
> > > of
> > >> your life. ha ha
> > >> All the very best
> > >> Tony
> > >>
> > >>
> > >> -----Original Message-----
> > >> From: phono-l-boun...@oldcrank.org
> [mailto:phono-l-boun...@oldcrank.org
> > >> ]On
> > >> Behalf Of Ken and Brenda Brekke
> > >> Sent: Tuesday, 20 October 2009 12:57 p.m.
> > >> To: 'Antique Phonograph List'
> > >> Subject: Re: [Phono-L] Never thought it would happen to me
> > >>
> > >> Congrats!!!!  Any chance of posting pictures???
> > >> Ken B.
> > >>
> > >> -----Original Message-----
> > >> From: phono-l-boun...@oldcrank.org
> [mailto:phono-l-boun...@oldcrank.org
> > >> ]
> > > On
> > >> Behalf Of Andrew Baron
> > >> Sent: Monday, October 19, 2009 6:46 PM
> > >> To: Antique Phonograph List
> > >> Subject: [Phono-L] Never thought it would happen to me
> > >>
> > >> From time to time, I've derived vicarious pleasure from reading of
> > >> some
> > > of
> > >> the phono-L members' coincidental discovery and acquisition of a
> > >> particularly sought-after or scarce phonograph.
> > >>
> > >> In general, most of the membership are in areas that are either more
> > >> populated, or nearer to denser metropolitan areas than here in
> > >> Santa Fe,
> > > NM.
> > >> Roll back the calendar a few decades, and my region is pretty
> > >> sparsely
> > >> populated, with more ranching than any kind of manufacturing or
> > >> other work
> > >> that would draw a larger population.
> > >>
> > >> Fewer people = fewer manufactured goods, including phonographs.
> > >> Add to
> > > this
> > >> the budget for a machine that most New Mexicans had (or prioritized
> > >> for
> > >> music) a century or so ago, and you have relatively few phonographs
> > >> to
> > > begin
> > >> with, and most of those in the low-to-middle cost range.  Edison
> > > Standards,
> > >> Victrola IV's, X's and XI's, and low- end Columbias are inevitably
> > >> the
> > >> models that turn up, and usually in none too good a condition if
> > >> not out
> > > of
> > >> a collection.  Naturally some desirable machines were brought here
> > >> later
> > > on,
> > >> but by and large this hasn't amounted to anything significant, and
> > >> there
> > >> isn't much of a collecting community here.
> > >>
> > >> So opportunities to build a collection are rather limited. That being
> > > said,
> > >> I started collecting in 1974, when I was 12, and my Victor 8-30X,
> > >> Edison
> > >> maroon Gem, Edison early A-250 and a Zonophone Grand
> > >> Opera were all acquired here in Santa Fe, current population 72,000.
> > >> Not exactly a small town, but outside of Albuquerque, we are
> > > geographically
> > >> isolated from the big population centers.  The Zonophone was
> > >> brought here
> > >> from New England in the '70s, when its past owner moved here.
> > >>
> > >> To the subject at hand:
> > >> Two days ago, a big local consignment shop was having their annual
> > >> Fall
> > >> sale; everything 30% off.  This event draws what seems like half of
> > >> Santa
> > >> Fe, and while my wife and I usually attend it, we generally wait
> > >> until
> > > late
> > >> in the day to avoid the pressing crowds.  Anyway, most of what the
> > >> shop
> > >> sells is vintage furniture, rugs, artwork, etc., some of it quite
> > >> nice,
> > > but
> > >> rarely anything of particular interest to a phonograph collector,
> > >> so no
> > >> penalty for arriving when convenient.
> > >>
> > >> We had been browsing around for about a quarter of an hour when the
> > >> proprietor let me know that there were "a couple of Victrolas" in
> > >> the next
> > >> room.  We continued looking around in the part of the store where we
> > >> currently were, and after about ten minutes more, I finally said
> > >> that I'd
> > >> like to take a look and see what the phonographs were.  We headed
> > >> casually
> > >> across the distance, through the crowds of people and things toward
> > >> the
> > > next
> > >> room.  No sooner had I uttered the words "These machines are going
> > >> to be
> > >> examples of the most common models, and probably overpriced", than
> > >> I could
> > >> see the unmistakable silhouette of Victor XVII or XVIII, just
> > >> sticking out
> > >> beyond the wall separating the rooms.
> > >>
> > >> Quickening my pace (they were still 20 feet away), I prepared my
> > >> mind to
> > > see
> > >> a Victor XVII, the alternative possibility being somewhat beyond my
> > >> powers
> > >> of imagination.  Still, a Victor XVII would be a great find
> > >> although I
> > >> already own one (courtesy of a very kind tip from a thoughtful
> > >> phono-L
> > >> member, $200, and a 125 mile round-trip to Albuquerque).
> > >>
> > >> Coming up alongside the curvy machine, I noticed first that the top
> > >> curl
> > > of
> > >> the rear corner post was mostly missing -- a clean break from
> > >> bashing the
> > >> machine into a wall or truck bed, no doubt.  I also noticed the fine,
> > >> expressive trim on the cabinet side and the chevron- shaped veneer
> > >> pattern
> > >> and practically leapt the last couple of feet so I could see the
> > >> front of
> > >> the machine, which left no doubt.
> > >>
> > >> There's something unbelievable about finding a top-end machine in New
> > >> Mexico, and even though I have the XVII, and was already well aware
> > >> of the
> > >> differences, I had to see the VV-XVIII on the ID plate with my own
> > >> eyes.
> > >> The 3-digit serial number was also a strange thing to behold on a New
> > > Mexico
> > >> Victrola.  This was a dirty, dusty machine, with some of its edges
> > >> and
> > > trim
> > >> scraped up from careless handling, but at a glance, in generally
> > >> good and
> > >> very solid shape except for a few scrapes and that broken-off upper
> > >> rear
> > >> corner piece.  Definitely not something out of someone's phonograph
> > >> collection, and just as you like to find them
> > >> -- clearly untouched for decades.
> > >>
> > >> A quick appraisal of what it had to offer revealed:
> > >> Original gold V key;
> > >> Gold needle cup, all original casters, all correct knobs, front and
> > >> back;
> > >> Large, gold crank escutcheon detached and screws missing, but still
> > > sitting
> > >> on the crank about a half-inch out from the side of the cabinet; Near
> > >> perfect felt on the platter; Almost certainly the original gold
> > >> Exhibition
> > >> soundbox, Ser. #87347B, never rebuilt; Very, very dirty under the
> > >> lid and
> > > in
> > >> general (what is this greasy, black stuff?); Most of the record
> > >> storage
> > > area
> > >> filled with (non-Victor) matched albums full of classical records,
> > >> and
> > >> otherwise stuffed to the gills with sheet music; Missing the lower
> > >> key
> > >> escutcheon and motor lift knob (and that maddeningly absent corner
> > >> curl).
> > >>
> > >> Price, $650, minus 30%.
> > >>
> > >> Sold!
> > >>
> > >> It's home now, and I'm having fun cleaning it up and getting more
> > > intimately
> > >> familiar with its exquisite details, and learning why this model is
> > >> so
> > >> prized.  It's going to be quite nice, ultimately, with a respectable
> > >> original finish, after a many hours of carefully applied elbow
> > >> grease and
> > >> the appropriate preparations.  The fancy work and doors on the back
> > >> with
> > >> their gold-plated hardware, concealing a nice compartment came as a
> > > complete
> > >> surprise.  You never see this view in the books.  The motor is
> > >> relatively
> > >> clean (very little of the usual greasy build-up, just a yellowed
> > >> film of
> > > old
> > >> hard residue).  A couple drops of oil in all the pertinent places,
> > >> and a
> > >> light coat of fresh
> > >> grease on the governor worm, and it runs very quietly and evenly.
> > >> Even the speed indicator works.  The main springs thud something
> > >> awful
> > > when
> > >> winding down though, so I'll treat the motor to a proper tear- down
> > >> and
> > >> rebuild when I attend to those noisy springs.
> > >>
> > >> Comparing the total production of the spring-motor XVIII to the
> > >> number of
> > >> Victrolas produced puts it at something like 0.0004 of the total
> > >> 1906 - 1929 production, and .0009 of the 1906-1920 production total
> > >> (Roman
> > >> numeral model-number era).  This equates to less than one-tenth of
> > >> one
> > >> percent of the total production of the early Victrola era, and less
> > >> than
> > >> half of that when considering the total Victrola era, if I did my
> > >> math
> > >> right.
> > >>
> > >> Finally (for those who've had the patience to read this far), the
> > >> gold-
> > >> plated motor lift knob was found in the needle cup, and the broken-
> > >> off
> > >> upper-rear corner was found otherwise undamaged, in a recess of the
> > > cabinet.
> > >> It proved a seamless fit to the fracture surface.  Anyone got a key
> > >> escutcheon?
> > >>
> > >> I hope you've enjoyed this story, still fresh from the event and
> > > accurately
> > >> conveyed, and I wish similarly exciting phonograph discoveries for
> > >> those
> > > of
> > >> you who have not yet had the pleasure.
> > >>
> > >> Kindest regards,
> > >> Andy Baron
> > >> _______________________________________________
> > >> Phono-L mailing list
> > >> http://phono-l.oldcrank.org
> > >>
> > >> _______________________________________________
> > >> Phono-L mailing list
> > >> http://phono-l.oldcrank.org
> > >>
> > >> _______________________________________________
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> > >> http://phono-l.oldcrank.org
> > >
> > >
> > >
> > > _______________________________________________
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> >
> > _______________________________________________
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>
>
>
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>



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