Here is where the glycerin + alcohol comes from.

Boiled linseed oil and real turpentine has been used as a gun stock finish for years.

Homemade Softener - There's an age old recipe of consisting of 3 parts water, 2 parts yellow glue, 1 part vegetable glycerin, and 1 part denatured alcohol. This concoction will soften veneer but it's messy, hard to dry, and it will seal the wood cells which can have an effect on the wood's ability to accept a stain. Tip: If you opt to use homemade veneer softener and find that it causes the veneer to stick to the absorbent paper, place a piece of fiberglass cloth between the veneer and the paper. Fiber glass cloth can be found at your local hardware store near the adhesives aisle.



On 05/23/2012 04:53 PM, Philip Carli wrote:
Which do you think is less invasive?  I've always had mixed feelings in the use 
of both linseed oil and turpentine, but am willing to have another opinion to 
change mine...
________________________________________
From: phono-l-boun...@oldcrank.org [phono-l-boun...@oldcrank.org] on behalf of 
Rich [rich-m...@octoxol.com]
Sent: Wednesday, May 23, 2012 5:37 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Victor Orthophonic Credenza adjustment

Boiled linseed oil and real turpentine will work much better. Verify all
joints are tight first.

On 05/23/2012 01:37 PM, Philip Carli wrote:
One thing I've been meaning to do to my Credenza that I've heard good things about is resealing the 
horn with a 50/50 mixture of glycerine and alcohol.  Ideally it involves removing the motorboard 
and all fittings (tone arm etc.) and "painting" the inside of the horn with the machine 
upside down, then the next day turning it upright and doing the same.  The alcohol helps the 
glycerine penetrate the wood and reseal any joinery that might have dried out over time, then the 
alcohol evaporates and leaves the wood revivified.  Supposedly it makes for a more 
"forward" and resonant sound.  Haven't done it yet, but know people who have recommended 
the technique. Philip Carli
________________________________________
From: phono-l-boun...@oldcrank.org [phono-l-boun...@oldcrank.org] on behalf of 
William Berndt [bassethoundt...@gmail.com]
Sent: Wednesday, May 23, 2012 12:53 PM
To: Antique Phonograph List
Subject: [Phono-L] Victor Orthophonic Credenza adjustment

In February I purchased a Victor VE8-30X. I really wanted one with a spring motor, but when I visited Ron Haring, of the six or so machines he had (he has an unbelievable inventory - well worth a visit) one was in such fine condition that I caved and bought it. Having sold my Victor VV4-3, I was initially surprised that it didn't sound as good - rather dull, and less volume. First I removed the tonearm, and discovered there was no gasket underneath, so I made one out of rubber, which improved the sound a bit. I started using my HMV 5B soundbox which greatly helped the higher frequencies, and had been using since, but several people said it still sounded thin with less warmth and bass response than it should have. Recently, I read of adjusting the screw on the soundbox balance bar, and did so in 1/8 turn increments - wow, what a difference! After an hour or so of turns and tests, I now have dramatically more volume, and very nicely balanced with highs like the HMV 5B,
b
ut
    with better bass.

Are there any more "tweaks" I can do?  Ron already replaced the ball bearings 
in the soundbox, and I always use teflon tape on the tonearm end for a tight seal.

Many thanks for any suggestions,

Will
Chicago, IL
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