I'll defend a 1" Fl on 4x5. The first camera I ever built had 0.75" Fl and
I've had great fun with it. It has a wonderfully wide acceptance angle and
makes a nice round image on 4x5 film. Placed 0.75 inches away from the
object it gives a life size image.
----- Original Message -----
From: "Michael Healy" <mjhe...@kcnet.com>
To: <pinhole-discussion@p at ???????>
Sent: Saturday, December 28, 2002 10:23 PM
Subject: Re: [pinhole-discussion] Still Life Compositions


> I need to ask you a dumb question. You are able to get 25 mm of focal
length
> on 4x5? What equipment are you employing, that you can do this? That's a
> separation of 1 lousy inch from pinhole to film plane, isn't it? I'd love
to
> try that myself. My monorail and bag bellows **AND** recessed lens board
> allow me a fat, gross, long-length 50 mm. What is your trick?
>
> Okay, another dumb question. With that kind of coverage on tabletop, it
kind
> of seems like you're going to get the doorway behind you in the image,
plus
> six miles down the length of the hallway, to say nothing of your own
entire
> carcass. So I'm kind of wondering, why are you working with 25 mm? That it
> distorts, would be one good reason. But you'll get distortion with 40-60
mm,
> won't you? Do you have to stick to 25 mm? If I didn't like it that I was
> getting so much into the frame, that probably would be my first point of
> reassessment. Give yourself some bellows. I mean, unless you can position
> your camera so it's a quarter of an inch from your subject matter. I tried
> that recently w/ table top myself. The camera actually cast a shadow onto
my
> subject. Impossible.
>
> Mike Healy
>
> ----- Original Message -----
> From: "Mark Andrews" <mandr...@dragonbones.com>
> To: <pinhole-discussion@p at ???????>
> Sent: Saturday, December 28, 2002 6:47 PM
> Subject: [pinhole-discussion] Still Life Compositions
>
>
> I am novice pinhole photographer looking for some advice regarding
shooting
> still life compositions with my 4X5 Pinhole Camera (25mm focal length).
>
> My issue is that I am trying to limit the elements in my composition, but
> tend to pick up a significant amount of the surrounding area no mater how
> close I am to the still life composition. Is it possible to limit the
> surrounding area? I've seen other pinhole still lifes with a limited
> composition--perhaps this was accomplished in the darkroom?
>
> Many thanks in advance for any advice you can offer.
>
>
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