And one more article worth sharing:

http://blog.touringplans.com/2012/08/24/disney-politically-correct/


>>
The Dangers Of A Politically Correct Disney
<http://blog.touringplans.com/2012/08/24/disney-politically-correct/>

by *Tom Bricker <http://blog.touringplans.com/author/tom.bricker/>* on
August 24, 2012*42 Comments
<http://blog.touringplans.com/2012/08/24/disney-politically-correct/#comments>*

Filed under: Uncategorized
<http://blog.touringplans.com/category/uncategorized/>

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<https://blog-cdn.touringplans.com/wp-content/uploads/2012/08/Walt-Disney-World-608.jpg>

Not even going to touch this attraction's source material...

Over the years, Disney has made a lot of changes to its theme parks that
have no explainable basis other than the pursuit of more politically
correct attractions and experiences. This is no surprise, given that we
live in a sensitive society. To be sure, some of this sensitivity is
absolutely justified. We should live in a society that is aware of its past
transgressions and is intolerant of intolerance
<http://books.google.com/books?id=TdvHKizvuTAC&pg=PA216&lpg=PA216#v=onepage&q&f=false>.
However, attempting to sanitize all elements of culture to be politically
correct is a fool’s errand.

In the past, we have seen some of these sanitation efforts at play in the
Disney theme parks. Famously, Pirates of the Caribbean
<http://touringplans.com/magic-kingdom/attractions/pirates-of-the-caribbean>
was
altered so that instead of pirates chasing after wenches
(err…sorry…females), pirates now run around with gold or are chased by
females. Now, I’m not contending that the scene in its previous form could
not have been construed to ascribe ill-intentions to the pirates, but I
think it takes a fairly literal interpretation of the attraction in order
to view that scene as offensive. If viewing the attraction in such a light,
where do you draw the line? Consistency would require taking offense at
women being auctioned off as “brides,” and actually, should require taking
offense at the premise of the attraction, in general. After all, pirates
are hardly model citizens. Historical and contemporary pirates are heinous
individuals who commit murder, among other terrible things. Is it really
appropriate that we glamorize such atrocious human beings with a popular
attraction and a series of blockbuster films?

<https://blog-cdn.touringplans.com/wp-content/uploads/2012/08/DSC_6521.jpg>

Yes, yes it is. It is acceptable because what’s depicted is not a
glamorized version of real pirates, but a whimsical version of fictional
caricatures of pirates that bear little resemblance to reality.
Essentially, they’re nothing more than a historically rich (albeit
inaccurate) theme for a story arc in an attraction. It’s acceptable because
it doesn’t aim for anything beyond lighthearted entertainment, and any
arguments that it has any sort of causal connection with the promotion or
legitimization of piracy are absolutely laughable. Without having any
statistics in front of me, I can say with a fair degree of certainty that
Pirates of the Caribbean has not caused generations of children to become
pirates or become more accepting of real pirates nor has it caused an
increase in violence or other issues.

<https://blog-cdn.touringplans.com/wp-content/uploads/2012/08/DSC_5744.jpg>

Simply put, it hasn’t bred any sort of unacceptable insensitivity (or
misplaced sensitivity) in our society, which is what properly-aimed
political correctness should seek to address. It’s a theme park attraction,
and a fun and detailed one, at that. Overboard attempts at political
correctness are exactly what’s wrong with the ideology. Offense could be
found in a myriad of culture, and attempting to strip all culture of
offense would have the unintended consequence of stripping culture of a lot
of…well…culture, too. Entertainment would be dull and flat as it attempted
to gloss over our rich and complex world history, which sometimes includes
less than proud moments.

Disney, thankfully, has recognized this and not butchered Pirates of the
Caribbean any further. The Company has refused to budge on other occasions,
arguably when there was justification for the criticism. Peter Pan remains
on store shelves despite its portrayals of Native Americans
<http://www.tolerance.org/blog/challenging-stereotypes-peter-pan>. Dumbo is
still celebrated despite its crows
<http://www.ferris.edu/jimcrow/links/reversal.htm>. The Jungle Book is
still sold despite criticism of King Louie
<http://ramiyashruti.wordpress.com/the-jungle-book-colonial-propaganda-or-wholesome-family-fun/>.
Heck, even The Fox and the Hound has been criticized with the rationale
that because it tried so desperately to avoid insensitivity that it was
actually insensitive and inaccurate
<http://www.adamholwerda.com/cartoonviolence/2006/12/racism-in-disney-films.html>.
More recently, The Avengers drew criticism for its inaccurate stereotypes
<http://www.hollywoodreporter.com/news/avengers-indian-slum-scenes-criticized-bollywood-320792>.
This list could, literally, go on and on.

<https://blog-cdn.touringplans.com/wp-content/uploads/2012/08/Walt-Disney-World-May-2012_036.jpg>

The point with these examples is that no matter what a prominent
entertainment company does or releases, there is going to be some group
that takes offense. The CliffNotes and comical nature of the entertainment
industry pretty much guarantees this. Not everything can (or should–see
PotC) hit the requisite levels of accuracy to satisfy politically correct
concerns while simultaneously telling its story and entertaining. Now, this
isn’t to say that we as a society should throw our collective hands up in
the air at anything that’s in poor taste simply because “it’s in the name
of art.” Moreso that, going forward, we should seek to toe the line between
what is reasonably and what is unreasonably offensive while looking back at
the past not with an eye toward revisionism, but acknowledging where our
society has taken missteps. As the adage goes, “don’t throw the baby out
with the bath water.” Just because entertainment and art (and theme parks
are art
<http://www.consumermachine.com/post/29807638550/theme-parks-as-art-misunderstanding-idealized-fictions>)
past and present has imperfections doesn’t mean that it should cease to
exist or be altered.

<https://blog-cdn.touringplans.com/wp-content/uploads/2012/08/DSC_5129-21.jpg>

With this in mind, we turn to Country Bear Jamboree. The elephant in the
room. I’ve made my strong opinions about Country Bear Jamboree pretty clear
in the past
<http://blog.touringplans.com/2011/05/06/overlooked-attractions-country-bear-jamboree/>:
I think it’s one of the most intelligent and witty attractions at Walt
Disney World. There are presently a lot of rumors floating around about
what’s going to change or be cut from Country Bear Jamboree when it reopens
from its refurbishment. I have no clue as to the veracity of these rumors
nor am I into rumor-mongering, but they’re out there if you want to find
them. Without commenting on the likelihood of these rumors coming to
fruition one way or the other, my stance is that Country Bear Jamboree
should never be altered out of concerns about its political correctness.
(This is not to say it shouldn’t be altered for some other reason.)

Like any entertainment, there are certainly those who take offense to
Country Bear Jamboree. It could be construed as glamorizing child abuse,
violence, alcoholism, and even promiscuity. Beyond that, it presents a
certain period-stereotyping of the culture of the American South. If people
are seeking things to find offensive, they’ll likely find plenty in Country
Bear Jamboree.
[image: Big Al] <http://www.flickr.com/photos/tombricker/3273666388/>

A face only...EVERYONE...could love!

You know what else Country Bear Jamboree has? Bears. Bears are vicious,
cold-hearted murder-machines (just ask past Presidential candidate Stephen
Colbert <http://godlesskillingmachines.org/>). Country Bear Jamboree
glamorizes the savage lifestyle choices of bears! Given this, shouldn’t the
whole thing be ripped out? Of course I’m kidding, but only because the idea
to me that Country Bear Jamboree contains an unacceptable amount of
offensive content is a joke to me. Country Bear Jamboree tells the story of
a band of singing bears. Singing. Bears.

Now, I haven’t met a lot of singing bears in my time, but I’m fairly
certain that this is just their brand of innocuous humor, and that the
bears don’t intend to make serious commentary or endorsements of any
“questionable” topics that have passing reference in their shows. In fact,
I think these singing bears have less of substance to say about these
topics with their punchline-laced jokes than do the average G or PG rated
movies, general-audience television programs, and news media that
frequently address these topics in more detail, with humans, and in a far
more serious manner. I’d hazard a guess that the vast majority of guests
feel the same way given the frequent, audience-wide laughs I hear when I
watch the show multiple times on each trip I take. Like Pirates of the
Caribbean, I’d make a large wager that Country Bear Jamboree has never
caused any child abuse, alcoholism, violence, or has even inspired anyone
to become a singing, man-eating bear.

<https://blog-cdn.touringplans.com/wp-content/uploads/2012/08/6171852687_5c5bb82191_b.jpg>

Disney has surely received some complaints about Country Bear Jamboree’s
subject matter (TouringPlans.com has received at least one such complaint),
just as there likely have been complaints about every attraction and film
Disney has ever made. As a purveyor of rich, themed entertainment *and* as
a responsible corporate citizen, I do think it’s important for Disney to
evaluate all of these claims and concerns and maintain a certain level of
sensitivity in its parks, but while also maintaining the amusing and rich
nature of its offerings. That said, if Disney does choose to err on the
side of catering to the offended, I’d like to officially register my
complaint that Stitch’s Great Escape and Journey into Imagination deeply
offend me.

On Mon, Mar 20, 2017 at 2:10 PM, Keith In Tampa <[email protected]>
wrote:

> Oh, and here is the article that (you obviously didn't read) that you
> attempted to post to the group:
>
>
>
> On Mon, Mar 20, 2017 at 2:09 PM, Keith In Tampa <[email protected]>
> wrote:
>
>> Hey Mags!
>>
>> Thank you for sharing this article; although one could only access the
>> "Abstract" of the article, I went on line through "Academia.com";  (I have
>> written a peer reviewed article in the past, and therefore have access to
>> the site!) and have included the actual paper, which was written some 23
>> years ago by Arnold Berleant.
>>
>> The article is good, for a number of reasons, and although it doesn't
>> really touch upon yours or my point, it does suggest that Disney; *e.g.;*
>>  "Disney World" Parks, do in fact share and portray a, "*National-Cultural
>> Environment*".
>>
>> The bottom line?  This isn't "Opinion"; it's fact Mags!  The precepts of
>> Disney, Disney World and it's media conglomerate "ABC/ESPN/Disney" are far
>> different than the conservative American that Walt Disney and his company
>> once were.  For you to deny this fact is telling!
>>
>> https://pages.shanti.virginia.edu/disneysvisionforamerica/wa
>> lt-disney-innovater-public-figure/
>>
>> *"Walt Disney was one of the most influential Americans of the 20th
>> century, especially for the ways in which his films, animation, comic
>> strips, documentaries, songs, business and theme parks impacted American
>> culture. In his works, Walt Disney used political impulses, especially in
>> his adherence to the American past and small-town traditional values, to
>> reflect on the major events of the 20th century. His work engaged concepts
>> we have studied so far in Viewing America such as the military-industrial
>> complex, The Cold War, HUAC, anti-communism, labor unions, gender roles,
>> consumerism and the American nuclear family."*
>>
>> *"There were many incidents during Disney’s life that helped to form his
>> political conservatism. One example is that during World War II, there was
>> a strike at the Disney studio, which infuriated Walt. After this incident
>> he became strongly opposed to unions. Later during the war, the studio
>> became a supply base for American troops. While Walt supported the war, he
>> was known for being very frustrated with the government during this time.
>> For example, the company did not get paid for some of their Wartime
>> productions. Disney eventually became weary of big government. After World
>> War II, Walt famously testified before HUAC during an investigation of
>> communism in the entertainment industry. Disney claimed that everyone in
>> his office was “American”. He reaffirmed his distain for labor unions and
>> commented on how those who had been a part of the strike in his office were
>> a communist group who were trying to influence his artists. Thus to Disney,
>> to be communist was to be un-American."*
>>
>> *"Although Disney claimed to be politically neutral in interviews, there
>> are many political undertones in Disney productions. What were some
>> political themes in the works of Walt Disney? Disney characters upheld
>> “traditional” gender roles and ideologies. His view of the family was also
>> traditional and sentimental. Disney grew up on a farm in rural Missouri,
>> and he used themes of virtuous American folk and stressed individualism in
>> his productions. He believed in cultural imperialism, especially that the
>> values of the US middle class could lead to prosperous societies around the
>> world."*
>>
>> *=====================*
>>
>> There's more:
>>
>> *We tend to think of Hollywood as a bastion of leftism, and rightly so.
>> Books like Ron Radosh’s Red Star Over Hollywood demonstrate the deep-seated
>> left-wing dominance of the entertainment industry. Even with the leftism
>> prevalent in Hollywood’s Golden Age, many unabashed conservatives found
>> success without compromising their principles, including one of the most
>> creative minds in the business — Walt Disney.*
>>
>> *Several biographers and writers that I’ve read have tried to declare
>> that Walt Disney was apolitical, but I find this conclusion not to be true.
>> Diane Disney Miller once said that her father was “kind of a strange
>> figure” politically, and Walt admitted his own political naiveté:*
>>
>> *A long time ago, I found out that I knew nothing whatsoever about this
>> game of politics and since then I’ve preferred to keep silent about the
>> entire matter rather than see my name attached to any statement that was
>> not my own.*
>>
>> *But plenty of people surrounding Walt Disney knew the truth: that he was
>> conservative to his core. Ward Kimball, one of Disney’s “Nine Old Men,”
>> said that Walt’s right-leaning politics made him uncomfortable and that
>> politics drove a rift in their friendship in Disney’s later years. Radical
>> writer Maurice Rapf, who worked on several Disney films, including Song of
>> the South, said, “He was very conservative except in one particular — he
>> was a very strong environmentalist.” However, Walt Disney’s conservatism
>> did not manifest itself until after he had been a businessman for several
>> years.*
>>
>> There is clearly a different mind-set at Disney today, than there was
>> even thirty years ago.  I grew up here in Tampa, and remember when Disney
>> first opened.  When I was in Junior High School and even in High School,
>> Disney was a frequent destination!  (I haven't been there now in over 30
>> years; other than the Disney Sports Complex a couple of times, and the
>> "Blues Bar/Concert Island" the name of which escapes me right now); but I
>> can remember being forced to change my shirt within the park, because I
>> wore a Kawasawki Motorcycle Tee-Shirt that was utilizing their current ad
>> campaign, "*Put Something Exciting Between Your Legs!*" and the Disney
>> Park officials deemed the phrase, "Non-Family Friendly".....I can recall
>> the first attempts by Gays to enter the park "en-mass" being rejected and
>> turned away; likewise, Anita Bryant was under contract by Disney.
>>
>> I could give dozens of examples, but rest assured, Disney no longer
>> embraces the familial values that it once did; and the management is very
>> much "Uber-Left" as compared to even 30 years ago.
>>
>>
>>
>>
>>
>>
>>
>>
>> On Mon, Mar 20, 2017 at 1:24 PM, ImStillMags Mags <[email protected]>
>> wrote:
>>
>>> http://onlinelibrary.wiley.com/doi/10.1111/j.1468-5930.1994.
>>> tb00106.x/abstract?systemMessage=Wiley+Online+Library+will+b
>>> e+unavailable+on+Saturday+25th+March+from+07%3A00+GMT+%2F+
>>> 03%3A00+EDT+%2F+15%3A00+SGT+for+4+hours+for+essential+main
>>> tenance.++Apologies+for+the+inconvenience.
>>>
>>> On Monday, March 20, 2017 at 8:53:35 AM UTC-7, KeithInTampa wrote:
>>>>
>>>> Good Morning Mags!
>>>>
>>>> Can you give some examples?  Specifically how Disney promoted some set
>>>> of values or standards that were controversial and/or not uniformly
>>>> accepted Nationwide?
>>>>
>>>>
>>>> --
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>>
>>
>

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