Jon Weisberger wrote:
>
> An interesting comment. I'd say that the *technique* isn't especially a
> bluegrass one - Monroe and most of the other major bluegrass singers of
> Jones' younger days don't clench their jaws - but the emotional content of
> that, the physical restraint/emotional outpouring dialectic, if you will
> <g>, is a prominent feature of the style.
I always feel like bluegrass tenors are singing more up in their heads,
with their noses, rather than their mouths. To me, not a bluegrass
expert by any means, it almost defines the style. No vibrato, either.
--
Joe Gracey
President-For-Life, Jackalope Records
http://www.kimmierhodes.com
