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Friday, January 08, 2010

PURPLE PATCH: The three principles -Charles Darwin 



 No doubt as long as man and all other animals are viewed as independent 
creations, an effectual stop is put to our natural desire to investigate as far 
as possible the causes of expression. By this doctrine, anything and everything 
can be equally well explained; and it has proved as pernicious with respect to 
expression as to every other branch of natural history. With mankind some 
expressions, such as the bristling of the hair under the influence of extreme 
terror, or the uncovering of the teeth under that of furious rage, can hardly 
be understood, except on the belief that man once existed in a much lower and 
animal-like condition. The community of certain expressions in distinct though 
allied species, as in the movements of the same facial muscles during laughter 
by man and by various monkeys, is rendered somewhat more intelligible, if we 
believe in their descent from a common progenitor. He who admits on general 
grounds that the structure and habits of all animals have been gradually 
evolved, will look at the whole subject of expression in a new and interesting 
light.

The study of expression is difficult, owing to the movements being often 
extremely slight, and of a fleeting nature. A difference may be clearly 
perceived, and yet it may be impossible, at least I have found it so, to state 
in what the difference consists. When we witness any deep emotion, our sympathy 
is so strongly excited, that close observation is forgotten or rendered almost 
impossible; of which fact I have had many curious proofs. Our imagination is 
another and still more serious source of error; for if from the nature of the 
circumstances we expect to see any expression, we readily imagine its presence. 
Notwithstanding Dr Duchenne's great experience, he for a long time fancied, as 
he states, that several muscles contracted under certain emotions, whereas he 
ultimately convinced himself that the movement was confined to a single muscle.

I will begin by giving the three principles, which appear to me to account for 
most of the expressions and gestures involuntarily used by man and the lower 
animals, under the influence of various emotions and sensations. I arrived, 
however, at these three principles only at the close of my observations. The 
three principles are as follows:

I. The principle of serviceable associated habits:

Certain complex actions are of direct or indirect service under certain states 
of the mind, in order to relieve or gratify certain sensations, desires, etc.; 
and whenever the same state of mind is induced, however feebly, there is a 
tendency through the force of habit and association for the same movements to 
be performed, though they may not then be of the least use. Some actions 
ordinarily associated through habit with certain states of the mind may be 
partially repressed through the will, and in such cases the muscles which are 
least under the separate control of the will are the most liable still to act, 
causing movements which we recognise as expressive. In certain other cases the 
checking of one habitual movement requires other slight movements; and these 
are likewise expressive.

II. The principle of antithesis:

Certain states of the mind lead to certain habitual actions, which are of 
service, as under our first principle. Now when a directly opposite state of 
mind is induced, there is a strong and involuntary tendency to the performance 
of movements of a directly opposite nature, though these are of no use; and 
such movements are in some cases highly expressive.

III. The principle of actions due to the constitution of the nervous system, 
independently from the first of the will, and independently to a certain extent 
of habit:

When the sensorium is strongly excited, nerve-force is generated in excess, and 
is transmitted in certain definite directions, depending on the connection of 
the nerve-cells, and partly on habit: or the supply of nerve-force may, as it 
appears, be interrupted. Effects are thus produced which we recognise as 
expressive. This third principle may, for the sake of brevity, be called that 
of the direct action of the nervous system.

With respect to our first principle, it is notorious how powerful is the force 
of habit. The most complex and difficult movements can in time be performed 
without the least effort or consciousness. It is not positively known how it 
comes that habit is so efficient in facilitating complex movements; but 
physiologists admit "that the conducting power of the nervous fibres increases 
with the frequency of their excitement". This applies to the nerves of motion 
and sensation, as well as to those connected with the act of thinking. That 
some physical change is produced in the nerve-cells or nerves which are 
habitually used can hardly be doubted, for otherwise it is impossible to 
understand how the tendency to certain acquired movements is inherited. That 
they are inherited we see with horses in certain transmitted paces, such as 
cantering and ambling, which are not natural to them, in the pointing of young 
pointers and the setting of young setters in the peculiar manner of flight of 
certain breeds of the pigeon, etc. We have analogous cases with mankind in the 
inheritance of tricks or unusual gestures, to which we shall presently recur. 
To those who admit the gradual evolution of species, a most striking instance 
of the perfection with which the most difficult consensual movements can be 
transmitted, is afforded by the humming-bird Sphinx-moth (Macroglossa); for 
this moth, shortly after its emergence from the cocoon, as shown by the bloom 
on its unruffled scales, may be seen poised stationary in the air, with its 
long hair-like proboscis uncurled and inserted into the minute orifices of 
flowers; and no one, I believe, has ever seen this moth learning to perform its 
difficult task, which requires such unerring aim.

(This extract is taken from The Expression of the Emotions in Man and Animals 
by Charles Darwin)

Charles Darwin was an English naturalist who realised that all species of life 
have evolved over time from common ancestors


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