On: Mon, 17 Nov 2003 Matt wrote:-

> Regarding Dig and ASA, I was always told that a chip has a fixed
> sensitivity of around 12.5 ASA and the rest was done by amplifying the
> signal off the chip. Its a bit like turning up the volume on yer HI-Fi but
> you can only give it so much Gain before distortion sets in i.e. Noise etc .
> This is why top end dig back makers tend to avoid it as a feature.

The definition of an electrical amplifier is "a piece of wire with gain" and
an analogy with hi-fi is a close one. Analog hi-fi to be precise. Chips
record fluctuating light levels as electrical signals along with random
analog signal noise. A high signal to noise ratio means an optically clean
image without artifacts. Actually, chips will record beyond 10-12 stops,
only they are clipped to make something useable as a signal. Colour is not
actually colour as with film, but a heavily treated electrical signal that
conforms to a mathematical model of colour, commonly called a colourspace.

I am amused at the recent proliferation of RAW-file 'treatments' software to
process what are simply data-dumps off a chip. Seems that different
manufacturers have different ideas as to what constitutes good colour with
on-board software. Firmware updates are an admission of failure.

Yes, a raw-feed straight off the chip would be very useful (as a standard
high-end feature in 2005 please) I mean, when you buy a decent electric
guitar, the first thing everybody does is to replace the pickups and
strings. Make sure it goes up to eleven.

Anyway, mass produced water-cooled chips are going to be with us very soon.

Pause for thought......how many of us 'high-end' digital practioners have
ever seen true fidelity colour in either capture and/or in reproduction? I
say this as a lot of what is said about high-end capture is wishful hearsay.
In fact, with a bit of lateral thinking about post-signal processing it is
possible for anyone on a low-to-no budget to achieve really excellent
fidelity of colour and tonality with lo-fi digital capture. I kid you not.

William Curwen

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