Chris, Great explanation. Keith Reedy Click the link below to download MP3's of Keith Reedy's music as a gift from Bibles For The Blind.
http://biblesfortheblind.org/download_music.shtml God gives His best to those who leave the choice with Him. J Hudson Taylor. On Mar 30, 2012, at 12:28 PM, Chris Norman wrote: > Picture this: > You have your three singers from your previous example. You've eq'd > each track, so they sound fine on their own, but you think "Wow, I'd > love to add reverb and delay". If you put both reverb and delay onto > each track, it'll take up a fair few resources, and you may get some > odities, because either the reverb will reverberate the delay sound, > or vice verser. So, you create an Aux send, which you put reverb on. > Then you could send all the tracks you want the reverb on, to that 1 > track, then you could send another to another channel with delay on. > This keeps everything isolated, and means if you decide you > particularly love your reverb sound, you don't need to chuck the same > settings on multiple tracks. > > Also, if you had the hardware, you could use an AUX send for a monitor > feed, which you could then send to your headphones, or a line of > monitors or something. > > HTH > > On 30/03/2012, Steve Martin <monkeypushe...@gmail.com> wrote: >> I will say this much. your basic understanding of it is on the right track. >> On Mar 29, 2012, at 10:00 PM, "Christopher-Mark Gilland" >> <clgillan...@gmail.com> wrote: >> >>> I don't even know what they do on a regular board. >>> >>> Thank you though for your help. >>> >>> I'll go have a read and see what I can come up with. >>> >>> Chris. >>> >>> ----- Original Message ----- From: "Slau Halatyn" <slauhala...@gmail.com> >>> To: <ptaccess@googlegroups.com> >>> Sent: Thursday, March 29, 2012 9:54 PM >>> Subject: Re: Please help me with documentation >>> >>> >>> Hi Chris, >>> >>> Find the document called "Intro to Pro Tools." I'm using Snow Leopard and >>> it's in the following directory: >>> Macintosh HD>Applications>Digidesign>Documentation>Pro tools. >>> Open the file and do a search for "aux," in other words, type Command-f >>> and do a standard search. You should get about 4 results. Move to the >>> Outline area and navigate to the second entry. Stop interacting with the >>> Outline and move to the left. You'll find a description of auxiliary >>> inputs. >>> >>> Auxiliary inputs are just like any auxiliary inputs on an analog console >>> but they're more versatile because they can instantly take their source >>> from a bus. Hopefully this will get you started. >>> >>> Slau >>> >>> On Mar 29, 2012, at 9:24 PM, Christopher-Mark Gilland wrote: >>> >>>> I don't expect you all to help me much until I've done a thorough read on >>>> this topic, and frankly, that's fair. I'll come back when I have red and >>>> need things more clarified, but can someone show me on my Pro tools DVD >>>> where in the documentation I need to go to read up on what an auxiliary >>>> track is? I'm just not getting the whole concept of a aux, a send, >>>> receive, and a bus is? >>>> >>>> I kind a get it, but not really. Here's what I'd say in my own words. >>>> Maybe you all can help me. If I want help here, I need to not just say I >>>> think I get something a move on. How can you all help me, if I don't at >>>> least work with you all and try!? >>>> >>>> So, my understanding, with that in mind, of an aux track or is that my >>>> first misatke right there, it's not a track, it's a send? Anyway, is, >>>> it's used for routing certain tracks, be them audio, or midi through >>>> another empty track which is specifically used more for global >>>> processwing? So like, if I had say, a music track, then I had 3 singers >>>> that came in my studio to dubb their vocals... Rather than taking say, >>>> both the females, and processing them the same exact way on various >>>> inserts individually, I could route them through an AUX track, then go >>>> down to that AUX track and on insert A, I may add some say... oh... I >>>> dono, let's just for sake, sake compression dynamics. Now, because they >>>> are both routed to that AUX track, the effects now are gonna be applied >>>> to both the female tracks at the same time. >>>> >>>> Am I getting this correctly, or, honestly, no? Not exactly. >>>> >>>> You're looking at me I'm sure saying, no, not even close. Chris, you >>>> need to go read. I know I do! I'm willing! Just please tell me what >>>> file to bring up, and how within that file to search and find the section >>>> I need to read. >>>> >>>> I'll be using Preview within Snow Leopard to access the pdf files. >>>> >>>> Thank you. >>>> >>>> Chris. >>> >> >> > > > -- > Take care, > > Chris Norman. > > <!-- chris.norm...@googlemail.com -->
