is a control surface to do transport and a lot other functions.
Anyway, I’ll be using pt mainly for post production, not for recording 
anything. Your classes are great for post production as well?
If yes, I’' would like board the boat to take the course with you!

Best,
Juan.
From: Christopher-Mark Gilland 
Sent: Wednesday, May 21, 2014 11:08 PM
To: ptaccess@googlegroups.com 
Subject: Re: pt tutorials

I'm not even totally sure what the Artist Transport is, so in short, probably 
not.  LOL!

Chris.

  ----- Original Message ----- 
  From: Juan Pablo 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, May 21, 2014 9:52 PM
  Subject: Re: pt tutorials

  Chris, I have an artist transport as well. Are you planning cover the use of 
the avid artist transport?
  Best,
  juan.

  From: Christopher-Mark Gilland 
  Sent: Wednesday, May 21, 2014 10:00 PM
  To: ptaccess@googlegroups.com 
  Subject: Re: pt tutorials

  I'll admit the ones I did on Applevis only go up to lesson 7.  I never 
finnished them due to personal reason.  I'd rather not go into the specifics.  
I'll just say it didn't work out for reasons beyond my control.

  This said, I am! now offerring a webinar which we are doing once every week.  
The classes last for 1 hour.  There is no requirement to attend live.  In fact, 
a lot of the students don't.  You will get access to a password protected web 
site area where you may download mp3 archives of the past lessons.  This 
Friday, we will be on lesson 4.  I said that this was going to be an 8 week 
long series, but at the rate things are moving, it probably will wind up being 
more than that.

  Anyway, it's not too late to register.  Again, yeah, you'd be coming in 
somewhat late, but remember, you'd have access to all 3 of the previous lessons 
in mp3 format as well, so really technically, you'd not lose anything, and you 
could listen at your own pace.

  The main reason I stopped doing things on Applevis was because of bandwidth 
issues along with some other more  minor things as well.  Mainly lifestyle 
changes with at the time prevented me from continuing.  I have no intention 
however of prematurely stopping these lessons that I'm doing now.

  The cost to register is $100.  Again, you'll have access to a password 
protected web site area where you can download the sessions that we are working 
on in class to follow along with, you can download all of the mp3 archives of 
the lessons, you will be able with your computer and microphone to participate 
live during the webinars and get your questions answered, you'll be added 
optionally if you wish, to a members only student discussion e-mail list where 
students can share and bounce ideas off one another.  You'll also get access to 
textual documentation notes from each lesson.

  Here is just a small example of things that have been, or will be covered.  
Again, this list may be a bit scatter braned.  It's not an official contents, 
but it'll at least give you an idea how thorough I plan to go with this.

  What is ProTools
  Why it, over Sonar or other DAWS
  What even is! a DAW in the first place
  Optimising your system for ProTools
  Hardware and compatibility
  Why use a full sized keyboard
  The quick start dialog
  Setting session parameters such as sample rate, etc.
  Exploring the mix window
  The track list table
  Selecting and unselecting tracks
  Muting, arming, and soloing tracks
  What are groups
  Difference in mix and edit groups
  Sorting, hiding, showing, and deactivating tracks
  Scrolling tracks into view
  Track termanology: audio, midi, AUX input, Instrument etc.
  The new track dialog
  Inserting more than one track at a time
  Rewinding and fast forwarding
  Loop playback
  Jumping to a position
  Selecting a range of audio
  Placemarkers
  Setting nudge value
  Nudging
  Selecting Audio
  Regions
  Fading
  Writing automation
  Working with inserts
  Working with sends
  Reading the meter
  Resetting the meter
  The Edit window
  Counter cluster
  Absolute grid vs. shuffle
  The selecter tool

  Setting time signature
  Setting tempo opperations
  Click tracks
  The metronome
  Countdown
  Working with midi and instrument tracks
  Quantizing
  Good mixing practices
  Things not to do, that have potential of ruinning an absolutely gorgeous! 
recording

  Comping
  Working with playlists
  Selecting between hours minutes seconds frames, vs. bars beats ticks

  That about covers it!

  If you're interested in regizterring, please let me know off list, and I'll 
be happy to give you the address to send your payment via PayPal, and we'll get 
you set up in the system.

  My address is:

  clgillan...@gmail.com

  Thanks.

  Chris.

    ----- Original Message ----- 
    From: TheOreoMonster 
    To: ptaccess@googlegroups.com 
    Sent: Wednesday, May 21, 2014 6:22 PM
    Subject: Re: pt tutorials

    Hello, 

    Can’t find my copy of kevin’s at the moment. However if you visit 
http://www.applevis.com and search for Pro Tools you should find the ones Chris 
did.

    On May 21, 2014, at 10:34 AM, Juan Pablo <jpcula...@gmail.com> wrote:


      HI guys,
      finally i’ve my imac with pt 11 installed. Can any of you redirect me to 
the kevin gibs tutorials? Pt looks like a monster, a lot of options and 
controls and I cannot doing the basics, create a track with two chanels and 
assing and audio file in each, or, put some clips and drop in tracks. So, if 
you can tell me when can I locate the tutorials I’ll be much apreciated.

      best,
      Juan.

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