I definitely think you would probably get something out of this, yes. I guess
my number 1 question would be, when you say post production, are you speaking
more of editting, or what specifically would you be needing to do?
Chris.
----- Original Message -----
From: Juan Pablo
To: ptaccess@googlegroups.com
Sent: Wednesday, May 21, 2014 10:39 PM
Subject: Re: pt tutorials
is a control surface to do transport and a lot other functions.
Anyway, I’ll be using pt mainly for post production, not for recording
anything. Your classes are great for post production as well?
If yes, I’' would like board the boat to take the course with you!
Best,
Juan.
From: Christopher-Mark Gilland
Sent: Wednesday, May 21, 2014 11:08 PM
To: ptaccess@googlegroups.com
Subject: Re: pt tutorials
I'm not even totally sure what the Artist Transport is, so in short, probably
not. LOL!
Chris.
----- Original Message -----
From: Juan Pablo
To: ptaccess@googlegroups.com
Sent: Wednesday, May 21, 2014 9:52 PM
Subject: Re: pt tutorials
Chris, I have an artist transport as well. Are you planning cover the use
of the avid artist transport?
Best,
juan.
From: Christopher-Mark Gilland
Sent: Wednesday, May 21, 2014 10:00 PM
To: ptaccess@googlegroups.com
Subject: Re: pt tutorials
I'll admit the ones I did on Applevis only go up to lesson 7. I never
finnished them due to personal reason. I'd rather not go into the specifics.
I'll just say it didn't work out for reasons beyond my control.
This said, I am! now offerring a webinar which we are doing once every
week. The classes last for 1 hour. There is no requirement to attend live.
In fact, a lot of the students don't. You will get access to a password
protected web site area where you may download mp3 archives of the past
lessons. This Friday, we will be on lesson 4. I said that this was going to
be an 8 week long series, but at the rate things are moving, it probably will
wind up being more than that.
Anyway, it's not too late to register. Again, yeah, you'd be coming in
somewhat late, but remember, you'd have access to all 3 of the previous lessons
in mp3 format as well, so really technically, you'd not lose anything, and you
could listen at your own pace.
The main reason I stopped doing things on Applevis was because of bandwidth
issues along with some other more minor things as well. Mainly lifestyle
changes with at the time prevented me from continuing. I have no intention
however of prematurely stopping these lessons that I'm doing now.
The cost to register is $100. Again, you'll have access to a password
protected web site area where you can download the sessions that we are working
on in class to follow along with, you can download all of the mp3 archives of
the lessons, you will be able with your computer and microphone to participate
live during the webinars and get your questions answered, you'll be added
optionally if you wish, to a members only student discussion e-mail list where
students can share and bounce ideas off one another. You'll also get access to
textual documentation notes from each lesson.
Here is just a small example of things that have been, or will be covered.
Again, this list may be a bit scatter braned. It's not an official contents,
but it'll at least give you an idea how thorough I plan to go with this.
What is ProTools
Why it, over Sonar or other DAWS
What even is! a DAW in the first place
Optimising your system for ProTools
Hardware and compatibility
Why use a full sized keyboard
The quick start dialog
Setting session parameters such as sample rate, etc.
Exploring the mix window
The track list table
Selecting and unselecting tracks
Muting, arming, and soloing tracks
What are groups
Difference in mix and edit groups
Sorting, hiding, showing, and deactivating tracks
Scrolling tracks into view
Track termanology: audio, midi, AUX input, Instrument etc.
The new track dialog
Inserting more than one track at a time
Rewinding and fast forwarding
Loop playback
Jumping to a position
Selecting a range of audio
Placemarkers
Setting nudge value
Nudging
Selecting Audio
Regions
Fading
Writing automation
Working with inserts
Working with sends
Reading the meter
Resetting the meter
The Edit window
Counter cluster
Absolute grid vs. shuffle
The selecter tool
Setting time signature
Setting tempo opperations
Click tracks
The metronome
Countdown
Working with midi and instrument tracks
Quantizing
Good mixing practices
Things not to do, that have potential of ruinning an absolutely gorgeous!
recording
Comping
Working with playlists
Selecting between hours minutes seconds frames, vs. bars beats ticks
That about covers it!
If you're interested in regizterring, please let me know off list, and I'll
be happy to give you the address to send your payment via PayPal, and we'll get
you set up in the system.
My address is:
clgillan...@gmail.com
Thanks.
Chris.
----- Original Message -----
From: TheOreoMonster
To: ptaccess@googlegroups.com
Sent: Wednesday, May 21, 2014 6:22 PM
Subject: Re: pt tutorials
Hello,
Can’t find my copy of kevin’s at the moment. However if you visit
http://www.applevis.com and search for Pro Tools you should find the ones Chris
did.
On May 21, 2014, at 10:34 AM, Juan Pablo <jpcula...@gmail.com> wrote:
HI guys,
finally i’ve my imac with pt 11 installed. Can any of you redirect me
to the kevin gibs tutorials? Pt looks like a monster, a lot of options and
controls and I cannot doing the basics, create a track with two chanels and
assing and audio file in each, or, put some clips and drop in tracks. So, if
you can tell me when can I locate the tutorials I’ll be much apreciated.
best,
Juan.
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