Right now, that's a major want, but can't afford it. I have to balance what
now is luxury vs. what I truly need/can afford. Smile.
Nice interface though, I'll grant you that.
---
Christopher Gilland
JAWS Certified, 2016.
Training Instructor.
clgillan...@gmail.com
Phone: (704) 256-8010.
----- Original Message -----
From: Andy B.
To: ptaccess@googlegroups.com
Sent: Monday, May 02, 2016 7:23 PM
Subject: Re: I need a little reverb: how can I do this?
Safire Pro 24…
On May 2, 2016, at 7:13 PM, Christopher-Mark Gilland
<clgillan...@gmail.com> wrote:
Andy,
I can't quite do that, as this interface, for one, only has 1 headphone
out. I plan however to get that fixed eventually. Right now though, I only
can have one pare of headphones connected at a time. It royally sucks, but you
do what you gotta do.
---
Christopher Gilland
JAWS Certified, 2016.
Training Instructor.
clgillan...@gmail.com
Phone: (704) 256-8010.
----- Original Message -----
From: Andy B.
To: ptaccess@googlegroups.com
Sent: Monday, May 02, 2016 7:03 PM
Subject: Re: I need a little reverb: how can I do this?
Send the wet mix through a bus assigned to their headset. Then, send the
dry mix through a bus routed to your headset. When you mix the session down to
a distributable track, mute the wet mix so it doesn’t get included in the final
bounce.
On May 2, 2016, at 3:50 PM, Christopher-Mark Gilland
<clgillan...@gmail.com> wrote:
Guys,
I have a situation that I'm a little unsure how to deal with. I have
an Alesis Multi-Mix 4 USB audio interface. This thing's pretty much bare bone
as basic as they come. There is absolutely no effects on this thing at all.
Absolutely none. They do make a model that has effects onboard, but mine is
the step model below that.
So, I have a vocalist who is going to be recording later this week in
my studio. They are a very good singer for the most part, but the issue is,
they get a little nurvous hearing themselves naturally singing through a
microphone. Therefore, it's always been their thing to doctor their voice up
by splashing auto-tune all over themselves, which of corse sounds God aweful in
the long run. What we would like to do is, though I have direct monitorring on
my interface, which yes, I can turn on or off, I don't have a way of sending
reverb through the direct monitor output, which I really wouldn't ideally wanna
do anyway.
I know in ProTools how to instantiate a reverb plugin on one of the
inserts. I also know how to route an audio track through a send and then send
the signal to an auxiliary track, but the thing is, short of bumping the wet
mix of that reverb way up, then just bringing it back down in the long run, is
there a way I can somehow have an effect like reverb, or compression, or
whatever plug I choose to only go through the monitorring of ProTools? In
other words, I want to hit shift R on the track to arm it, but I want seperet
settings for what they hear through their headphones than what gets actually
recorded into PT. Say I wanted them to hear themselves with lots of wet
reverb, but I only wanted the actual recording on the track to have just a real
real real slight shimmer of reverb which hardly is even audible. Can I somehow
separate what they hear from what goes through the actual DAW itself? I just
figure that if I can allow them not only to hear their voice back as they're
singing, but if I can give them a little reverb, so they don't sound so dry, it
may encourage them to relax a bit.
Chris.
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