This is all irrelevant at the moment whether or not you have multiple 
headphones out on your interface or not. As JPR pointed out just adjust the 
reverb to taste during mixing. Recording with a plug instantiated doesn’t 
actually print the reverb sound to the recording so you can still just adjust 
it 
to how you want it when mixing after the singer is done. 

> On May 2, 2016, at 7:34 PM, Christopher-Mark Gilland <clgillan...@gmail.com> 
> wrote:
> 
> Right now, that's a major want, but can't afford it.  I have to balance what 
> now is luxury vs. what I truly need/can afford.  Smile.
>  
> Nice interface though, I'll grant you that.
> ---
> Christopher Gilland
> JAWS Certified, 2016.
> Training Instructor.
>  
> clgillan...@gmail.com <mailto:clgillan...@gmail.com>
> Phone: (704) 256-8010.
>> ----- Original Message ----- 
>> From: Andy B. <mailto:sonfir...@gmail.com>
>> To: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
>> Sent: Monday, May 02, 2016 7:23 PM
>> Subject: Re: I need a little reverb: how can I do this?
>> 
>> Safire Pro 24…
>> 
>>> On May 2, 2016, at 7:13 PM, Christopher-Mark Gilland <clgillan...@gmail.com 
>>> <mailto:clgillan...@gmail.com>> wrote:
>>> 
>>> Andy,
>>>  
>>> I can't quite do that, as this interface, for one, only has 1 headphone 
>>> out.  I plan however to get that fixed eventually.  Right now though, I 
>>> only can have one pare of headphones connected at a time.  It royally 
>>> sucks, but you do what you gotta do.
>>> ---
>>> Christopher Gilland
>>> JAWS Certified, 2016.
>>> Training Instructor.
>>>  
>>> clgillan...@gmail.com <mailto:clgillan...@gmail.com>
>>> Phone: (704) 256-8010.
>>>> ----- Original Message ----- 
>>>> From: Andy B. <mailto:sonfir...@gmail.com>
>>>> To: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
>>>> Sent: Monday, May 02, 2016 7:03 PM
>>>> Subject: Re: I need a little reverb: how can I do this?
>>>> 
>>>> Send the wet mix through a bus assigned to their headset. Then, send the 
>>>> dry mix through a bus routed to your headset. When you mix the session 
>>>> down to a distributable track, mute the wet mix so it doesn’t get included 
>>>> in the final bounce.
>>>> 
>>>>> On May 2, 2016, at 3:50 PM, Christopher-Mark Gilland 
>>>>> <clgillan...@gmail.com <mailto:clgillan...@gmail.com>> wrote:
>>>>> 
>>>>> Guys,
>>>>>  
>>>>> I have a situation that I'm a little unsure how to deal with.  I have an 
>>>>> Alesis Multi-Mix 4 USB audio interface.  This thing's pretty much bare 
>>>>> bone as basic as they come.  There is absolutely no effects on this thing 
>>>>> at all.  Absolutely none.  They do make a model that has effects onboard, 
>>>>> but mine is the step model below that.
>>>>>  
>>>>> So, I have a vocalist who is going to be recording later this week in my 
>>>>> studio.  They are a very good singer for the most part, but the issue is, 
>>>>> they get a little nurvous hearing themselves naturally singing through a 
>>>>> microphone.  Therefore, it's always been their thing to doctor their 
>>>>> voice up by splashing auto-tune all over themselves, which of corse 
>>>>> sounds God aweful in the long run.  What we would like to do is, though I 
>>>>> have direct monitorring on my interface, which yes, I can turn on or off, 
>>>>> I don't have a way of sending reverb through the direct monitor output, 
>>>>> which I really wouldn't ideally wanna do anyway.
>>>>>  
>>>>> I know in ProTools how to instantiate a reverb plugin on one of the 
>>>>> inserts.  I also know how to route an audio track through a send and then 
>>>>> send the signal to an auxiliary track, but the thing is, short of bumping 
>>>>> the wet mix of that reverb way up, then just bringing it back down in the 
>>>>> long run, is there a way I can somehow have an effect like reverb, or 
>>>>> compression, or whatever plug I choose to only go through the monitorring 
>>>>> of ProTools?  In other words, I want to hit shift R on the track to arm 
>>>>> it, but I want seperet settings for what they hear through their 
>>>>> headphones than what gets actually recorded into PT.  Say I wanted them 
>>>>> to hear themselves with lots of wet reverb, but I only wanted the actual 
>>>>> recording on the track to have just a real real real slight shimmer of 
>>>>> reverb which hardly is even audible.  Can I somehow separate what they 
>>>>> hear from what goes through the actual DAW itself?  I just figure that if 
>>>>> I can allow them not only to hear their voice back as they're singing, 
>>>>> but if I can give them a little reverb, so they don't sound so dry, it 
>>>>> may encourage them to relax a bit.
>>>>>  
>>>>> Chris.
>>>>> 
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