If you're trying to simulate what's called "doubletracking", where someone performs the track twice to make a fuller sound, you're going to have to decide what degree you want to do this. The more work you put into it the more it'll sound like two different performances. First play the track, but don't get too precise with the note placement, so you'll need to quantize the result. Copy it to another track either by using the Split Track function or by creating another track and pasting the data from one track into the other. Now quantize the two tracks, but use a different percent strictness value between them. This will give you subtle differences in the attack in both tracks. Now you need to vary pitch a bit. You can do this one of two ways. If your instrument supports RPN controller information then you can use the fine tune RPN. Send the values to activate it, as specified by James in a prior message but using a value of 1 for the second controller, then use controller 38 to vary the pitch slightly for each note. Set your pitch bender to this controller, as it's a controller where the center is 0 and values go up or down. A little of this goes a long way, so don't get to exuberant with it. If your instrument doesn't support controller 38 as a high definition data entry slider use controller 6. This will give you the variance in pitch you need to get a true doubletracking effect. If your instrument doesn't support the fine tune RPN then you're stuck with the pitch bender. Either slightly detune the sound and leave it, or do subtle bender changes through the track to get slight pitch variances. Always default to your ears on this kind of stuff, as they're what's going to tell you if it sounds right or not.
-----Original Message----- From: [email protected] [mailto:[email protected]] On Behalf Of Alex Westphal Sent: Monday, July 11, 2016 12:44 AM To: QWS list <[email protected]> Subject: QWS List Another question Hi James and all! Thanks first for helping me out with this pitch range stuff and for this midi file. I know have another question. Let's say I have a guitar track and want to make another one, so that it sounds, well, like two guitars, then I have two simmilar instruments without any difference. How can I tune one of these guitars so fine, that it dissents from hte other one? Sure, I could use a chorus, but I have no idea to change the chorus type of my tyros with CC or RPM or SysEx. So that's the only way that I can think of at this time. -- Best regards Alex To unsubscribe or change list options, see http://lists.andrelouis.com for archived list posts, see http://www.mail-archive.com/[email protected] To unsubscribe or change list options, see http://lists.andrelouis.com for archived list posts, see http://www.mail-archive.com/[email protected]
