> I never did that, but I do come with classical background and writing
> classical score by drawing sticks in MIDI editor and not being able to
> work on actual notation sounds like a joke to me. Especially since RG
> is able to show several tracks in one notation editor which you cannot
> do with matrix editor. Being able to edit data for multiple tracks
> simultaneously simply rocks.
>

I don't think that's what the OO guys are after, although I'll let
them speak for themselves.

My usual workflow goes like this:

1) I notate the music using a notation editor.

2) Depending on the complexity of the part and how expressive do I
need it to be I do one of these:

  2a) I perform it live and record it to a "stick" sequencer for some
tweaking, or

  2b) From the notation editor I export a MIDI version to a "stick"
sequencer and edit it heavily, possibly using several tracks for a
single part and including heavy quantization and tempo changes that
would result in a completely unreadable score view.

In the context of music of which I want to make an elaborate sampler
rendition I don't really have any use for synchronized score/stick
versions of a track. Do you actually need the "stick" view when you
just want a straight boring MIDI playback to check out harmonies and
such?

L

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