I recall that as well, Mr Worf. And the way R2 moved was VERY similar to the 
way that Huey, Dewey and Louie moved in "Silent Running"...





---------[ Received Mail Content ]----------

 Subject : Re: [RE][scifinoir2] "Moon" puts fiction back in science fiction

 Date : Sun, 12 Jul 2009 23:22:21 -0700

 From : "Mr. Worf" <hellomahog...@gmail.com>

 To : scifinoir2@yahoogroups.com


Speaking of Silent Running, I remember reading someone that Lucas stole the
idea for R2D2 from that movie. Does anyone here remember hearing about
something like that?

On Sun, Jul 12, 2009 at 9:00 AM, Keith Johnson wrote:

>
>
> I listen to a weekly podcast called "Filmspotting" where two well-informed
> guys talk about movies. It's a very enjoyable show. They tend to steer a bit
> away from the obvious mass-marketing stuff --they see the likes of "Star
> Trek" and "Transformers", but tend to discuss films more based on those they
> feel are more focused on good writing, acting, saying something, original
> films that aren't rehashes, films that take chances. I wouldn't call them
> "stuffy" by any means, and I learn a great deal from them. In a world where
> most critics and viewers only go to the Rotten Tomatoes method, it's nice to
> still hear people really analyze film on levels other than the CGI, action,
> and Meagan Fox's attributes.
>
> They reviewed "Moon" and both really liked it. They said the writer and
> director both stated it's impossible to make a good scifi flick that doesn't
> borrow from or pay homage to films that have come before. So they went in
> with that mindset, and pay homage to other great scifi films, learning from
> them, but, according to the Filmspotting guys, not just ripping them off. It
> reminds one of "Solaris", and "2001", and a couple of others, including
> "Silent Running", but doesn't come off as a copy of any of those, according
> to these guys. .Their take is that it's a good, thought-provoking movie that
> uses Rockwell and Spacey well, and both lamented that it'll get lost amidst
> the summer CGI and action fluff. You can check it out at their site, as
> "Moon" is currently featured: http://www.filmspotting.net/
>
> Based on that, I plan to check it out...
>
>
>
>
>
>
> ----- Original Message -----
> From: "George Arterberry" 
> To: scifinoir2@yahoogroups.com
> Sent: Sunday, July 12, 2009 5:06:21 AM GMT -05:00 US/Canada Eastern
> Subject: Re: [RE][scifinoir2] "Moon" puts fiction back in science fiction
>
>
>
> Soalris is written all over this. I may see it but not in a rush to do so.
>
> --- On *Sat, 7/11/09, Milton Davis * wrote:
>
>
> From: Milton Davis 
> Subject: Re: [RE][scifinoir2] "Moon" puts fiction back in science fiction
> To: scifinoir2@yahoogroups.com
> Date: Saturday, July 11, 2009, 9:41 PM
>
> I heard it was good. I'll have to check it out.
>
> --- On *Sat, 7/11/09, Amy Harlib * wrote:
>
>
> From: Amy Harlib 
> Subject: Re: [RE][scifinoir2] "Moon" puts fiction back in science fiction
> To: scifino...@yahoogro ups.com
> Date: Saturday, July 11, 2009, 12:25 AM
>
> 
>
> ahar...@earthlink. net
> I saw Moon and loved it! It's that rare thing - an SF film that actually
> has an intelligent plot and good characterization as well as excellent
> visuals. It's still playing in a couple of art houses here in NYC.
>
> Cheers!
> Amy
>
>
> Not to stir you up again, Martin, but that's the slight thing that worries
> me about the new Star Trek. More focus on the gadgetry and FX than the
> original, and I wince when I hear people say (as the Onion spoofed) that it
> was "fun!". As if that's all there is to "Trek" to be meaningful, and all
> they want going forward.
>
> ----- Original Message -----
> From: "Martin Baxter" 
> To: scifino...@yahoogro ups.com
> Sent: Friday, July 10, 2009 4:02:21 PM GMT -05:00 US/Canada Eastern
> Subject: [RE][scifinoir2] "Moon" puts fiction back in science fiction
>
>
>
> rave, this draws me to the movie more than its initial premise.
>
> Also reminds me of an argument I had with my Last Ex, her decrying science
> fiction for being "little more than flashy lasers and zoomy spaceships". If
> I were still on speaking terms with her, I'd forward her this.
>
>
>
>
> ---------[ Received Mail Content ]----------
> *Subject : *[scifinoir2] "Moon" puts fiction back in science fiction
> *Date : *Fri, 10 Jul 2009 16:53:12 -0000
> *From : *"ravenadal" 
> *To : *scifino...@yahoogro ups.com
>
> http://www.youtube. com/watch? v=lhIB0mqbPiE
>
> http://www.jsonline .com/entertainme nt/movies/ 50384927. html
>
> Lonely man in the 'Moon'
>
> By Duane Dudek of the Journal Sentinel
>
> Posted: July 9, 2009
>
> "Moon" is one small step for mankind.
>
> It puts the fiction back into science fiction, not because it's
> unbelievable but because it's a life-size and plausible portrait of our
> daily gravity.
>
> Too many genre films are virtual, superheroic variations on arbitrary
> themes and are slaves to the digital technologies that allow them to portray
> anything.
>
> The less-is-more aesthetic of "Moon," by comparison, is a reminder that
> true creativity is a function of ideas and imagination. In much the same way
> we take for granted the fact that science drives our lives in countless and
> invisible ways, "Moon" takes a satisfyingly pragmatic approach to the
> extraordinary.
>
> And in the process, it puts a human face and heart at the center of its
> universe - a man in the moon, if you will.
>
> Sam Rockwell portrays the only human employee at a lunar factory where his
> companion is a HAL-like computer named Gerty, voiced by Kevin Spacey.
>
> For technical reasons, Rockwell cannot communicate directly with home; he
> sees his daughter grow up in tape-delayed messages from his wife and watches
> old sitcom reruns. Rockwell is just two weeks away from completing a
> three-year service contract and returning to Earth. If he is going a bit
> buggy, talking to his plants and seeing things, these seem a reasonable
> response to his isolation.
>
> Unless, of course, they represent something else.
>
> Perhaps things are not as they seem. Perhaps he is not really alone. Or
> perhaps he is more alone than he knows.
>
> Lunacy runs in the family of director Duncan Jones: His singer-songwriter
> father, David Bowie, imagined all manner of star men, space oddities and
> spiders from Mars. But if there is an apple-doesn' t-fall-far- from-the-
> tree quality to the material, the approach has its roots in the golden age
> of science fiction.
>
> The miniatures, matte paintings and digital effects do not dazzle; like
> Rockwell's space suit worn with use, they add a scruffy realism. The way
> Jones' camera looms over cramped spaces like a surveillance video adds a Big
> Brother feel to the piece.
>
> And the edgy, slightly crazed Rockwell, practically the only actor in the
> film, is a sympathetic, cautionary figure howling at the moon.
>
> "Moon" is not about the dangers of technology, but mankind's misuse of it.
>
> Even before President John Kennedy vowed to make landing on the moon a
> national priority, the exploitation of it for war or profit seemed
> inevitable. "Moon" portrays such possibilities, in service of some greater
> good, as the banal oppression of the very qualities that make us human.
>
> E-mail: ddu...@journalsenti nel.com
>
>
>
>
>
>
> http://www.youtube. com/watch? v=JQdwk8Yntds
>
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>
>
>
>
> 
>



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