That's often true, but not always. Even the people who aren't great martial 
artists get stage fighting training, and a good director can make the fighting 
look better. Think of Matt Damon in the Bourne movies. The action's fast and 
furious, true, but in the first movie it's still easier to follow the blows and 
kicks than in most movie fare. And Damon's not a real martial artist. He's 
received a lot of instruction in what is in effect stage fighting, and then the 
director and fight choreographers make it look good. The same applies to Keanu 
Reeves, Laurence Fishburne--heck, all the major leads in the Matrix films. True 
they had way more martial arts training than most action film actors, but they 
still weren't experts. It really does boil down to preparation, good fight 
choreography, and competent direction/cinematography. 
They've been filming fight scenes for decades with non-experts. I really think 
the problem boils down to younger directors who just don't get the essentials, 
and really think they have to use the camera to goose the action. Being subtle 
is just a lost art to this new crew. 

----- Original Message ----- 
From: "Mr. Worf" <hellomahog...@gmail.com> 
To: scifinoir2@yahoogroups.com 
Sent: Friday, January 1, 2010 6:56:03 PM GMT -05:00 US/Canada Eastern 
Subject: Re: [scifinoir2] BBC America brings back Van Helsing in Demons 






I think the difference in a lot of the older films and now was that they 
actually had martial arts skills. If someone back then didn't have skills they 
would slow down the film speed to speed them up on playback. Now they shoot a 
lot tighter shots and often the two people are not in the same shot, so you see 
someone kicking, but it is not connecting to anything. Then they cut to the 
kick connecting in a completely different shot. 


On Fri, Jan 1, 2010 at 9:26 AM, Keith Johnson < keithbjohn...@comcast.net > 
wrote: 








I disagree that Blair Witch is more of a gimmick, as you seem to suggest. I 
think the "guessing" was actually suspenseful. I see why you aren't crazy about 
it though: people loved or hated it. Despite its simplistic nature, i an watch 
it right now and still be creeped out by it. For me it evokes those feelings of 
being lost and alone in a strange place, of fearing things that go bump in the 
night, and of not knowing whether one is being menaced by curious fortest 
animals, ghouls, or simple mundane serial killers. 



But i agree that many of its better elements have been co-opted by way too many 
in H'wood, with disastrous results. If you read any of my posts here, you know 
i detest the new trend for shaky and over-active camera work. It's one thing to 
add a bit of FX to enhance a story, but the folks directing and shooting 
nowadays have no concept of subtlety. When I saw G.I. Joe, i was amazed at how 
awful the camera work was. I literally couldn't tell what was going on in the 
fights. I'd see a move, and say "I *think* it was a cool move", but couldn't be 
sure because the camera literally didn't stay on a single angle for more than 
*two* seconds in a single fight or battle scene (i started timing them). 



Recently the retro film channels on cable have been running a lot of Bruce Lee 
and Jet Li marathons and the like. I sit there and watch great fights, 
including both men doing things that still amaze me. And with Lee, especially, 
I watch the camera stand back from a vantage where I can see everything he's 
doing, i can see his opponent(s), I can take it all in, it's fast-paced and 
exciting, but it's not dizzying. I really don't get why so many directors are 
doing this. 


----- Original Message ----- 
From: "Omari Confer" < clockwork...@gmail.com > 
To: scifinoir2@yahoogroups.com 
Sent: Friday, January 1, 2010 4:47:40 AM GMT -05:00 US/Canada Eastern 
Subject: Re: [scifinoir2] BBC America brings back Van Helsing in Demons 







Blair Witch was clever....thus does not hold up over time. Its a one time thing 
that puts people in seats and becomes more of a sign post in the road to 
cinematic progression. 

The cleverness has now been co-opeted and you see the shaky camera 
everywhere.... 

There is nothing old school about Blair Witch. You want the audience to think 
not to guess... 

Purposeful suspense is golden.. done by many aand mastered by few 

Nothing beats simple solid storytelling.... 



c w m 


On Thu, Dec 31, 2009 at 12:18 PM, Keith Johnson < keithbjohn...@comcast.net > 
wrote: 









But see, I liked Blair Witch, and I don't think it fits the mold we're 
discussing. I have no problems with inexpensive filmmaking. I salute someone 
who can turn a profit. But Blair Witch was cleverly done; indeed, it's the 
exact opposite of the CGI-porn, torture-porn, overactive camera-porn we're 
discussing. It's an old school film in that the viewer has to use imagination 
to fill in the blanks--it's not all painted on screen for us. No, what I'm 
decrying is stuff like Transformers, G.I. Joe, even the over active Star Trek. 


----- Original Message ----- 
From: "Omari Confer" < clockwork...@gmail.com > 
To: scifinoir2@yahoogroups.com 



Sent: Wednesday, December 30, 2009 11:01:26 PM GMT -05:00 US/Canada Eastern 
Subject: Re: [scifinoir2] BBC America brings back Van Helsing in Demons 







Why pay for a great story when CGI is less expensive? 

(why is Uwe Boll still working) 

Short term....flash bulbs and scarlet liquid is the thing.. 

Long term....content is king.. 


You make your reputation in the long term but you make the money in the short 
term. 

For every Merchant Ivory film...you have to make a Blair Witch... 

c w m 


On Wed, Dec 30, 2009 at 9:46 PM, Keith Johnson < keithbjohn...@comcast.net > 
wrote: 









I agree about Van Helsing. But I always find myself wondering: do we *have* to 
produce CGI/FX/action heavy films over sturdy writing and acting to get younger 
people to watch? I guess that tail-wagging-dog question is brought up with 
every new generation, but I often feel that if we give people good quality, 
they'll appreciate it and learn to like it. 
The method of just giving up is like saying there's no use to cook a good 
hamburger or steak anymore, because everyone's palette is ruined by McDonalds 
and places like that. Can't people still appreciate a superior burger when 
one's given to them? 


----- Original Message ----- 
From: "Omari Confer" < clockwork...@gmail.com > 
To: scifinoir2@yahoogroups.com 



Sent: Wednesday, December 30, 2009 10:26:44 PM GMT -05:00 US/Canada Eastern 
Subject: Re: [scifinoir2] BBC America brings back Van Helsing in Demons 










Van Helsing, along with all genre work these days is designed for teens that 
have never seen a classic horror movie. Never seen Lon chaney or Frankenstein 
fight Dracula... 

In this post Matrix age, things have to be visually appealing before anything 
else......forget that we just watched Dances with Wolves.....in Blue D. 

Van Helsing is just carmel popcorn made of a corn substitute.... 

The movie was born for cable. 


On Sat, Dec 26, 2009 at 9:32 PM, Keith Johnson < keithbjohn...@comcast.net > 
wrote: 









I had to chuckle when reading about "Van Helsing". I despise the movie. I was 
critiquing it the whole time phyllis and I watched it in the theatre: the 
anachronistic rock soundtrack, the bad dialogue, Kate Beckinsdales (who I think 
is hot as hell) with that horrible on-again-off-again accent, the bad CGI, the 
stupid characters, the horrible camera work. It's the movie that to me 
showcases the rather empty talent the director is, as he'd put out barely 
passable fare with the Mummy movies 
Funny thing is, my older brother--a big scifi fan himself--loves Van Helsing. 
He is always trying to convince me that I'm too hard on it, and make me change 
my opinion. He thinks I'm a bit of a hard ass in the way I review and critique 
movies, saying I miss the fact that every movie has things in it to like. We 
have different tastes. He tends to like things that are a bit more fluff, fun, 
and visually striking. While I like those things, i tend to focus more on good 
acting and realistic plots. For example, he doesn't like the darker themes in 
the comic and animation worlds, while I love them. At any rate, he's on me all 
the time about "Van Helsing", even getting irritated when I repeat for the 
eleventy millionth time that I hate it. 
And don't get me started on his feelings about my indifference towards "The 
Fifth Element"! 


----- Original Message ----- 
From: "Tracey de Morsella" < tdli...@multiculturaladvantage.com > 
To: scifinoir2@yahoogroups.com 
Sent: Saturday, December 26, 2009 4:41:10 PM GMT -05:00 US/Canada Eastern 
Subject: [scifinoir2] BBC America brings back Van Helsing in Demons 









Though I still haven't forgiven the great Dr. Abraham Van Helsing for allowing 
that awful movie with Hugh Jackman to be made about him -- or for not showing 
up and killing the entire cast of the Twilight -- I'm excited to catch his 
descendants on the new British import, Demons . 

A new horror series from the writers of past British hits Hex and Merlin , 
Demons features Philip Glenister ( Life on Mars, Ashes to Ashes ) as cold, 
stern American Rupert Galvin. The yank must recruit the last descendant of Van 
Helsing to join forces with him commit to life battling monsters -- before 
those monsters kill him. 

Demons unveils a world just out of humans' sight -- full of vampires and other 
inhumans. (Insert joke about politicians here.) Luke Rutherford (Christian 
Cooke) is the "everykid" teenager forced to come to terms with the harsh 
reality that he's the direct descendant of the vampire-hunting Van Helsing. 

To train Luke, Galvin calls on the beautiful, haunted Mina Harker (Zoe Tapper), 
a blind concert pianist and authority on the beasts preying on humanity. The 
creepy Father Simeon (Richard Wilson) is Luke's other teacher on the lore 
behind his enemies. 

Looking at the pilot, I do wish the hero was a little older as I don't want to 
see "Jim Henson's Van Helsing Babies." But, I'll give it a shot. 

Demons premieres Saturday, January 2, 10:00 p.m. on BBC America. 

http://www.tvsquad.com/2009/12/20/bbc-america-brings-back-van-helsing-in-demons/
 











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