Mr Worf, you left off what happened after he waded through that first bunch, 
when he reached the elevator. ;-)

"If all the world's a stage and all the people merely players, who in bloody 
hell hired the director?" -- Charles L Grant

http://www.youtube.com/watch?v=fQUxw9aUVik




To: [email protected]
From: [email protected]
Date: Sun, 7 Feb 2010 21:21:09 -0800
Subject: Re: [scifinoir2] Great Action Flicks on TCM Tonight


















 



  


    
      
      
      Yes. There are two good fight scenes in the movie after he is released 
from captivity. There is one long fight where he takes on all of the henchmen 
for one of the bosses that he was tracking. It was in a basement and a slow 
side scroll to it. He only had his fists when he came in but he fought about 20 
guys hand to hand. It wasn't martial arts really but more like a style he 
invented while he was imprisoned. 



On Sun, Feb 7, 2010 at 8:02 PM, Keith Johnson <[email protected]> wrote:








        












So "Oldboy" has good fight scenes? I was completely caught off guard at the 
first fight scene in "Eli". The way it was silhouetted, the quick and brutal 
nature of it, but the fact that I could follow everything--it was heaven to me 
in this ADD world in movie direction.


----- Original Message -----
From: "Mr. Worf" <[email protected]>
To: [email protected]

Sent: Sunday, February 7, 2010 4:26:16 PM GMT -05:00 US/Canada Eastern
Subject: Re: [scifinoir2] Great Action Flicks on TCM Tonight








 



  


    
      
      
      We end up with ADD style directors or mumblecore as style of direction. 
The fight scene in Eli reminded me of the fight scene in Oldboy.


On Sun, Feb 7, 2010 at 11:56 AM, Martin Baxter <[email protected]> 
wrote:









        

















Keith, I think you once said that too many of today's movie directors grew up 
in the Video Music Era, and the Crazy-Cut Technique is all they know. Too many 
of the Old Guard have either hung up their chairs or are only able to direct 
every five to ten years, owing to age. It's an era which, IMO, we'll never get 
back. :-(



"If all the world's a stage and all the people merely players, who in bloody 
hell hired the director?" -- Charles L Grant

http://www.youtube.com/watch?v=fQUxw9aUVik






To: [email protected]
From: [email protected]


Date: Sun, 7 Feb 2010 09:43:35 +0000
Subject: Re: [scifinoir2] Great Action Flicks on TCM Tonight


















 



  


    
      
      
      
Some of it may have been the time and money, but I think more of it was 
director's aesthetic tastes. In watching "The Book of Eli" a couple of weeks 
ago, I was impressed at how the Hughes brothers had more of an old school take 
on cinematography. The fight scenes were brief but brutal, and I could see 
everything very well. They used wide shots, pan-and-zoom, to let me take 
everything in, without all the crazy quick cuts and multiple angles a lot of 
other directors use. I really think directors like Scorsese, Redford, Spike 
Lee, etc., just think it's a better way to tell a story. note that in Britain, 
Mexico, France, and other countries, there's a lot less of this music video 
type direction than in American film.



----- Original Message -----
From: "Mr. Worf" <[email protected]>
To: [email protected]


Sent: Sunday, February 7, 2010 2:30:01 AM GMT -05:00 US/Canada Eastern
Subject: Re: [scifinoir2] Great Action Flicks on TCM Tonight








 



  


    
      
      
      I think that they had to stick to stagnant angles in older movies because 
they usually only had one or two cameras running at once, because they couldn't 
afford more than that. If they wanted multiple angles they would reset the 
scene then reshoot it. 




Now they can afford to rent 10 or 20 cameras and set them up at 50 angles and 
record them all in one take. 

The thing with big actors is that they don't want to take direction from the 
director. So some of them believe whatever their point of view is, is more 
valid than the director's vision. Which I believe is wrong!   





On Sat, Feb 6, 2010 at 6:20 PM, Keith Johnson <[email protected]> wrote:








        












Watching it now. I was just telling my wife jubilantly, "they just don't film 
movies like this anymore!" Nowadays  director would have twenty thousand camera 
angles, and you'd never be able to follow the action. This thing is fast-paced 
and exciting as hell, but I can take it all in.




Speaking of great car chase scenes, another all-time one is from "Ronin", one 
of my fav films. And I also love the classic pursuit of Batman's car in "Batman 
Begins".

----- Original Message -----



From: "Martin Baxter" <[email protected]>
To: "SciFiNoir2" <[email protected]>



Sent: Saturday, February 6, 2010 9:01:42 PM GMT -05:00 US/Canada Eastern
Subject: RE: [scifinoir2] Great Action Flicks on TCM Tonight








 



  


    
      
      
      


I'm there right now, waiting for that chase scene, Keith. "Bonnie and Clyde" 
I'll be passing on, as it aired just last month. "The French Connection", 
though, is a must, particularly since I picked up a bit of trivia about Gene 
Hackman's performance in it. In the scene where he roughs up the suspect, 
Hackman nearly quit the movie. An ardent liberal, he almost couldn't bring 
himself to do the scene.




"If all the world's a stage and all the people merely players, who in bloody 
hell hired the director?" -- Charles L Grant

http://www.youtube.com/watch?v=fQUxw9aUVik








To: [email protected]
From: [email protected]


Date: Sun, 7 Feb 2010 01:57:57 +0000

Subject: [scifinoir2] Great Action Flicks on TCM Tonight


















 



  


    
      
      
      
http://www.tcm.com/2010/31Days/index.jsp

You know what? Forget SyFy Originals. Forget the eleventy-millionth airing of 
"Caprica". Blow off Lifetime Movies. Turner Classic Movies is airing a great 
block of films tonight. Starting at 8 pm EST, we have Steve McQueen in  
"Bullitt", with the man-of-few-words McQueen, and one of the great car chases 
of all time. That's followed at 10 pm by "The French Connection", with a 
typically intense Gene Hackman in one of the other great car chases of all 
time. And then, at midnight, it's "Bonnie and Clyde", Warren Beatty's violent 
New Hollywood tale of the famous robbers.




The movies are part of TCM's "31 Days of Oscar", a month long airing of 
Oscar-wnning and -nominated films done every year. This is a great time to 
catch up on some of the best films of all time, from "Casablanca" to "Citizen 
Kane", from "Some Like it Hot", to "Cabin in the Sky".   The good thing about 
TCM is that in addition to showing Oscar-nominated films, this being Black 
History Month, they also show a lot of classic Black film dating back to the 
'20s. Ethel Waters in "Cabin in the Sky" is just one example. It's about the 
only place I've seen this and many other of those films from that time.




Gonna be a long fun night!



    
     

    
    






                                          
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Celebrating 10 years of bringing diversity to perversity! 
Mahogany at: http://groups.yahoo.com/group/mahogany_pleasures_of_darkness/







    
     

    
    



  



    
     

    
    






                                          
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Celebrating 10 years of bringing diversity to perversity! 
Mahogany at: http://groups.yahoo.com/group/mahogany_pleasures_of_darkness/






    
     

    
    



  









    
    









-- 
Celebrating 10 years of bringing diversity to perversity! 
Mahogany at: http://groups.yahoo.com/group/mahogany_pleasures_of_darkness/





    
     

    
    






                                          
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