A nice and logical response, Rawatji. Way to go.
Warm Regards
~~~
Vinayak
On Tue, Oct 21, 2008 at 10:33 AM, V S Rawat <[EMAIL PROTECTED]> wrote:
> On 10/21/2008 5:37 AM India Time, _s_sundarr_2000_ wrote:
>
> > My take:
> >
> > 1) Once Yuvvraaj comes to an end, one wonders that which of the songs
> > from the album would turn into a chartbuster.
>
> My take:
>
> Shano is going to be most popular.
> Mastam is going to be the runner up.
>
> in terms of chart toppings.
>
> > 2)Dil kas rishta, manmohini and tu muskura are the top 3 numbers no
> > doubt. One similarity I could notice is the use of ALAAP in all 3,
> > Whenever he uses them, its almost a gauranteed hit. Good track tu
> > muskura becomes excellent bcoz of javed ali's alaap.
>
> yeah, these songs are great and soothin.
>
> But, a hip hop dance song would always become more popular than soothing
> songs.
>
> >
> > 3)I have an excellent audio system, somehow the other numbers are just
> > petrol on top of water, doesn't sink in.
>
> Sundar can't listen, saala.
> :-)
>
> >
> > 4)Not "all" rahman tracks grows on you.
>
> We all say that before the tracks grow on us. :-)
>
> >
> > 5)Picturisation may save some tracks, which cannot be said at this time.
>
> Picturization had helped many an albums in the past and turned the chart
> toppings.
>
> In 80s, Madhuri Dixit/ Anil Kapoor's film Beta (Anand Millind)'s Koyal
> Si Teri Boli was ruling the charts but when the movie got released, the
> sensuous picturization of Dhak Dhak Karne Laga moved to the top and
> removed Koyal.
>
> In 90s, Madhuri Dixit/ Sanjay Kapoor's film Raja (Nadeem Shravan)'s
> Nazrein Mili Dil Dhadka was a hit but when the movie got released, the
> naughty, mischievous picturization of Ankhiyaan Milaaoon Kabhi moved to
> the top and removed Love you raja.
>
> Of course, picturization can help and anything can happen.
>
> But, there is a catch.
>
> Ghai is still holding his musical sensitivities, but his directorial
> capabilities have taken a down slide. His films are not doing well, and
> he has lost the grip on public's pulse. His latest many movies are
> outright shabbiliy made.
>
> Even taal was badly made movie. Other than Anil Kapoor's new type of
> practical, pragramtic, wordly-wise characterization, there was nothing
> new in Taal that one can notice and remember (of course, Aish's beauty
> and ARR's music were there). The scene where Akshay's dad insults Aish
> and her father and the way Akshay reacts was outright sickening.
>
> Pardes's climax of Mahima running away, and then showing the guy's love
> bites to the elders was sickening.
>
> Yaadein's climax of that shareholders' meeting showing cards to jury the
> fate of love of the duo was unrealistic.
>
> So, I am not expecting much, visually, from Subhash Ghai this time also.
>
> In any case, this album has its own perfect foundation and it would
> bring viewers to the theatres, exactly what happened in Taal, even the
> movie is badly done.
>
> >
> > 6)Ghai rightly quoted "Taal - Best Musical Ever" from rahman. He
> > knows, rahman knows...
>
> A statement is valid at the time it is made. That EVER meant SO FAR. It
> has been 9 years. They are duly entitled to revise their statement or
> surpass it.
>
> >
> > Cheers
> > Sundar (melbourne).
>
> Thanks
> --
> Rawat
>
>
