Re: [NetBehaviour] The Blockchain- Change Everything Forever - a Furtherfield Film
:-)) --- kanonmedia ngo for new media alexandra reill write to: 12/24, richtergasse, a 1070 vienna mail to: alexandra.re...@kanonmedia.com <mailto:alexandra.re...@kanonmedia.com> call: ++43[0]6991 820 70 03 visit: http://www.kanonmedia.com <http://www.kanonmedia.com/> --- > Am 23.10.2016 um 13:41 schrieb ruth catlow <ruth.cat...@furtherfield.org>: > > Hi All, > > We have made a short film called The Blockchain- Change Everything Forever > about the impact of blockchain technologies. You can read about it and watch > it online here. <http://www.furtherfield.org/projects/blockchain> The London > launch of the film is this Thursday evening - see below for details and sign > up if you want to come along. We'd love to see you there. > > Ruth > > > <http://crm.furtherfield.org/sites/all/modules/civicrm/extern/url.php?u=882=119703> > > > > <http://crm.furtherfield.org/sites/all/modules/civicrm/extern/url.php?u=883=119703> > > > Furtherfield would like to invite you to a Blockchain Meetup on 27 October > 6-8pm hosted by Digital Catapult > <http://crm.furtherfield.org/sites/all/modules/civicrm/extern/url.php?u=884=119703> > at the Digital Catapult Centre, 101 Euston Road London, NW1 2RA > > Register here > <http://crm.furtherfield.org/sites/all/modules/civicrm/extern/url.php?u=885=119703> > The meetup will launch the ‘Blockchain: Change Everything Forever’ > <http://crm.furtherfield.org/sites/all/modules/civicrm/extern/url.php?u=886=119703> > film with drinks and networking for people interested in future > possibilities for blockchain technologies. > > > During the meetup we’ll look to broaden and engage the discussion further to > understand: > > What can a blockchain do? > Who builds this new reality? > How will we rule ourselves? > How will the future be different because of the blockchain? > > > The Blockchain – Change everything forever > <http://crm.furtherfield.org/sites/all/modules/civicrm/extern/url.php?u=883=119703> > is part of Furtherfield's Art Data Money > <http://crm.furtherfield.org/sites/all/modules/civicrm/extern/url.php?u=887=119703> > programme which seeks to build a commons for the arts in the network age. > > > > Furtherfield is supported by Arts Council England through the National > Portfolio funding programme, Haringey Council and the generosity of > individual supporters. > > > <http://crm.furtherfield.org/sites/all/modules/civicrm/extern/url.php?u=882=119703> > > > > -- > Co-founder Co-director > Furtherfield > > www.furtherfield.org <http://www.furtherfield.org/> > > +44 (0) 77370 02879 > > Bitcoin Address 197BBaXa6M9PtHhhNTQkuHh1pVJA8RrJ2i > > Furtherfield is the UK's leading organisation for art shows, labs, & debates > around critical questions in art and technology, since 1997 > > Furtherfield is a Not-for-Profit Company limited by Guarantee > registered in England and Wales under the Company No.7005205. > Registered business address: Ballard Newman, Apex House, Grand Arcade, Tally > Ho Corner, London N12 0EH. > > ___ > NetBehaviour mailing list > NetBehaviour@netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] The Critical Atlas of the Internet
Dear undertakers. dear discussion list, aha; what are the fifteen partitions? and how would you ever manage to perform an analysis of the www? Under obviously given circumstances - relating to time management, resources and generation of know how? ? gs --- kanonmedia ngo for new media alexandra reill write to: 12/24, richtergasse, a 1070 vienna mail to: alexandra.re...@kanonmedia.com call: ++43[0]6991 820 70 03 visit: http://www.kanonmedia.com --- Am 10.06.2016 um 16:10 schrieb furtherfield <furtherfiel...@gmail.com>: > The Critical Atlas of the Internet. > > An interview with Louise Drulhe by Chloe Stavrou, on Furtherfield. > > The Critical Atlas of the Internet, Louise Drulhe’s latest project, is a > virtual and physical exploration of the Internet space. The implications of > our physical actions in ‘real-time’ are not only timeless in ‘cyberspace’, > but also constitute for the making of an obscure Internet architecture every > time we browse the web. > > The Atlas itself, functions as an enveloping notebook of Drulhe’s discerning > methodology in desiring to represent the geography and architecture of the > ‘unseen’ Internet territory. Initially a graphic designer, Drulhe’s practice > has meticulously evolved into including cyber-spatial analysis. She yearns to > understand the sociological, political and economical issues that appear > online, or are exasperated by an online presence – ‘a territory we spend time > in without knowing its shape’. > > The Critical Atlas of the Internet, by being parted between fifteen different > hypotheses, sheds light on matters such as the monopolisation of non-physical > spaces, the possibility of encumbered networks and the potential forms of the > Internet. > > http://bit.ly/1YhK7Ug > > ___ > NetBehaviour mailing list > NetBehaviour@netbehaviour.org > http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] La Cura: possibilities?
:-)))
---
kanonmedia
ngo for new media
alexandra reill
write to: 12/24, richtergasse, a 1070 vienna
mail to: alexandra.re...@kanonmedia.com
call: ++43[0]6991 820 70 03
visit: http://www.kanonmedia.com
---
Am 31.05.2016 um 19:43 schrieb xDxD.vs.xDxD <xdxd.vs.x...@gmail.com>:
> Dear Friends,
>
> sorry for cross-posting.
>
> some time has passed since, in 2012, we launched the "La Cura" project when I
> was diagnosed with a brain cancer. The action turned out to become an
> emergent, worldwide participatory performance aimed at redefining the word
> "cure", bringing it out of hospitals, administrations, bureaucracies and the
> ingenuities of e-health approaches, and bringing it back into society.
>
>
>
> Thousands participated (also many of you all, for which I thank you).
>
> We were all able to draw upon the rich culture of biopolitics,
> antipsychiatry, feminism and gender studies to collectively build an active
> reflection to confront with the separation, encoding, privatisation, access
> and inequalities of current medical approaches, putting in place new models
> and patterns in which health is a commons built upon an high-quality
> relational environment which is inclusive, accessible, caring, cooperative.
>
> Dozens of publications have been produced, and thousands of artworks, texts,
> poems, images, videos, artistic performances, articles on major news
> headlines, and more, establishing a wide, active, trans-disciplinary action
> which connected arts, design, sciences, humanities and the everyday life of
> thousands of people in the search and enactment of new ways in which to
> "cure" by considering people's health something which we all can actively
> participate to, using everything from advanced technologies, knowledge,
> relations, presence and hugs ;)
>
> All of this has enormous implications on the economies and power-schemes of
> health. In the age of data, quantified self and of hyperconnectivity, this is
> also a metaphor for processes which can happen elsewhere in society, to
> confront with complex issues such as education, energy, finance, labour, and
> more.
>
> To continue the process, we have transformed "La Cura" into a book:
>
> http://www.artisopensource.net/items/la-cura-the-book/
>
> The book, for now, is only in Italian, and we're trying to get it translated
> in other languages, as well (and please do propose if you want to collaborate
> to the translation: it would be a great help)
>
> In the objective of the participative performance, the book also has a strong
> online presence built through the fact that we're collaboratively designing
> the ways in which this type of action could be replicated in many other forms
> and in relation to multiple other domains.
>
> We're working with schools, universities, student groups, rural communities,
> citizen groups, activists, children, elderly and, well, many other types of
> people. In Italy, for now, but we are starting the process of momentum
> building so that all of these efforts can lead to international,
> interconnected results which we can all work with to provoke impact and
> change.
>
> Here are just three of the many initiatives which are already going on:
> http://www.artisopensource.net/2016/05/09/the-encounter-of-two-books-in-trieste-from-mental-asylums-to-la-cura/
> http://www.artisopensource.net/2016/04/23/la-cura-erbe-indisciplinate-the-report-from-the-workshop-at-ruralhub/
> http://www.artisopensource.net/2016/05/04/la-cura-and-the-festival-of-creativity-in-ariccia-to-study-the-biopolitics-of-interfaces/
>
>
> We've started from education. In the knowledge ("Conoscienza") section of the
> website (http://www.la-cura.it) we are assembling the materials for the
> education program which is being contributed by all participants to the
> action. We currently have materials on interface politics; biopolitics; food;
> energy; data; privacy; autobiography; self-representation; building
> collaborative knowledge-bases; handling large-scale emergent p2p
> communication processes; fighting cancer while maintaining autonomy, dignity
> and self-determination; social networks strategy for activists; filter
> bubbles; the evolution of medicine; information overload and health; open
> data and medicine; open science; the implications of algorithmic patients.
> And some more.
>
> All the materials and knowledge are currently hosted on GitHub (you can go to
> the links from the website), as we're setting up alternatives which can be
> more independent, sharable, replicable, and free.
>
> Why am I telling you all of this?
>
> For a number of reasons. The first of whi
[NetBehaviour] CLOUDS IN THE SHARK POOL
*CLOUDS IN THE SHARK POOL* *An artistic barcamp on the societal role of artists between the poles of cooperation and competition* In form of a generative performance CLOUDS IN THE SHARK POOL reflects the role of the artist as a medium between the poles of cooperation and competition -- an antagonism forming one of the main pillars of onholding scientific discussion. Where do we stand today? In the process of humans and media growing together more and more one can divine a medialization of identity, thus a synchronization of individuality. As a consequence, the question needs to be posed whether not only information itself is a medium but whether the artist her-/himself -- thus, humans themselves -- is nothing but a medium. *When **Tuesday, 30-09-2014, 7 PM - 11 PM* *7 PM* Opening and Generative Slot 1 - Moderation: *Alexandra Reill* *8 PM* Generative Slot 2 - Moderation: *Christian Stefaner-Schmid* *9 PM* Electronic Sound Performance:*Arthur Denisson + Eargazm* *10 PM* Generative Lounge *Wednesday, 01-10-2014, 5 Pm - 11 PM* *5 PM* Generative Slot 3 - Moderation: *Susanne Schuda* *6 PM* Generative Slot 4 - Moderation: *Karl Kilian* *7 PM* Generative Slot 5 - Moderation: *Agnes Peschta* *8 PM* Generative Slot 6 - Moderation: *Brigitte Wilfing* *9 PM* Electronic Sound Performance:*das_spice* *10 PM* Generative Lounge *Where* *CO SPACE KANDLGASSE**?* Kandlgasse 6, A 1070 Vienna Catering *Café Window* Free admission --- Interactive Structure Development *Arthur Denisson* *Peter Koger* *Alexandra Reill Christian Stefaner-Schmid** * Programming and Press Contakt* **Alexandra Reill kanonmedia *call: +43[0]6991 820 70 03 mailto:alexandra.re...@kanonmedia.com mailto:alexandra.re...@kanonmedia.com for download of high resolution press photos go to: http://www.kanonmedia.com/portfolio/clouds_in_the_shark_pool.html Production *kanonmedia* http://www.kanonmedia.com/ in cooperation mit *CO SPACE* http://www.co-space.net/ *Grüne Bildungswerkstatt Wien* http://wien.gbw.at/wien/home/ *Peter J. Fuchs DIRECT MARKETING* http://peterfuchs-directmarketing.com/ *pink zebra theatre* http://www.pinkzebra.org/ *in the framework of the festival kultur.herbst.NEUBAU* supported by *Kulturabteilung der Stadt Wien* http://www.wien.gv.at/kultur/abteilung/index.html *Kulturkommission 1070 Wien* http://www.wien.gv.at/bezirke/neubau/ --- Fotoquellen: Links u. rechts: Thomas Pruß, Trametes. Detail, 2009, cc-by sa 3.0. Mitte: Eddie Maloney, Shark. Detail, 2008, cc-by sa 2.0. --- sorry for x-postings. if you do not like to receive mails from us please just reply and say unsubscribe in the header. --- ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] UpStage 10th Birthday Programme Announced
:-) greetings from vienna, gs Am 27.11.2013 um 14:21 schrieb helen varley jamieson he...@creative-catalyst.com: == apologies for cross-posting == The 10th birthday of UpStage will be celebrated on 9-10 January 2014 with three performances, a symposium on remote collaboration, a planning meeting and the launch of UpStage v3. The full programme is now online at http://upstage.org.nz/blog/?page_id=5734 Since 2004, artists and students around the world have collaborated via the internet to create real-time interactive performances (cyberformance) using the web-based platform UpStage. Annual festivals have involved hundreds of artists and thousands of audience members, and a strong community has developed. To celebrate ten years of UpStage, three new performances have been created; a networked symposium - between Wellington, Munich and other locations - will address remote collaboration; and a planning meeting will bring together key people to discuss possible futures for UpStage. UpStage v3 The third version of the UpStage software will be launched at the birthday celebrations. Incorporating full audio-visual streaming, new features and many enhancements, v3 has been developed by Martin Eisenbarth (Germany) and the UpStage student team at Auckland University of Technology (New Zealand). It is a significant leap forward for the software, not only in terms of features and usability but also in stability and documentation. Three New Cyberformances Five veteran cyberformers and their collaborators are busy creating three new works to be presented at the birthday celebrations: Vita Cyberformativa by Miljana Perić, Balloon by Petyr Veenstra, Floris Sirag and Gabriella Sacco, and a new work by Etheatre Project and collaborators. Miljana Perić first became involved in UpStage in 2006, and has presented work at all but one of the festivals. Her energetic and humorous shows blend theory with politics, and always have strong audio content, reflecting her background as a musician, ethnomusicologist and sound artist. The trio creating Balloon previously presented A Plunge in the Pool at the 121212 UpStage Festival and Flat Earth at 11:11:11. With backgrounds in theatre, visual arts and music, the group's shows are like audiovisual poetry, gradually unfolding stories through rich imagery and haunting text. Etheatre director and theatre researcher Christina Papagiannouli explores and discusses political issues through cyberformance. Previous work has addressed the Egyptian revolution (The Cyberian Chalk Circle, 2011) and the Greek crisis (Merry Crisis and a Happy New Fear, 2012). For this new work, she has gathered an international group to develop a performance that uses internal European migration as a starting point. The Networked Symposium An online symposium addressing the topic of remote collaboration in cyberformance and networked performance will accompany the performances. Hosted by Signalraum (Munich) with guest speaker Annie Abrahams, the symposium aims to provide a space for reflection, discussion, and analysis. Audiences will be able to participate online as well as at the venues in Munich and Wellington. Remote presentations will be given by Isabel Valverde (Portugal) and Christina Papagiannouli (London). The Planning Meeting A meeting in Wellington and online will discuss the current situation of UpStage and plan for its sustainable future in an increasingly difficult economic climate. Surprise us with a birthday present for UpStage! Donate here: http://upstage.org.nz/blog/?page_id=278 (if you are a New Zealand tax payer, donations over $5 are tax deductible!) More information about the 10th Birthday: www.upstage.org.nz Contact: i...@upstage.org.nz -- helen varley jamieson he...@creative-catalyst.com http://www.creative-catalyst.com http://www.wehaveasituation.net http://www.upstage.org.nz ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Invitation for the New Year: Malice in Sonderland / MAK with the best wishes
MALICE IN SONDERLAND a real time audiovisual performance reflecting the contemporary relevance of Lewis Carroll's Alice in Wonderland Korhan Erel, sound composer, Istanbul in cooperation with Alexandra Reill, media artist, Vienna MAK NITE© 01/2010 When: Tuesday, January 19th, 2010, 8 pm Where: MAK - Museum of Applied Arts Vienna Säulenhalle / MAK Columned Main Hall julia margaret cameron, photographic study Pomona / alice liddell as young woman, 1872 (detail) by lewis carroll Malice in Sonderland deals with Lewis Carroll's famous novel Alice in Wonderland (1865). In their audiovisual performance the sound composer Korhan Erel, Istanbul, and the media artist Alexandra Reill, Vienna, work with the original material of Norman Z. McLeod's feature film Alice in Wonderland shot in 1933. With experimental digital methods they research the theme and plot of the complex fairy tale and in the framework of the MAK NITE© perform a phantasmagoric live interpretation, an improvisation composed of digital worlds and abstract sound collages. Erel und Reill reflect the relevance of Carroll's adventurous plot in contemporay societies. Researching the theme, the artists found themselves re-phrasing the title: Malice in Sonderland. Malice, the term describes the intention to hurt, to damage, to act in hostility. And Sonderland? Today, what is it that best characterizes capitalist societies, what makes these worlds so special? Does a hero like Alice have to find her way in competitive societies where in the end one can succeed only by fighting? Is it possible for her or him to find the path in such societies? In performance-oriented societies, which choices does the individuum have? Creating a brave new world behind the mirror, these and many more questions are raised by Korhan Erel and Alexandra Reill on their journey through the woven paths of Carroll's Wonderland. Korhan Erel is one of the most relevant contemporary sound composers of Istanbul and founding member of Islak Köpek, a free improvisation group internationally known. On his laptop, he combines sound modules, oscillators and digital algorithms turning into new instruments themselves. His compositions blend industrial and found sounds forming sound textures and acoustic collages. Alexandra Reill is a media artist born in Vienna and at the time being living and working in Hamburg. With her label kanonmedia she has been working on media performances for years, in her work she often concentrates on sociocultural themes and researches the sociological influences of digitalization and the information age on human identities. Her digital worlds and live visual compositions are characterized by profound thematic research, rhythmic dramaturgies and the conscious setting of abstract visual languages. MAK-Columned Main Hall, 5, Stubenring 5, A 1010 Vienna Admission ? 9,90 incl. MAK-Guide / ? 7,90 / ? 5,50 Contact for press infos: Monika Meryn Olivia Harrer Christiane Vogl Tel. (+43-1) 711 36-229 Fax (+43-1) 711 36-227 pre...@mak.at www.MAK.at also visit: www.kanonmedia.com --- kanonmedia ngo for new media call: ++ 43 -[0] 699 - 1- 820 70 03 write to: a 1070 vienna, 12/24, richtergasse mail to: alexandra.reill [at] kanonmedia.com ask for: alexandra reill --- sorry for cross-mailings. if you are not interested to stay in email correspondencer with us just reply and say unsubscibe in the header. --- 20091202_pressefoto_malice_in_sonderland_pic.jpg___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
