--- In FairfieldLife@yahoogroups.com, "sparaig" <[EMAIL PROTECTED]> wrote:
>
>
> Complex harmony requires even tempered tuning. Even temperment
sounds lousy with
> micro-tonal music.
>
Yeah, that's what I thought too. But that simple Esus4
that I mentioned was -- horribile dictu -- an ear-opene
--- In FairfieldLife@yahoogroups.com, "suziezuzie" <[EMAIL PROTECTED]>
wrote:
>
> 13 Chords are no sweat for example G13. If you barr the third fret
> with the 1st finger, 2nd finger on the fourth fret, g string and 4th
> finger on the fifth fret b string. This chord actually preceeds your
> sus
I play keyboards and often to get people up with something cool when
they are learning would teach them a simple jazzy blue using #9th and
13th chords. In C the right hand would play E Bb and D# with C in the
left hand bass (C7#9), then for the four chord slide the right hand
notes down one ch
13 Chords are no sweat for example G13. If you barr the third fret
with the 1st finger, 2nd finger on the fourth fret, g string and 4th
finger on the fifth fret b string. This chord actually preceeds your
suspended chord by sliding the forth finger down one fret from the
13th chord to the suspe
--- In FairfieldLife@yahoogroups.com, cardemaister <[EMAIL PROTECTED]> wrote:
>
> --- In FairfieldLife@yahoogroups.com, Bhairitu wrote:
> >
> > cardemaister wrote:
> > > Am7 Dm7 G7 Cmaj9
> > > Fmaj7 Bm7b5 Esus4 E7
> > >
> > > Jesus, but that Esus sounds
> > > great when I "play" that tune
> > > wi
--- In FairfieldLife@yahoogroups.com, Bhairitu <[EMAIL PROTECTED]> wrote:
>
> cardemaister wrote:
> > Am7 Dm7 G7 Cmaj9
> > Fmaj7 Bm7b5 Esus4 E7
> >
> > Jesus, but that Esus sounds
> > great when I "play" that tune
> > with "techni-chord" on! :D
> The progression is a simple cycle of fourths and th
--- In FairfieldLife@yahoogroups.com, cardemaister <[EMAIL PROTECTED]> wrote:
>
>
> Am7 Dm7 G7 Cmaj9
> Fmaj7 Bm7b5 Esus4 E7
>
> Jesus, but that Esus sounds
> great when I "play" that tune
> with "techni-chord" on! :D
>
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