Message-
From: horn-bounces+dickow=uidaho@music.memphis.edu
[mailto:horn-bounces+dickow=uidaho@music.memphis.edu] On Behalf Of Reicher,
Tom
Sent: Wednesday, July 08, 2009 9:55 PM
To: horn@music.memphis.edu
Subject: Re: AW: [Hornlist] Play high to play low
As I recall, Professor
das uberhohennotentechniquengemahertonen
Oh my...that is VERY funny
Sandra
Toledo
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I am trying to increase my range too, and have made some progress. I am
working on doing a whole octave now, with the goal of rising from the first
note to an octave higher on the second note. By transposing the second note
of the octave leap down an octave, I have found it to be much easier to
=cooley@music.memphis.edu
To: 'The Horn List' horn@music.memphis.edu
Sent: Wed Jul 08 21:33:03 2009
Subject: RE: AW: [Hornlist] Play high to play low
I am trying to increase my range too, and have made some progress. I am
working on doing a whole octave now, with the goal of rising from the first
Prof.Hans Pizka h...@pizka.de schrieb:
It is not important, how high you can climb up or how low you can
crawl down. Important is only, which notes you can play with QUALITY
and SECURITY. It is not necessary to know all the muscles involved
being able to name them. It is solely
-bounces+hans=pizka...@music.memphis.edu] Im Auftrag von Steve
Freides
Gesendet: Samstag, 4. Juli 2009 04:43
An: The Horn List
Betreff: Re: [Hornlist] Play high to play low
Larry, there is precedent for this sort of thing in the areas of
strength and flexibility, not just our horn playing. I can't
many colors and
other subtleties disappear.
Best,
Shel
--- On Fri, 7/3/09, Simon Varnam simonvar...@gmail.com wrote:
From: Simon Varnam simonvar...@gmail.com
Subject: Re: [Hornlist] Play high to play low
To: horn@music.memphis.edu
Date: Friday, July 3, 2009, 11:05 PM
Larry Jellison lajelli
For years and years many horn instructors have recommended one to develop the
low range to be able to play well in the upper register. Some of us have had
some doubt about this. My experience was that the oxygenation of the lips from
low playing could help with high range playing, but that
@music.memphis.edu
Subject: [Hornlist] Play high to play low
... If I can't get a high note to respond, my best chance to be able to play
it seems to be to slur up 3+ octaves from a pedal note. Makes for a strange
sounding practice session.
Larry
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Larry, there is precedent for this sort of thing in the areas of
strength and flexibility, not just our horn playing. I can't prove
that any of this is related to horn playing, but look at, e.g.,
proprioceptive neuromuscular facilitation - google 'PNF stretching'.
You'll find, e.g., that working
Larry Jellison lajelli...@yahoo.com wrote:
I can play my lowest notes after I have been working hard in the
high range. So, I wonder if any of you find this to work for your
low range, too.
Yes, I've noticed that I can play lower notes than usual (pedal C
inside the mouthpiece instead
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