Am 06.06.2008 um 00:25 schrieb Kieren MacMillan:
Hi James,
Oh, thanks, I actually solved my problem.
When Mats said
I hope you know about the built-in capabilities in LilyPond to
handle non-standard
key signatures. As long as you only want to have normal flat and
sharp symbols
in your
Am 06.06.2008 um 00:25 schrieb Kieren MacMillan:
Hi James,
Oh, thanks, I actually solved my problem.
When Mats said
I hope you know about the built-in capabilities in LilyPond to
handle non-standard
key signatures. As long as you only want to have normal flat and
sharp symbols
in your
I'm having problems with a slur ending on a note with the early classical
ornament \prall\turn.
Sometimes the slur ends between the \prall and the \turn and their order is
inverted, the prall coming below the turn instead of above. But it's very
context-dependent, and it took some experiment t
- Original Message -
From: "madhg" <[EMAIL PROTECTED]>
To:
Sent: Friday, June 06, 2008 10:53 AM
Subject: slur breaks compound ornament \prall\turn
I'm having problems with a slur ending on a note with the early classical
ornament \prall\turn.
Sometimes the slur ends between the \p
Greetings -
I'm running LilyPond 2.11.23 under Windows XP SP2. I've been working on
Repeats in the GDP. To demonstrate the behavior of manually setting
repeat signs and brackets, I borrowed from LSR snippet 316, modified it,
and included it in Repeats. I tested my modified version before
submittin
2008/6/6 Palmer, Ralph:
> Greetings -
>
> I'm running LilyPond 2.11.23 under Windows XP SP2. I've been working on
> Repeats in the GDP. To demonstrate the behavior of manually setting
> repeat signs and brackets, I borrowed from LSR snippet 316, modified it,
> and included it in Repeats. I tested m
\relative c'' { \time 4/4
c ( b ) \prall
c ( b ) \prall\turn
c ( b ) \prall\turn
c ( b)
c ( b ) \prall\turn
% c b
% c ( b ) \prall\turn
}
If you uncomment the last two lines of the example, it changes the
behaviour
of the slurred prall-turns earlier in the example: the slurs end above
the
pr
Thanks, Risto. Looks like I need to do some more work/checking/downloading.
Ralph
-Original Message-
From: Risto Vääräniemi [mailto:[EMAIL PROTECTED]
Sent: Friday, June 06, 2008 7:54 AM
To: Palmer, Ralph
Cc: lilypond-user@gnu.org
Subject: Re: Font difference between 2.11.23 and GDP
2008
Hi All,
Sourceforge.net has launched the 2008 Community Choice Awards for the
best open source project.
I'm involved in several projects (not Lilypond; here I'm just a
user :-), and IMHO LilyPond is an example project in usability,
documentation and support, so I nominated LilyPond in the categor
Gilles THIBAULT wrote:
>
>
> Strange endeed.
> You can fixe the slurs behaviour with the 'avoid-slur property of the
> Script grob
> \override Voice.Script #'avoid-slur = #'outside
>
>
> Gilles
>
> Excellent, thank you very much
>
> David
>
>
> __
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
I'm currently transcribing a Mozart piece with figured bass. In several
places, the harmony uses a raised 6th, which is typically notated (also in
the hand-engraved Mozart editions I have available) as a 6 with a backward
slash through the number. S
Hi Reinhold,
How can I generate the raised 6th figure using a backward slash
through the 6?
Maybe you could start with
\markup { \slashed-digit #6 }
or
\markup { \combine \musicglyph #"six" \translate #'(0.2 . -0.1)
\fontsize #3.5 "/" }
and tweak as necessary?
Hope this helps!
Hi all!
I'm engraving my current work -- a "live film" (as we're currently
calling it) -- and would like some help on one matter.
In the score, I need to include (1) the script, and (2) stage
directions. These items will be text, and will be synchronized with
the music to some degree, but
I've done likewise on Sourceforge ...
Trevor.
On Fri, Jun 6, 2008 at 7:57 AM, Oscar van Eijk <[EMAIL PROTECTED]>
wrote:
> Hi All,
>
> Sourceforge.net has launched the 2008 Community Choice Awards for the
> best open source project.
>
> I'm involved in several projects (not Lilypond; here I'm ju
2008/6/6 Kieren MacMillan <[EMAIL PROTECTED]>:
> My current plan is to use one extra Staff context (with all the normal
> engravers removed) for each of these two text "streams", and simply attach
> \markuplines to notes (or rests or skips). Does anyone have a better
> suggestion?
It will not wor
2008/6/6 Trevor Bača <[EMAIL PROTECTED]>:
> I've done likewise on Sourceforge ...
+1!
I have also added a banner to my personal website, hopefully the
"LilyPond Report" will earn us a couple more votes...
I don't like SourceForge at all, but such events are a nice thing for
the community.
Cheer
Hi Valentin,
It will not work, i'm afraid. \markuplines cannot work inside a
\score block, IIRC.
I've gotten around that by using
\markup \override #'(line-width . 64) \wordwrap { ... }
If you're up for a sponsorship or a bounty, I'll gladly join you!
Well, from the thread you refere
Op donderdag 29 mei 2008, schreef Stefan Thomas:
> Yes, I'am using (also) Linux on my machine, but I couldn't install RUMOR.
What exactly are the problems you encounter?
I always do just this:
$ curl http://www.volny.cz/smilauer/rumor/src/rumor-1.0.3b.tar.bz2 | tar xj
$ cd rumor-1.0.3b/
$ ./confi
2008/6/6 Kieren MacMillan <[EMAIL PROTECTED]>:
> Well, from the thread you referenced, it looks like you're doing/needing
> something different than I am (right now)... I simply want to run a series
> of stage directions or script lines/cues above the (musical portion of the)
> score -- e.g., "Lig
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