I use LilyPond for barbershop quartet music. The barbershop style is mostly
homophonic, but there are frequent spots where one or more parts will need
their own lyrics for a measure or two. I use the split voice approach
mentioned above to handle those spots and it works well. For example
\version
Hi,
I’m trying to convert a large choral project to 2.19. When I compile with
2.19, melismas don't work at all. For example:
c'4 \melisma d' e' \melismaEnd f
puts a note on every syllable.
I made a MWE which works perfectly. Diffs between the old and new files
have no changes except for the \ve
On 2019-08-26 3:34 pm, Michael Wagner wrote:
When I am entering music into lilypond, I come across situations where
a measure or two of a repeated bit of music has a slight melodic
variation and I wold like to associate the appropriate lyrics with
that measure.
[ . . . ]
I might be able to a alig
I solved the problem. I misinterpreted how the \set
Score.voltaSpannerDuration = #(ly:make-moment 4/4) is used.
I originally coded a start-repeat at the beginning of the first ending. By
adjusting the grouping of notes in the \repeat volta section for the first
ending the score renders as expect
On 2019-08-26 12:28 pm, keith Luke wrote:
I would like to suppress the repeat sign in the measure preceding the
first ending.
You should be able to explicitly specify the bar line using the \bar
command:
\repeat volta 2 { \bar "|" g1~ }
But the question I have is: why would you
Hi Keith,
On 26.08.19 21:28, keith Luke wrote:
I am using LilyPond 2.18.2
\set Score.voltaSpannerDuration = #(ly:make-moment 4/4)
\repeat volta 2 { g1 ~ }
\alternative {
{
g4 r8 g8 d'4 c4 ~
}
{{ g2 \repeatTie r2 }}
That is not a complete, compilable, minimal example. S
I am using LilyPond 2.18.2
\set Score.voltaSpannerDuration = #(ly:make-moment 4/4)
\repeat volta 2 { g1 ~ }
\alternative {
{
g4 r8 g8 d'4 c4 ~
}
{{ g2 \repeatTie r2 }}
Here is the PDF rendering of the \repeat volta statements:
[image: VoltaRepeat.JPG]
I would like to sup
Hi Jacques,
this doesn’t exactly answer your question, but I’ve always found that
manual alignment of lyrics is a huge pain to get working and thus never
use it…
Best, Simon
On 26.08.19 17:39, Jacques Menu wrote:
Hello folks,
The more I read this chapter, and the more I feel it is a kind o
On 26.08.19 09:56, Michael Gerdau wrote:
Find attached my tests with the current (2 weeks old) git version. IMO
the current version of Lilypond does not have most (if at all!) of the
mentioned shortcomings, at least not at first glance.
LOL ;-)
Best, Simon
___
Greetings List,
I'm trying to understand why one syntax results in MIDI output, while
another syntax does not. I'm new to lilypond and clearly missing
something.
Below is the working case:
tagCymbals = \drummode { \voiceOne cymc4 cymc4 cymc4 cymc4 }
tagDrums = \drummode { \voiceTwo s4
Jacques Menu writes:
> For exemple, I only found by test and trial that to obtain the melisma to
> include the upper half note:
>
>
>
> I had to add a ‘2’ to the last underscore after ‘pands’:
>
> \skip2 "Et"4 "tu"8 "ré"8 --
> "pands"8 __ _ _ _ _ _ _ _ _2
>"dans"4 "nos"8 "cli"8 --
> "mat
For exemple, I only found by test and trial that to obtain the melisma to
include the upper half note:
I had to add a ‘2’ to the last underscore after ‘pands’:
\skip2 "Et"4 "tu"8 "ré"8 --
"pands"8 __ _ _ _ _ _ _ _ _2
"dans"4 "nos"8 "cli"8 --
"mats"1 __ _
> Le 26 août 2019 à 17:39, Jac
Hello folks,
The more I read this chapter, and the more I feel it is a kind of imbroglio,
mixing automatic and manual alignment of lyrics to the voice.
Do you also feel this would merit a rewrite?
JM
___
lilypond-user mailing list
lilypond-user@gnu.
Nice, thank you Harm.
Le lun. 26 août 2019 à 10:34, Thomas Morley a
écrit :
> Am Sa., 17. Aug. 2019 um 11:44 Uhr schrieb Pierre Perol-Schneider
> :
> >
> > Hi Andrew,
> > The wanted spacing is shown in the 2nd snippet.
> > The workaround reaches almost it.
> > Cheers,
> > Pierre
> >
> > Le sam.
Am Sa., 17. Aug. 2019 um 11:44 Uhr schrieb Pierre Perol-Schneider
:
>
> Hi Andrew,
> The wanted spacing is shown in the 2nd snippet.
> The workaround reaches almost it.
> Cheers,
> Pierre
>
> Le sam. 17 août 2019 à 11:20, Andrew Bernard a
> écrit :
>>
>> What is the wanted spacing?
>>
>> Andrew
>
Looks good to me in 2.19.83 [current highest dev release not from git.]
Andrew
On 26/8/19 5:56 pm, Michael Gerdau wrote:
Find attached my tests with the current (2 weeks old) git version. IMO
the current version of Lilypond does not have most (if at all!) of the
mentioned shortcomings, at leas
Am 26.08.19 um 09:56 schrieb Michael Gerdau:
Anyway, have you actualliy tried the provided spacing examples given in
the (old?) article with a current version of lilypond?
Find attached my tests with the current (2 weeks old) git version.
For those who don’t want to compile from git themselv
Hi Chad,
FWIW I also had assumed you claimed such a change would be simple.
Anyway, have you actualliy tried the provided spacing examples given in
the (old?) article with a current version of lilypond?
Find attached my tests with the current (2 weeks old) git version. IMO
the current version of
Am 26.08.19 um 03:22 schrieb keith Luke:
Is it possible to suppress the a volta starting repeat?
Yes, that should be possible.
The following code generates a repeat in front of the g1.
No, it doesn’t. Please always give a minimal *working* (i. e.
compilable) example. Which LilyPond versi
Is it possible to suppress the a volta starting repeat?
The following code generates a repeat in front of the g1.
\set Score.voltaSpannerDuration = #(ly:make-moment 4/4)
\repeat volta 2 { g1 ~ }
\alternative {
{
g4 r8 g8 d'4 c4 ~
}
{{ g2 \repeatTie r2 }}
As an alternative
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