Hi,
On Sat, Feb 2, 2019 at 2:13 PM Thomas Morley wrote:
>
> Am Sa., 2. Feb. 2019 um 21:09 Uhr schrieb Thomas Morley
> :
>
> > A bold workaround is to define the whole infrastructure for
> > TextSpanners with new/renamed events (class and type), grobs,
> > engravers and
> > start/stop-commands.
>
On Sun, Nov 4, 2018 at 6:09 AM Thomas Morley wrote:
>
> Am So., 4. Nov. 2018 um 01:30 Uhr schrieb David Nalesnik
> :
> >
> > On Sat, Nov 3, 2018 at 7:24 PM David Nalesnik
> > wrote:
> > >
> > > On Sat, Nov 3, 2018 at 7:23 PM Andrew Be
On Sat, Nov 3, 2018 at 7:24 PM David Nalesnik wrote:
>
> On Sat, Nov 3, 2018 at 7:23 PM Andrew Bernard
> wrote:
> >
> > Hi David,
> >
> > Isn't Lilypond open source? Cant you make your code open source? I am not
> > following your idea.
> >
> &g
On Sat, Nov 3, 2018 at 7:23 PM Andrew Bernard wrote:
>
> Hi David,
>
> Isn't Lilypond open source? Cant you make your code open source? I am not
> following your idea.
>
> Andrew
>
>
>> >
>> And, no :( I removed it from GitHub, because I simply do not
>> understand how I would license such a
On Sat, Nov 3, 2018 at 4:28 PM David Nalesnik wrote:
>
> On Sat, Nov 3, 2018 at 4:11 PM Thomas Morley wrote:
> >
> > Am Sa., 3. Nov. 2018 um 21:36 Uhr schrieb Ben :
> > >
> > > On 11/3/2018 4:25 PM, David Nalesnik wrote:
> > >
> > > On Sat,
On Sat, Nov 3, 2018 at 4:11 PM Thomas Morley wrote:
>
> Am Sa., 3. Nov. 2018 um 21:36 Uhr schrieb Ben :
> >
> > On 11/3/2018 4:25 PM, David Nalesnik wrote:
> >
> > On Sat, Nov 3, 2018 at 3:21 PM Ben wrote:
> >
> > On 11/3/2018 4:16 PM, David Nalesnik wro
On Sat, Nov 3, 2018 at 3:21 PM Ben wrote:
>
> On 11/3/2018 4:16 PM, David Nalesnik wrote:
>
> On Sat, Nov 3, 2018 at 2:57 PM Ben wrote:
>
> On 11/3/2018 2:54 PM, m...@opus11.net wrote:
>
> Just wondered if anyone has a working solution to creating Lutoslaw
On Sat, Nov 3, 2018 at 2:57 PM Ben wrote:
>
> On 11/3/2018 2:54 PM, m...@opus11.net wrote:
>
> Just wondered if anyone has a working solution to creating Lutoslawski-style
> box repeats such as this one: https://goo.gl/images/TYKdWt
>
> I couldn't find a complete solution in either the LSR or
On Wed, Oct 24, 2018 at 8:41 AM N. Andrew Walsh
wrote:
>
> Hi List,
>
> is there any other available format for rehearsal marks? My client wants
> Roman numerals, and the workaround I've been using:
>
> <>^\markup { \raise #4 \right-align \abs-fontsize #16 \bold { "IV" } }
>
> doesn't work if
On Thu, Oct 18, 2018 at 9:27 AM elmeri wrote:
>
> Hey ML,
>
> I asked a similar question on the Music Practice & Theory Stack Exchange
> site, and I was told that the idea of changing clef automatically is - in
> most cases - a bad idea, at least musically/practically speaking.
> Nevertheless,
On Fri, Aug 10, 2018 at 6:05 PM Galen Menzel wrote:
> However, I’m a bit baffled as to how I could have found this setting. The tie
> internals page doesn’t list min-length as one of the members of tie’s details
> alist.
>
> Where is this setting documented?
>
> Thanks again!
>
> Galen
>
You
or, if i post a new thread dont post in it. Neither will i
> post in yours. I promise that would go a long way at keeping things
> civil. Since you asked to keep things civil, i cannot agree more. Just
> stay away from me. I dont need your code and your attached vitriol.
>
> On 2018
your future
interactions with this community.
Thanks,
David Nalesnik
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On Thu, Aug 9, 2018 at 2:14 PM wrote:
>
> On 2018-08-09 14:32, ma...@masonhock.com wrote:
>
> > Neither of the snippets in this thread are under the GPL. Lilypond
> > itself is GPLv3, but LSR snippets are public domain and David's code
> > is MIT. If you are worried that you might be using the
On Wed, Aug 8, 2018 at 10:15 AM David Kastrup wrote:
>
> David Nalesnik writes:
>
> > Hi all,
> >
> > I'm working with very large Scheme lists of pitches in an ly file,
> > transforming them, and passing them about from function to function.
> > Ri
Hi all,
I'm working with very large Scheme lists of pitches in an ly file,
transforming them, and passing them about from function to function.
Right now, I'm using actual Pitch objects (such as you would produce
with ly:make-pitch). Would it be a better idea to work with pitches
simply as
On Tue, Aug 7, 2018 at 12:12 PM David Nalesnik wrote:
> Good grief :( I selected the MIT license because it's very common,
> and in the spirit of, as you write, "feel
> free to use it, I don't care."
>
> Seems I'm not the only one--I read this in the openlilylib r
> On 2018-08-07 04:03, David Kastrup wrote:
> > ma...@masonhock.com writes:
> >
> >> Then it's a good thing that David shared his code as free (as in
> >> freedom[1]) software, so that it can be modified for your unique use
> >> case.
> >
> > What's relevant for this is mostly "in source of an
On Mon, Aug 6, 2018 at 10:42 PM wrote:
>
> Righteo..that is the way Unix work.
>
> If you complain, then fix it yourself.
Not going there.
>
> However, I did not complain, just pointed out that programming the
> "general case" is always preferable and the prudent way.
>
I think you are
On Mon, Aug 6, 2018 at 9:01 PM wrote:
>
> Sure, but from a programming point of view it is better to have all
> characters the same size, then if in the exponent or subscript then
> shrink them. That way you treat all characters equally and this question
> as an example cannot arise. Just good
On Mon, Aug 6, 2018 at 6:40 PM wrote:
>
> One last question,
>
> On Mason's insistence I used the other option
> "roman_numeral_analysis_tool". I got it to work, but there were clashes
> with some of my other includes, so I have to make some changes to avoid
> clashes. Anyway that is my problem.
On Mon, Aug 6, 2018 at 3:39 PM Karlin High wrote:
>
> On 8/6/2018 3:20 PM, liebre...@grossmann-venter.com wrote:
> > You dont have pdf versions of the examples available ?
> > I dont want to go through the process of installing a package and then
> > find it is not what I need.
> > Might be a
On Mon, Aug 6, 2018 at 3:33 PM wrote:
>
> Oh well yours look really great, I hope David's covers all the Analysis
> symbols, but there is no way to know unless I install it.
>
>
>
> On 2018-08-06 15:56, ma...@masonhock.com wrote:
> > On 08/06, liebre...@grossmann-venter.com wrote:
> >> Where can
On Mon, Aug 6, 2018 at 11:50 AM wrote:
>
> On 08/06, liebre...@grossmann-venter.com wrote:
> > What I need is how to place the Diminished symbol as text (the \emptyset
> > symbol in LaTeX) above the staff for progressions. Similar problem would be
> > how to indicate the Classical Inversion
Hi Peter,
You might find this helpful:
https://github.com/davidnalesnik/lilypond-text-spanner-inner-texts
Best,
David
On Mon, Jul 23, 2018 at 5:29 AM Peter Gentry
wrote:
>
> Thanks
>
> “text centered in spanners” is the search text I was missing…
>
>
>
> From: Andrew Bernard
> Sent: 23 July
Hi Stefano,
On Sun, Feb 11, 2018 at 3:44 PM, Stefano Troncaro
wrote:
> I managed to fix it. The problem was not with the calculation of the angle,
> it was with the translation of the angle to the offset that the function
> applies to the vertical placement of the
Hi Stefano,
On Sat, Feb 10, 2018 at 11:14 AM, Stefano Troncaro
wrote:
> Hi David, thank you for your suggestions, this is almost done!
>
> I decided to pass an alist to the function instead of changing the amount of
> arguments based on the procedure name, mainly
Hi Benjamin,
On Fri, Feb 9, 2018 at 7:43 PM, Benjamin Bloomfield wrote:
> I've been trying to figure out a way to force left-alignment
> (LyricText.self-alignment-X = -1) on just the lyrics associated with the
> first notes of every system, but I haven't been able to get it
Hi Stefano,
On Thu, Feb 8, 2018 at 4:43 PM, Stefano Troncaro
wrote:
> Hello again!
>
> I managed to modify David's translation of ly:hairpin::print to have it use
> two properties, Hairpin.rotate and Hairpin.straight-end, to achieve almost
> all the results I wanted.
Hi Stefano,
On Mon, Feb 5, 2018 at 11:53 PM, Stefano Troncaro
wrote:
> David and Harm, I'm really impressed by the level of expertise you both have
> showed in this thread. The function works wonderfully, and I'm really
> grateful for your help!
>
> I feel kind of bad
Hi Harm,
On Sun, Feb 4, 2018 at 6:23 PM, Thomas Morley wrote:
> Hi David,
>
> I was going to post something similiar.
> You're code is much more elegant with respect to linebreaks, great stuff.
> Though, it will not work as desired if the beam/hairpin is distributed
>
Hi Stefano,
On Sun, Feb 4, 2018 at 4:09 PM, Stefano Troncaro
wrote:
> Harm, I've been thinking about this, and perhaps you have an idea of how the
> following can be achieved.
>
> A consequence of explicitly stating the degree in which the stencil has to
> be rotated
On Wed, Jan 31, 2018 at 8:58 AM, Knute Snortum wrote:
> Is it possible to shape a slur that goes from one note in a chord to another
> note in another chord, or do I have to create the slur from "scratch" with
> tweak control-points? For instance:
>
> \version "2.19.80"
>
On Wed, Jan 24, 2018 at 4:27 PM, Simon Albrecht wrote:
> On 24.01.2018 23:15, Son_V wrote:
>>
>> But still I want to know how to put an "a capo" in a subtitle.
>
>
> I have no idea what you mean, sorry. Do you mean a segno?
> \markup \musicglyph #"scripts.coda"
>
>> The
Hi Vincenzo,
On Wed, Jan 24, 2018 at 3:06 PM, Son_V wrote:
> Hi all,
> I would like to know what is in the subject.
> The subtitle is very long and I would like to put an A capo somewhere.
>
> For the names of instruments, the original score have for the voices
>
Hi James,
On Wed, Jan 10, 2018 at 5:51 AM, James Opstad wrote:
> Hello,
>
>
> I have been experimenting with the new output-attributes grob property for
> SVG output. For example, the following code creates a group with id="noteC"
> around the C notehead.
>
>
> \version
Hi,
On Tue, Jan 9, 2018 at 10:31 AM, Kieren MacMillan
wrote:
> Hi Neo,
>
>> I was afraid that without any instructions the code in that thread would
>> fail,
>> but to my surprise it worked beautifully! Thank you!
>
> You're welcome. From what I understand, the
On Mon, Jan 8, 2018 at 5:19 PM, David Nalesnik <david.nales...@gmail.com> wrote:
> Hi Josh,
>
> On Mon, Jan 8, 2018 at 4:34 PM, Joshua Nichols <josh.d.nich...@gmail.com>
> wrote:
>> Hi! This is for education!
>>
>> On Jan 8, 2018 3:08 PM, "Karlin Hig
Hi Josh,
On Mon, Jan 8, 2018 at 4:34 PM, Joshua Nichols wrote:
> Hi! This is for education!
>
> On Jan 8, 2018 3:08 PM, "Karlin High" wrote:
>>
>> On 1/8/2018 11:44 AM, Joshua Nichols wrote:
>>>
>>> I'm looking for a resource that can generate
Hi,
On Fri, Dec 29, 2017 at 12:16 PM, nokel81 wrote:
> I currently have the following:
>
I see nothing here. Could you include a short code example?
Thanks,
David
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Hi,
On Thu, Dec 28, 2017 at 1:37 PM, Caagr98 wrote:
> That function seems rather destructive: removes all properties on existing
> articulations (including tweaks, direction, and midi stuff), and doesn't seem
> to handle anything other than ArticulationEvents at all.
On Thu, Dec 28, 2017 at 12:25 PM, David Nalesnik
<david.nales...@gmail.com> wrote:
> Hi Kieren,
>
> On Thu, Dec 28, 2017 at 11:29 AM, Kieren MacMillan
> <kieren_macmil...@sympatico.ca> wrote:
>> Hi David,
>>
>>>> This works, but I'm guessing t
On Thu, Dec 28, 2017 at 11:11 AM, David Nalesnik
<david.nales...@gmail.com> wrote:
>
> This works, but I'm guessing there's a better way:
>
> \version "2.19.65"
>
> addArticulation =
> #(define-music-function (event music) (ly:event? ly:music?)
>
Hi,
On Thu, Dec 28, 2017 at 10:23 AM, Caagr98 wrote:
> Sometimes when having a long section of staccato, it's a bit tedious to add
> -. to all notes, so then it's useful to have a function which automatically
> adds an articulation to all notes. I have one such function
Hi Reilly,
On Wed, Dec 20, 2017 at 11:56 AM, Reilly Farrell
wrote:
> I'm seeking a way to create rhythmic examples, as in the sample code below,
> while positioning breath marks above the rhythmic staff rather than along
> the line. I thought ^\breathe might do the
On Fri, Nov 3, 2017 at 12:27 PM, Pieter Terpstra
wrote:
> Ben wrote:
>
>> * \override Hairpin.shorten-pair = #'(0 . -5)*
>
> Thank you kindly Ben, this line is not accepted by version 2.18.2.
It was introduced at some point in the 2.19 cycle.
-DN
Harm,
On Wed, Nov 1, 2017 at 5:22 PM, Thomas Morley <thomasmorle...@gmail.com> wrote:
> 2017-11-01 23:11 GMT+01:00 David Nalesnik <david.nales...@gmail.com>:
>> On Wed, Nov 1, 2017 at 2:27 PM, Thomas Morley <thomasmorle...@gmail.com>
>> wrote:
>>>
On Wed, Nov 1, 2017 at 6:28 PM, Thomas Morley <thomasmorle...@gmail.com> wrote:
> 2017-11-01 23:30 GMT+01:00 Bernardo Barros <bernardo.bar...@nyu.edu>:
>> On 11/1/17 18:11, David Nalesnik wrote:
>>>
>>> Attached to the following is some code which will allo
On Wed, Nov 1, 2017 at 2:27 PM, Thomas Morley wrote:
> 2017-11-01 4:21 GMT+01:00 Bernardo Barros :
>
>> I'm still trying to figure out my other question, how to have
>> inter-penetrating spanners, or rather, how to have one spanner parallel to
>>
Hi,
On Sat, Oct 28, 2017 at 2:23 AM, James Harkins wrote:
> On Sat, 28 Oct 2017 13:55:49 +0800 Nathan Ho wrote
>
>> On 2017-10-27 21:37, James Harkins wrote:
>> > I couldn't find this quickly: for an unmetered section, I'd like to
>> >
Hi all,
> I've attached the beginning of an automatic partwriter.
Here's an improved version of the partwriter which adds a few
constraints to get smoother results.
The four voices may not all move in the same direction, and upper
parts must move to the closest available chord member (in the
On Wed, Oct 4, 2017 at 6:54 PM, Trevor Bača wrote:
> Hi,
>
> I’m interested in making the right endpoints of ottava brackets and trill
> spanners coincide.
>
> QUESTION: in ottava-1.png (attached) I like where the trill spanner ends; is
> there a way to tell the ottava
On Thu, Sep 28, 2017 at 12:07 PM, Karlin High <gne...@hotmail.com> wrote:
> On 9/28/2017 8:34 AM, David Nalesnik wrote:
>
> I appreciate this. The positive feedback I've gotten is encouraging
> me to keep going with this.
>
>
> Fully understanding this piece is going
Hi Sam,
On Thu, Sep 28, 2017 at 8:20 AM, Sam Bivens wrote:
> Hi David,
>
> I agree, this is *really* impressive work!
I appreciate this. The positive feedback I've gotten is encouraging
me to keep going with this.
>
> Have you experimented with including intentional
Hi Kieren,
On Wed, Sep 27, 2017 at 8:16 AM, Kieren MacMillan
wrote:
> Hi David,
>
>> I wanted to share something which I think illustrates the power that
>> Lily has over other popular notation software.
>
> o_O
>
> Amazing.
>
> 1. You are a force of nature.
Well,
Hi Ryan,
On Wed, Sep 27, 2017 at 8:38 AM, Ryan McClure
wrote:
> Hi everyone,
>
> It's been years since I've last used the mailing list...too long!
>
> I'm in the process of organizing my folk song collection for teaching, and I
> want to use Lilypond to do it
Hi all,
I wanted to share something which I think illustrates the power that
Lily has over other popular notation software.
I spend a lot of time teaching partwriting to undergraduate music
majors, and recently, suddenly, it occurred to me that anything as
rule-bound as correct partwriting (I
Hi Robert,
On Mon, Sep 18, 2017 at 12:03 PM, Robert Murdoch wrote:
> Hi,
>
> Is there a way to create a text spanner that leads directly into another
> text spanner, for example an accelerando into a ritardando? I've tried using
> \stopTextSpan and \startTextSpan on the
Hi Gianmaria,
On Fri, Sep 15, 2017 at 7:16 AM, Gianmaria Lari wrote:
> Harp scores sometimes specify a bracket below or above the notes to indicate
> how to place your hand. In the attachment you can see an example.
>
> I have found online this code that works pretty
>
> On Sep 2, 2017, at 7:25 AM, David Nalesnik <david.nales...@gmail.com> wrote:
>
>> On Sat, Sep 2, 2017 at 8:09 AM, David Nalesnik <david.nales...@gmail.com>
>> wrote:
>>> Hi David,
>>>
>>> On Sat, Sep 2, 2017 at 12:25 AM, David F. <
On Sat, Sep 2, 2017 at 8:09 AM, David Nalesnik <david.nales...@gmail.com> wrote:
> Hi David,
>
> On Sat, Sep 2, 2017 at 12:25 AM, David F. <dav...@gmx.us> wrote:
>> I have a hymnal that prints the name of the key and the first note the song
>> above the treble
Hi David,
On Sat, Sep 2, 2017 at 12:25 AM, David F. wrote:
> I have a hymnal that prints the name of the key and the first note the song
> above the treble clef sign of the first staff. So, for example, if you have
> Amazing Grace in the key of G major, the first note of the
Hi Trevor,
On Thu, Jul 27, 2017 at 8:38 AM, Trevor Bača <trevorb...@gmail.com> wrote:
> Hi David (Nalesnik),
>
> On Tue, Oct 20, 2015 at 11:49 AM, David Nalesnik <david.nales...@gmail.com>
> wrote:
>>
>> Hi Trevor,
>>
>> On Tue, Oct 20, 201
le-magnetic-snap snippet obsolete?
To: David Nalesnik <david.nales...@gmail.com> <david.nales...@gmail.com>
References: <008f2f4c-d343-d552-bc10-fc60833df...@openlilylib.org>
<008f2f4c-d343-d552-bc10-fc60833df...@openlilylib.org>
Forwarding to the list...
-- Forwarded message --
From: "David Nalesnik" <david.nales...@gmail.com>
Date: Jul 13, 2017 3:06 PM
Subject: Re: Is the lyric-syllable-magnetic-snap snippet obsolete?
To: "Urs Liska" <u...@openlilylib.org>
Cc:
On Jul
Hi,
On Jun 26, 2017 4:57 PM, "Peter Gentry"
wrote:
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: 26 June 2017 15:31
To: Peter Gentry
Cc: Lilypond
Subject: Re: : Re: transpose
On Jun 13, 2017 9:55 PM, "Kieren MacMillan"
wrote:
Hi David (et al.),
> It's not suitable as is, but easily remedied. The grob LyricWord is
> defined in a hackish way so that it can fit in an LY file.
So in C++, it would be non-hackish…?
No, just parceling out
Hi Kieren,
On Tue, Jun 13, 2017 at 3:21 PM, Kieren MacMillan
wrote:
> Hi David (et al.),
>
> These are questions regarding the "lyric-word-reconstituter" in the thread
> which includes the post
>
On Wed, Jun 7, 2017 at 10:42 AM, Federico Bruni wrote:
> Can you please clarify the last sentence of this snippet:
>
> http://lilypond.org/doc/v2.19/Documentation/notation/outside-the-staff.html#analysis-brackets
>
>
> \layout {
> \context {
>\Voice
>\consists
Hi,
On Wed, May 24, 2017 at 12:47 PM, Lukas-Fabian Moser wrote:
> Hi Robert,
>
>>
>> I would tather like to parenthesize these added augmenation dots but I've
>> not found a way to do that.
>
>
> I don't know how to parenthesize them, but here is a solution yielding
> brackets
On Tue, May 23, 2017 at 2:51 PM, Kieren MacMillan
wrote:
> Hi David,
>
>> I would say so. However, the situation is more complicated:
>
> #ugh #IsntItAlways
>
>> [Simon:] maybe a context property to turn off alignment of dotted rests
>> would be useful?
>
> That
On Tue, May 23, 2017 at 11:28 AM, Kieren MacMillan
wrote:
> Hi David,
>
>> You provide no example to try this on
>
> Didn’t want anyone to go through any coding effort; just needed someone smart
> to point me in the right direction. =)
>
>> but what about moving
Kieren,
On Tue, May 23, 2017 at 11:10 AM, Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hello all,
>
> In the two-voice situation (bottom staff) shown in the attached
> screenshot, I’d like the dot on the rest to *not* be vertically aligned
> with the dots on the notes.
>
> 1. I
On Wed, May 10, 2017 at 10:18 AM, David Nalesnik
<david.nales...@gmail.com> wrote:
> Hi,
>
> On Wed, May 10, 2017 at 9:31 AM, David Nalesnik
> <david.nales...@gmail.com> wrote:
>>
>>
>> On Wed, May 10, 2017 at 9:23 AM, daviau ewen <ewen.dav...@gmai
Hi,
On Wed, May 10, 2017 at 9:31 AM, David Nalesnik
<david.nales...@gmail.com> wrote:
>
>
> On Wed, May 10, 2017 at 9:23 AM, daviau ewen <ewen.dav...@gmail.com> wrote:
>>
>> Is that okay ?
>> http://lilypond.1069038.n5.nabble.com/file/n203059/incdiato82
On Wed, May 10, 2017 at 9:23 AM, daviau ewen wrote:
> Is that okay ? http://lilypond.1069038.n5.nabble.com/file/n203059/
> incdiato82.ly
>
>>
>>
Yes, thank you.
David
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Hi ewen.
On Wed, May 10, 2017 at 8:01 AM, zaord wrote:
> Hi Simon,
>
> Thanks for your answer. I tryied to add a score in my file to have a
> bebugging compilable file.
>
> I get an error when I compile your code (join file) : Wrong type (expecting
> Stencil): (# # # #
On Sat, May 6, 2017 at 6:40 PM, David Nalesnik <david.nales...@gmail.com> wrote:
> Kieren,
>
> On Thu, Apr 27, 2017 at 8:43 AM, Kieren MacMillan
> <kieren_macmil...@sympatico.ca> wrote:
>> David,
>>
>>>> A little trial-and-error is required if d
Kieren,
On Thu, Apr 27, 2017 at 8:43 AM, Kieren MacMillan
wrote:
> David,
>
>>> A little trial-and-error is required if doing it manually, but there might
>>> be a way to automate the process.
>> Here you go:
>
> You da man! This is *exactly* what I was
On Fri, May 5, 2017 at 2:10 PM, Urs Liska wrote:
>
>
> Am 5. Mai 2017 20:52:35 MESZ schrieb Karlin High :
>>On 5/5/2017 1:16 PM, Benjamin Strecker wrote:
>>> How would I go about globally reducing the size of the staccato dot?
>>
>>The solution is
On Fri, Apr 28, 2017 at 9:15 AM, Kieren MacMillan
wrote:
> Hi Hendrik,
>
>> David N's solution works pretty well, although I, too, am having trouble
>> with vertical positioning. In my attached min example, the lyrics came out
>> wrong.
>
> That *is* a curious
On Thu, Apr 27, 2017 at 4:07 PM, David Nalesnik
<david.nales...@gmail.com> wrote:
> Hi Harm,
>
> On Thu, Apr 27, 2017 at 3:57 PM, Thomas Morley <thomasmorle...@gmail.com>
> wrote:
>> Hi David,
>>
>> nice stuff!
>>
>> Some comments, t
Hi Harm,
On Thu, Apr 27, 2017 at 3:57 PM, Thomas Morley <thomasmorle...@gmail.com> wrote:
> Hi David,
>
> nice stuff!
>
> Some comments, though:
>
> 2017-04-27 19:27 GMT+02:00 David Nalesnik <david.nales...@gmail.com>:
>> On Thu, Apr 27, 2017 at 1
On Thu, Apr 27, 2017 at 12:22 PM, David Nalesnik
<david.nales...@gmail.com> wrote:
>
> I'll just quote the relevant changes with some context.
>
> Within the function make-page-stencil:
>
> [...]
>
> (add-to-page (lambda (stencil x y extra-y)
Oh,
On Thu, Apr 27, 2017 at 8:43 AM, Kieren MacMillan
wrote:
> David,
>
> Perhaps there’s a way your new-found [?] knowledge/skill in this area can
> help with a long-time feature request I’ve had: an \offset-like way to nudge
> systems — especially the explicit
On Thu, Apr 27, 2017 at 8:43 AM, Kieren MacMillan
wrote:
> David,
>
>>> A little trial-and-error is required if doing it manually, but there might
>>> be a way to automate the process.
>> Here you go:
>
> You da man! This is *exactly* what I was envisioning. Nicely
On Wed, Apr 26, 2017 at 3:08 PM, Kieren MacMillan
wrote:
> Hi all,
>
>> I think this request is idiosyncratic enough to be left to a
>> two-stage process, some thing along the lines of:
>
> That would work, of course… but I think it would be easier (and better for
On Tue, Apr 25, 2017 at 7:45 PM, David Nalesnik
<david.nales...@gmail.com> wrote:
> On Tue, Apr 25, 2017 at 7:16 PM, Kieren MacMillan
> <kieren_macmil...@sympatico.ca> wrote:
>> Hi David,
>>
>>> \markup \tied-lyric \override #'(word-space . 2) #"
On Tue, Apr 25, 2017 at 7:16 PM, Kieren MacMillan
wrote:
> Hi David,
>
>> \markup \tied-lyric \override #'(word-space . 2) #"le,~au”
>
> Bingo! Didn’t even need to add the extra parameters!
>
>> Don't know at the moment how to make this less cumbersome.
>
> I don’t
On Tue, Apr 25, 2017 at 6:38 PM, Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi David,
>
> \override is actually a markup command here,
>
> and as such needs to be preceded by \markup.
>
>
> But then it doesn’t execute the lyric tie function *at all*:
>
>
>
>
\markup \tied-lyric
On Tue, Apr 25, 2017 at 5:50 PM, Kieren MacMillan
wrote:
> Hi David,
>
>> These properties are accessed like
>> \override #'(left-pad . -1)
>> as any markup override.
>
> I tried that, of course — it returns
>
> error: not a key
> \override
>
On Tue, Apr 25, 2017 at 4:09 PM, Kieren MacMillan
wrote:
> Hi David (et al.),
>
Is the built-in** lyric tie/elision tweakable?
>>
>>> There's no LyricTie grob, so no convenient way to tweak it. You
>>> could modify "tied-lyric" in
On Mon, Apr 24, 2017 at 11:13 AM, Kieren MacMillan
wrote:
> Abraham,
>
>> So, the real question is this: can we make LyricText.self-alignment-X
>> dynamic instead of static? In other words, can we use a springs-like
>> mechanism between LyricText syllables, but
On Sun, Apr 23, 2017 at 6:15 PM, Thomas Morley wrote:
> 2017-04-23 12:34 GMT+02:00 Andrew Bernard :
>
>> Next thing to do is to achieve the half dashed/half solid appearance - or
>> can this be done already, in the same way that slurs can?
>
>
On Sun, Apr 23, 2017 at 5:34 AM, Andrew Bernard
wrote:
> Hi David and Nathan,
>
> Apologies for a tardy response.
>
> Sincere thanks to both of you for your work on this. It's really useful to
> me. I prefer using the ly:line-interface::line version because of the way it
On Sat, Apr 22, 2017 at 5:56 PM, wrote:
> This is great, thanks! I was trying to mess around with \hbracket and
> \whiteout, but this is far better.
>
> Just a few questions:
> Is it possible to scale the protrusions (and other things) by font size?
> How can I change the
On Sat, Apr 22, 2017 at 3:22 PM, wrote:
> Is there some way to make a center-column draw lines from slightly outside
> the text to the edges of the column (see example)?
>
> In this specific case, I have both English and Japanese names for stuff, and
> without those lines, I
Hi Nathan,
On Fri, Apr 21, 2017 at 12:54 PM, Nathan Ho <nat...@snappizz.com> wrote:
> On 2017-04-21 05:39, David Nalesnik wrote:
>>
>> Instead of using a markup, why not use ly:line-interface::line
>> (available from 2.19.27)? This gets thickness from the grob--and a
Hi,
On Fri, Apr 21, 2017 at 1:07 AM, wrote:
> Am 2017-04-21 07:41, schrieb Nathan Ho:
>>
>> On 2017-04-20 20:42, Andrew Bernard wrote:
>>>
>>> I posted a while ago with a query about hairpins, to which no
>>> response.
>>>
>>> Would there be any way to have hairpins that
On Thu, Apr 20, 2017 at 6:02 PM, Kieren MacMillan
wrote:
> Hi all,
>
> Is the built-in** lyric tie/elision tweakable? I’ve found that the
> kerning/positioning changes fairly dramatically depending on the font being
> used. I’d like to try to set its position
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