David van Ooijen wrote:
On Fri, May 28, 2010 at 9:17 PM, Stuart Walsh wrote:
Is there a simple explanation, somewhere, of string tensions and what 3kg or
7 kg etc means and what is the significance of it. I've never understood
what it's all about.
I wrote this some years ago, so I cou
On Fri, May 28, 2010 at 9:17 PM, Stuart Walsh wrote:
> Is there a simple explanation, somewhere, of string tensions and what 3kg or
> 7 kg etc means and what is the significance of it. I've never understood
> what it's all about.
I wrote this some years ago, so I could understand what it was all
Technically, kg is a measure of mass, but it's a little easier to grasp than
tensions. Simply speaking, when you draw a string to pitch, associating
something like "4 kg" to that string's tension means it is equivalent to the
amount of effort that would be required to hold a mass of 4 kg. I'm hap
Is there a simple explanation, somewhere, of string tensions and what
3kg or 7 kg etc means and what is the significance of it. I've never
understood what it's all about.
Stuart
Eugene C. Braig IV wrote:
Greetings Martyn,
Of course, more lute-like mandolins comfortably predate wire-strun
Correction: With the high course at ca. 0.5 mm and e'' on early Neapolitans
and ca. 0.4 mm and g'' on 4th-tuned mandolini, the difference in tension
approaches negligible. If anything, the tension on recent use of early
Neapolitan mandolins may have been informed by what was possible with the
fine
Greetings Martyn,
Of course, more lute-like mandolins comfortably predate wire-strung
mandolins historically. I dont think modern mandolin tension had any
influence on the recent semi-resurgence of early mandolin types. On typical
modern Neapolitan mandolins, tension on e'' around 6+ kg is pret
Hola!
Would someone in Cordoba or the surroundings would be able and willing to lend me a lute on
sept 17 / 18?
regards
Bernd
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Dear Eugene,
Thank you for this. Not being at all familiar with the mandolino, I was
unaware of, what to my mind, seems such high tension (4Kg) being
normally employed on the finger plucked instrument of only around 32cm
string length. No wonder someone remarked about 'iron bars'.
Hey, mandolinists have little enough music! Tell that guitarist to give it
back!
Semi-kiddingly,
Eugene
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Stuart Walsh
> Sent: Friday, May 28, 2010 5:12 AM
> To: Alfonso Marin
> Cc: l
Somewhere there is a catalogue of strings intended for shipment to
Vivaldi's famous Ospedale della Piet`a. I don't remember the level of
detail, but do remember it lists strings for mandolin. I think I have
a transcription of that document someplace, but am not certain. I'll
keep
..Or do you know what he uses as a plectrum?
Eugene
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Alfonso Marin
> Sent: Friday, May 28, 2010 4:16 AM
> To: lutelist Net
> Subject: [LUTE] Re: playing technique of baroque mandolin
>
Thanks for sharing. Who made yours? What do you use as a plectrum?
Best,
Eugene
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Alfonso Marin
> Sent: Friday, May 28, 2010 4:00 AM
> To: lutelist Net
> Subject: [LUTE] Re: playing t
Hi,
I have uploaded 5 new lutetrios for 3 equal Lutes (Unisono)
http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ec1f86fab09778dc53d8c7c6998cb4ca21
TOBIAS HUME
A Jigg for Ladies
The Duke of Lennox delight
The Earl of Pembrokes delight
The Lady Bedfords delight
The Lord Deweys fa
Alfonso Marin wrote:
Dear Stuart,
I am not the mandolin player. He is called Mauro Squillante and indeed he plays
with a plectrum. I was playing the archlute (not in this aria of course)
Greetings,
Alfonso
My apologies, Alfonso.
Stuart
On May 28, 2010, at 11:12 AM, Stuart Walsh w
Dear Stuart,
I am not the mandolin player. He is called Mauro Squillante and indeed he plays
with a plectrum. I was playing the archlute (not in this aria of course)
Greetings,
Alfonso
On May 28, 2010, at 11:12 AM, Stuart Walsh wrote:
> Alfonso Marin wrote:
>> Dear all,
>>
>> Talking about b
Alfonso Marin wrote:
Dear all,
Talking about baroque mandolins:
Last year I played Vivaldi's oratorio "Juditha Triumphans" with the "Venice Baroque
Orchestra". There is an aria with a mandolin solo. The concert at the Concertgebouw Hall in
Amsterdam was broadcasted live for the Dutch Televis
Not being a mandolino player I hope you don't object to me intruding
and commenting on Timmerman's (fine) performance and the volume he
generates from the instrument. Of course, since the piece is recorded
we have no real means of knowing the volume - for all I know it could
be as
I forgot to mention that the name of the mandolin player is Mauro Squillante.
Here is the video again:
http://www.youtube.com/watch?v=oqfpYO8_j5w
On May 27, 2010, at 11:21 PM, Stuart Walsh wrote:
> Stuart Walsh wrote:
>>>
>>
>>
>> I just can't imagine how you get a loud, full sound playing t
Dear all,
Talking about baroque mandolins:
Last year I played Vivaldi's oratorio "Juditha Triumphans" with the "Venice
Baroque Orchestra". There is an aria with a mandolin solo. The concert at the
Concertgebouw Hall in Amsterdam was broadcasted live for the Dutch Television
channel CULTURA an
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