Call me a 3rd in the block saying PT is the way to go, and I'm not a PT snob,
either. LOL!
---
Christopher Gilland
Co-founder of Genuine Safe Haven Ministries
http://www.gshministry.org
(980) 500-9575
- Original Message -
From: Slau Halatyn
To: PTAccess List
Sent: Sunday, July
Hi Jes,
I've inserted some responses within your questions below.
> On Jul 23, 2017, at 8:19 AM, Jes wrote:
> Why is it better to switch to PT and abandon Reaper?
It's not necessarily better to switch to Pro Tools and abandon Reaper. You
should not abandon a platform if you know it well and it i
I am a Protools slouch. I mean to say I am not as proficient with Protools as
many on this list. Have you ever ridden in a Cadillac or Mercedes-Benz? Have
you also ever written in a Kia with say 100,000 miles on it. That is your
difference. Loss of sound quality the Kia will rattle and fall apar
Pro tools came of dominance in an age when you needed the additional hardware
processing to do audio on a computer. Even though for smaller projects you may
not need it, where it still dominates is in film scoring and post production
where the projects and the asset sizes are massive. However wi
Correct me if I'm wrong, but I believe ProTools was one of the first
DAW's. As such, many studios invested in it, which meant also buying
some rather expensive hardware for hosting plugins etc. Anyone else
remember those inflated prices for Waves TDM plugins? Things were
vastly different in the
Hi list,
I currently use Reaper but have thought of learning Pro Tools. Why is it better
to switch to PT and abandon Reaper? Why do so many people in the audio
professional world look down ondaws like logic, reaper, and insist that
ProTools is the best?
What makes ProTools the industry standard,