Against that, there's the statement that the buzz was also present "less
strongly, in the panned B-format from the soloists mic" where there
shouldn't be any bass gain at all. Sounds to me like something in the
playback set up. Can you go and listen to it on someone else's rig?
Dave
On 7 May
>> On 7 May 2018, at 17:30, Gerard Lardner wrote:
>> I recorded a concert on Saturday (John Rutter's /Gloria /and Karl
>Jenkins' /The Peacemakers/) using an Ambisonic mic and some others.
>I'm encoding the A-format to B-format using VVEncode in Reaper, and
>panning in the extra mics using Wigwar
Spectral analysis would be a good clue here — sounds like clipping of LF to me
jon
> On 7 May 2018, at 17:30, Gerard Lardner wrote:
>
> I'm very much an amateur here, so please forgive what might be a stupid
> question!
>
> I recorded a concert on Saturday (John Rutter's /Gloria /and Karl Jen
I suspect that depending of chosen virtual mic configuration there is so
much low frequency gain added that you boost the level of the nearly always
existing 50Hz hum so much that you actually hear it.
It has sometimes happened to me that I need to lower the input level of the
signal to the ambison
I'm very much an amateur here, so please forgive what might be a stupid
question!
I recorded a concert on Saturday (John Rutter's /Gloria /and Karl
Jenkins' /The Peacemakers/) using an Ambisonic mic and some others. I'm
encoding the A-format to B-format using VVEncode in Reaper, and panning
i