(313)(313)Check these online record shops
I can reccomend these two fantastic online dance music record shops: www.elesdesia.nl Has a good selection of old school, Chicago,Detroit and New York stuff.They have a good quality service;these guys get the records out quickly! www.blackrhythm.com Good for old school New York labels:smokin,underworld,warlock,apexton distributed labels,cutting,loads of freestyle stuff etc etc. Again,these guys are good t do business with(unlike a certain other record shop I could mention...I wonder what that could be). Why not check them out? Btw,both these shops are based in Holland. Peace Leon Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] Hotmix news
speakin' of viewlexx...when is Cocadisco 2 slated to come out? 1 was real good and supposedly some ltd. release. Is the Parallax corp. album coming out on vinyl too? love the italo influenced stuff ferenc has been kickin' out lately. minto
Hotmix news
Ladies and gentlemen, *The new and improved Viewlexx slipmats have arrived! Please note it's a limited edition only. Get your set at the Clone records mailorder dept. (www.clone.nl) *Also the PANAMAMIX is available againand we haven't seen you around to pick up a copy of Musique Compacte. Don't make us come to your house. (www.clone.nl) *How about the limited edition of the newly remastered 'Space invaders' 12" with that killer bonus track 'Us & Ours & You & Yours'? A new standard has been set so show me yours now! (www.clone.nl) *Murdercapital.nl should be active one of these days so the Murdercapital fans can dial direct now. www.murdercapital.nl *Several sections of the Hotmix homepage have been updated and some sound have been added; Surf in today! Follow the light: www.hotmix.nl
motor tonight&free cd
Any 313 listmember going to the motor tonight, i will be there giving out free copies of my latest mix cd. Those of you not knowing me, please introduce yourself. I will be wearing a residual recordings t-shirt. Anyone else interrested in recieving a free cd, mail me a s.a.s.e. (big enough for a cd) and ill get one to you. email me back so i have an idea of how many to copy. Track selection is pretty much all over the place from Dan Curtin, to Rob Hood, Titonton, Johnny Fiasco, Boo Williams, Bob Sinclair, DJ Assault, Glenn Underground, and everywhere in between. Feedback is appreciated. ...kev... _Xeflex Music_ [EMAIL PROTECTED] ..| Booking Agency ..| Graphic Design ..| Record Label ..| Production ..| Promotion Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] UR in Europe
At 12:47 07/29/2000 -0400, Jean-Michel Lavergne wrote: If i translate in English: Underground resistance are the other side of Detroit techno. Under U.R., Jeff Mills and Mad Mike created radicals hardcore dance titles that nobody had done. They did some revolutionary things, but to put a hardcore label on it... naaah! This simple and repetitive type of techno had a big impact in Europe. Simple? Repetitive? Everything but that! And yes, it had his impact. But not only in Europe. Try to find the UR compilation CD (LP?) Revolution for Change and hear for yourself. This style have been copyed under a lot of hardcore or trance forms, with a lot less quality. Do you have examples of 'well-known' UR rip-offs? I can't think of any. Anyone have an opinion on this? I wonder what your opinion is about the text. Since you've heard about UR I reckon you have heard records of UR (and the label). Do you think UR is hardcore? Because when somebody refers to hardcore I always make the link to gabber and the likes. And UR is certainly no gabber (or hardcore, which it is called nowadays). I don't know much of Detroit music history, Buy Dan Sicko's (also a member of 313) book Techno Rebels. and even less knowledge of UR in Europe. Trust me. Europe knows about the existance of UR :) Which nono made up that in the first place? Roland (Never ever mention the *rance word again! ;-) *=- "We are all nothing. Life is meaningless. I love my job." urL : http://www.mp3.com/scout303 urL : http://listen.to/scout url : http://www.rolandvanoorschot.com icQ : 1D1243 (hexadecimal) -=*
Re: [313] UR in Europe
UR: << This style have been copyed under a lot of hardcore or trance forms, with a lot less quality. >> who da hell wrote this. i bet there would had been more to say about UR about their early days then refering to hardcore & trance, pretty empty phrases that really go no where. looking at that i wouldn`t believe that they are giving a show for promotors who actually don`t seem to know to much about detroit history & UR ...i mean why the hell should they?
Re: [313] SG's a has been record store
i totally have to agree to this. GO AND TELL THEM HOW YOU THINK ABOUT THEIR SERVICE, IF YOU WANT THINGS TO CHANGE. complaining on here won`t help much. andy background records
audio-nimbus [special event] :: DETRONIK PERFORMANCE
The SPECIAL event :: :: :: :: :: :: :: :: DETRONIK :: LIVE PERFORMANCE ON AUDIO-NIMBUS The specifics :: :: :: :: :: :: :: :: Saturday, July 29th, 2000. CJAM 91.5 fm, mid-2am EST. www.uwindsor.ca/cjam/live.htm 1.519.971.3630 1.313.963.6112 ext. 3630 The operators :: :: :: :: :: :: :: :: Mat Ulrich synthesizer manipulation abstract sound injection & Micho McAdow live analog beat manipulation toy / drum machine modifier The information :: :: :: :: :: :: :: :: Detronik is the name of NASA's latest long term transmission experiment. Audio-Nimbus is the name of the radio frequency that will transmit these strange audible experiments on CJAM 91.5 fm. At first, Detronik's audience interpreted their complex beats and waveforms as "gibberish" or "techno". Eventually people grew to understand that Detronik's transmissions were beyond these descriptions. In addition to possessing an advanced understanding of rhythm and harmony, Detronik have proven quite entertaining for people on earth. Music beamed electronically between the satellite and the mobile communication lab on earth will interpret Detronik's every sound. Specially equipped analog music making transmission devices will be utilized to broadcast Detronik's unique soundscape via Audio-Nimbus on July 29th, 2000. DO NOT miss an opportunity to witness this once in a lifetime spectacle as the earth bound division of Detronik links an audience to NASA's most treasured secret via Audio-Nimbus airwaves. Tune in live and online (in Real-Audio format) by clicking on www.uwindsor.ca/cjam/live.htm. The stuff we're giving away :: :: :: :: :: :: :: :: 10 copies of Detronik's "Ascensus" cdr-ep --tune in to learn how! The sounds to expect :: :: :: :: :: :: :: :: Abrasive and experimental Detroit electro with ambient interludes: "Electro-experimental" beats are layered by a cyclic interaction of addition and subtraction of beats. Sounds are then layered by synced and non-synced synthesizers. The connections :: :: :: :: :: :: :: :: Detronik :: [EMAIL PROTECTED] Audio-Nimbus :: [EMAIL PROTECTED] Pietro. pietro da sacco :: [EMAIL PROTECTED] cjam 91.5fm :: saturdays :: mid - 2am :: est 9745 lynngrove cr, windsor, ont, n8r 1b8, ca. grooves mag :: www.groovesmag.com igloo mag ~coming soon :: www.skimo.com
UR in Europe
Hi everyone, this is my first message to the 313 mailing list. Afriend of mine sended me an e-mail with the following observations: Underground Resistance, qui symbolise l'autre versant de la techno de Detroit Sous le nom d'Underground Resistance, Jeff Mills et Mad Mike créaient des titres de dance hardcore très radicaux, ce que personne ne faisait Et ce type de techno simple et répétitive a eu beaucoup de retentissement en Europe, a été copiée voire plagiée sous des tas de formes de type harcore ou trance, d'une qualité bien inférieure If i translate in English: Underground resistance are the other side of Detroit techno. Under U.R., Jeff Mills and Mad Mike created radicals hardcore dance titles that nobody had done. This simple and repetitive type of techno had a big impact in Europe. This style have been copyed under a lot of hardcore or trance forms, with a lot less quality. Anyone have an opinion on this? I don't know much of Detroit music history, and even less knowledge of UR in Europe. --- Envoyé par Moncourrier.com Vous aussi obtenez gratuitement votre adresse électronique sur Moncourrier.com
odicforceTRAXXXbdayspecial
> E F F E X X > a night of detroit art and electronic music > hosted by ODIC FORCE (aubrey, dave & friends) > [EMAIL PROTECTED] > 313 341 6217 > > every sunday > 9pm--2am > > > > JULY30 > EXCLUSIVE EXHIBITIONB.DAY PARTY FOR TRAXX. > 6PM-2AM > TheoParrish::MikeClark:::MikeHuckaby:TRAXX:: > > > > 21+:::$5.00 > rooftop deck of 2ndCity (outdoor patio) > DwntwnDetroitWoodwardacrossfromtheFOX/ Comerica Park(Tiger Stadium) > > --- Headers Return-Path: <[EMAIL PROTECTED]> Received: from rly-zd04.mx.aol.com (rly-zd04.mail.aol.com [172.31.33.228]) by air-zd01.mail.aol.com (v75_b1.4) with ESMTP; Wed, 26 Jul 2000 04:38:45 -0400 Received: from gull.prod.itd.earthlink.net (gull.prod.itd.earthlink.net [207.217.121.85]) by rly-zd04.mx.aol.com (v75.18) with ESMTP; Wed, 26 Jul 2000 04:38:38 2000 Received: from earthlink.net (dialup-209.244.90.119.Detroit1.Level3.net [209.244.90.119]) by gull.prod.itd.earthlink.net (8.9.3-EL_1_3/8.9.3) with ESMTP id BAA24074 for <[EMAIL PROTECTED]>; Wed, 26 Jul 2000 01:38:36 -0700 (PDT) Message-ID: <[EMAIL PROTECTED]> Date: Wed, 26 Jul 2000 04:36:09 -0700 From: David Grobbel <[EMAIL PROTECTED]> Reply-To: [EMAIL PROTECTED] X-Mailer: Mozilla 4.61 (Macintosh; I; PPC) X-Accept-Language: en MIME-Version: 1.0 To: [EMAIL PROTECTED] Subject: Re: Fwd: [313] EFFEXX- sundayclubnite hosted by ODIC FORCE References: <[EMAIL PROTECTED]> Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit
testtesttesttesttestte
testtest is this thing on?>>>
Re: [313] SG's a has been record store
all this moaning about SG,and Im wondering if anyone is telling them that they are unsatisfied with their behavior _directly_. Instead of complaining HERE, why not just tell them directly in a constructive manner. Email the shop at: [EMAIL PROTECTED] I suggest not calling them, they are usually really busy during the day or preoccupied or wait until you can talk to Adam,Frankie or Heather directly or Jon who heads up mail order-last I checked. As long as SG is making the rent and the heavy traffic in the shop I doubt much will change, but I think its alot more pro-active to tell them directly instead of doing it here. THIS ISN'T A FLAME,just a constructive suggestion diana Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
florian re-entry + travel plans
hi This is Andrew Chuter, aka florian, from Sydney, Australia. I'm back on this list after a 2.5 year absence. There's some info about my music interests at: http://spraci.cia.com.au/profiles/florian.html In '98 I backpacked around Japan, the UK, and Europe with a bunch of records. Musical highlights included seeing Kraftwerk at Sonar and dj'ing in Kyoto and at Tresor's headquarters night. Thanks to those I hooked up with along the way, including Otto, on this list. After returning I started a radio program with my pals Agent Patrick, James Bond, and Color, called Dark Energy. http://www.darkenergy.nitro.com.au/home.htm I sadly left that behind to teach English in Tokyo, where I am now, sans vinyl. A few Detroit related CD's I recommend from the last few years include Drexciya - Neptune's Lair Dopplereffekt - Gesamtkunstwerk Jeff Mills - From the 21st Dan Curtin - Pregenesis Boards of Canada - SKAM008CD Warp 10+1 Influences and Bodenstandig 2000 on Rephlex for those with a sense of humour. Anyway, I'm off travelling again, this time to New York, Washington DC, Philadelphia, Detroit and Chicago, for at least 5 weeks, maybe more. I'm leaving Tokyo on Sept. 15th (the 1st day of the Olympics). I like meeting people with similar interests, so if any of you live around there, and want to get together, please drop me an e-mail. I'm hoping to see some good DJ's and live acts. Besides music (Detroit, 'idm', ambient, jazz, and world) I'm also into art, film, books, history, science, nature, hiking, etc. cheers Andrew p.s. shout out also to Patrick and Phil...
(313)Triplexxx/Audio Tech question
Hi all, Please could someone let me know if the Metroplex version of Triple XXX 'The Bedroom Scene' is different from the Express version. Speaking of Express records, can someone provide me with the track/mix listing for Juan Atkins' Audio Tech record? I think the track came out in ' 87.Its been buggin' me for ages. Thanx in advance Leon Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] millshouse?
He played housier in Sydney at Home on the same tour - one of my fave gigs ever, even though I had a migraine! I hear a 'housier' shift in his music myself, though it is still minimal. Maybe we are moving into a new era of techno - the music is 'deeper' and more melodic again. I wish Mills would do more club dates over 'raves'. The crowds are more sophisticated. If you like Mills, you'll like Oliver Ho's new album - the best minimal techno Mills didn't make. Excellent cerebral stuff. I saw Pacou last night here in Melbourne. The turn-out was small (I think a lot of people are too tired to party Friday nights - they want housier sounds instead of techno maybe) yet appreciative but I didn't really get into it (I was not in the mood since everyone had forgotten my birthday and I had expensive iMac computer repairs to worry about after a mega crash on an important deadline!!). Peace Cyclone >After a number of listens to "every dog..." I want to agree with others on the >list who have suggested it's a masterpiece. To me it's a new direction for >Mills: he combines the floorfriendly momentum of the purposemaker releases >with >the abstract sounds of his axis stuff to produces a housesound uniquely his >own >(millshouse, perhaps). > >Has anyone heard him play recently? He played Perth about 3 months ago, and >while excellent didn't descend into the housier sounds of the lp. Do you think >he's signalling a shift in sensibilities with the lp (dj-wise, I mean), or >merely presenting another side of himself as producer? > >Also, does anyone know the significance of the 'millsart' moniker he uses for >this release? I know he's used it before, but not on all the axis releases. >Which releases has he used it for, and how are they different to his "Jeff >Mills" releases? > >Lots of questions, but releases like these demand them > >Cheers > >Chris > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313]L HEARD TRACK ID
>I have a Green Velvet remix of a 1996 song called 'Nasty Girl' by Nuttin' >Nyce (actually written by Prince) >It has Velvet repeating that over and over (i'm so nasteee..) over a >screeching 303 and a funky-ass progressing, hardhouse >909 beat. Probably not the one your talking about but I love it anyway >(of course it's scratched from rockin' countless >house parties with it on rickety tables)I got it for 99 cents at some >clueless raver store a few years ago. .Score. >anyone else heard this? Actually Nasty Girl is an old Vanity 6 song and the Nuttin' Nyce cover is kinda lame. Vanity 6 was Prince's answer to the Mary Jane Girls and in fact he 'stole' Vanity away from Rick James (or so the story goes) and they had this rivalry thing going on for years afterwards. I have the Vanity 6 album and I would say that phase of Prince's career was quite influential on the likes of Green Velvet through to Timbaland, in terms of the minimal production style and humour. The original has the droll lines, 'I need 7 inches or more' and 'wake me up when you're done' that kinda thing.
Re: [313] SG's a has been record store
>has a great selection of older Chicago >house music. But you have to know either an artist or a label to plug into >the search field. Yeah, I agree with Fred. That's the easy part, the hard part is actually receiving the records you order in the mail. What's their email address and phone number again? I guess they don't want to bothered by all the customer complaints. And to think I actually used to put up with that SG-BS. stephen.
Re: [313] SG's not what it used to be-GRAMAPHONE
>Another decent shop for old Chicago house goodies (and techno as well, btw) >is Hot Jams at 5012 S. Pulaski. About half of their inventory is used >vinyl. Two things I don't like about this shop though is the fact that all >of the vinyl they have in the bins is kept under lock and key... so if you >go there in person to flip through their inventory, it can get pretty >aggravating in a hurry to try to find something. The other thing is that >they charge an arm and a leg for used vinyl, a lot of what they have will >set you back $10 per 12" or more. However, they do have a lot of hard to >find classic stuff that you might not find at Gramaphone or 2nd Hand >Tunes... everytime I've been there they've always had a good amount of stuff >on the Trax label and DJ International, etc. They do mail order as well, >their number is 773-581-JAMS. I still prefer Gramaphone over the others, as >their selection (at least where new releases are concerned) is second to >none in the city. Now, if they would just figure out a way to create better >parking arrangements in the area :) (i know plaslaiko will agree with me on this one) if you to hot jams, make sure you stop for lunch at MR. SUB. hot damn. btw, to make this sorta 313-related, I liked tresor 8. The claude young is great of course, but I love all the more uhh... "atmospheric" stuff too. chris
Re: [313]L HEARD TRACK ID
I have a Green Velvet remix of a 1996 song called 'Nasty Girl' by Nuttin' Nyce (actually written by Prince) It has Velvet repeating that over and over (i'm so nasteee..) over a screeching 303 and a funky-ass progressing, hardhouse 909 beat. Probably not the one your talking about but I love it anyway (of course it's scratched from rockin' countless house parties with it on rickety tables)I got it for 99 cents at some clueless raver store a few years ago. .Score. anyone else heard this? np: Harry "choo choo" Romero - beats vol I - Subliminal On Fri, 28 Jul 2000 21:33:46 -0500 "JavierDrada" <[EMAIL PROTECTED]> writes: >Cajmere - Looking For A Man - Cajual > >> Mr. Fingers plays this record in every set I've heard him play. 303 >> melody circling on the top, bad ass bass line, banging kick and a >g-man >> type of sound on the hits. >> >> The vocal is a guy saying // >> >> "I'm so nasty girl, I'm so nasty" >> >> and a girl saying // >> >> "I'm llooking for a man, I'm looking for a man to love me" >> >> PLEAE HELP ME I'D THIS TRACK AND IF ANYONE HAS IT AND WANTS TO SELL >IT >> EVEN BETTER. >> >> // giles >> >> >> >- >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > YOU'RE PAYING TOO MUCH FOR THE INTERNET! Juno now offers FREE Internet Access! Try it today - there's no risk! For your FREE software, visit: http://dl.www.juno.com/get/tagj.
Re: [313] SG's not what it used to be-GRAMAPHONE
If I remember correctly, the original Imports store was somewhere in the South Loop (between the Loop itself and Chinatown)... then around '91 or '92 someone told me they had relocated up to a building on the northside... I believe it was North Ave. somewhere around Milwaukee Ave. I think they closed their doors a few years back, I haven't heard anything of them since then. Another decent shop for old Chicago house goodies (and techno as well, btw) is Hot Jams at 5012 S. Pulaski. About half of their inventory is used vinyl. Two things I don't like about this shop though is the fact that all of the vinyl they have in the bins is kept under lock and key... so if you go there in person to flip through their inventory, it can get pretty aggravating in a hurry to try to find something. The other thing is that they charge an arm and a leg for used vinyl, a lot of what they have will set you back $10 per 12" or more. However, they do have a lot of hard to find classic stuff that you might not find at Gramaphone or 2nd Hand Tunes... everytime I've been there they've always had a good amount of stuff on the Trax label and DJ International, etc. They do mail order as well, their number is 773-581-JAMS. I still prefer Gramaphone over the others, as their selection (at least where new releases are concerned) is second to none in the city. Now, if they would just figure out a way to create better parking arrangements in the area :) BTW, for whoever was trying to reach Gramaphone's web site and was unable to get it to come up, their number is 773-472-3683 if you want to do a mail order from them or get some info... Matt E-mail: [EMAIL PROTECTED] Homepage: http://magicmattkelly.tripod.com > PS. Anyone know what happened to the legendary Chicago record shop IMPORTS > ETC., where Chip E. worked and stuff. Any info about this shop would be > appreciated. > DJ Izrail's excellent "Chicago blood line" mix has a great 10 mins of TALK > by Izrail, when he pays respect to the old skool, he mentions this shop of > course...
millshouse?
After a number of listens to "every dog..." I want to agree with others on the list who have suggested it's a masterpiece. To me it's a new direction for Mills: he combines the floorfriendly momentum of the purposemaker releases with the abstract sounds of his axis stuff to produces a housesound uniquely his own (millshouse, perhaps). Has anyone heard him play recently? He played Perth about 3 months ago, and while excellent didn't descend into the housier sounds of the lp. Do you think he's signalling a shift in sensibilities with the lp (dj-wise, I mean), or merely presenting another side of himself as producer? Also, does anyone know the significance of the 'millsart' moniker he uses for this release? I know he's used it before, but not on all the axis releases. Which releases has he used it for, and how are they different to his "Jeff Mills" releases? Lots of questions, but releases like these demand them Cheers Chris
Re: [313] ANSWER TO MR. FINGERS QUESTION // L HEARD TRACK ID
Cajmere - Looking For A Man - Cajual It's at 31 minutes 43 seconds exactly on an archive I have of his, try this link http://216.221.167.25/Media/LH1296B1.asx j.d. http://www.undergroundcommittee.com 504.837.4783 tel 504.553.5628 tel 504.553.5627 fax Keepin' it real, keepin' it UNDERGROUND..Underground Committee.com Home of Detroit Influence & Reflections - Original Message - From: "Giles Dickerson" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Friday, July 28, 2000 10:34 AM Subject: [313] MR. FINGERS QUESTION // L HEARD TRACK ID > TRACK ID // > > Mr. Fingers plays this record in every set I've heard him play. 303 > melody circling on the top, bad ass bass line, banging kick and a g-man > type of sound on the hits. > > The vocal is a guy saying // > > "I'm so nasty girl, I'm so nasty" > > and a girl saying // > > "I'm llooking for a man, I'm looking for a man to love me" > > PLEAE HELP ME I'D THIS TRACK AND IF ANYONE HAS IT AND WANTS TO SELL IT > EVEN BETTER. > > // giles > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
Re: [313] tressor 8
> i just listened to Tressor Comp Vol 8 last night. to tell you the truth i > am kinda disappointed by it. the only track on it that i really liked was > the new Claude Young one. it seems to me that claude young can do no wrong > right now. am i the only one that thinks that??? anyways i would much > rather listen to tressor vol 4 or vol 5. both of those are excellent. i haven't heard the tresor 8 yet but i haven't heard much from claude that i've liked recently. his Brother From Another Planet is still my top claude release. > -- Kuri Kondrak Resonance Magazine
