Re: [313] Ford and Atkins
The advert just played on Fox, during Malcolm in the Middle Very cool. Reminds me a bit of Chris Cunningham's Second Bad Vilbel video. -d.w.
Re: [313] Ford and Atkins
on 11/12/00 8:51 PM, Dave Walker at [EMAIL PROTECTED] wrote: The advert just played on Fox, during Malcolm in the Middle Very cool. Reminds me a bit of Chris Cunningham's Second Bad Vilbel video. Just saw it myself and I had the same reaction. Not very cheesy, and the edit from the track was nicely done, fairly dense. Fast cuts on the video edit. I wouldn't be surprised if it ran during x-files as well. Good to see you're still out there, Dave. -- There4IM
paper
Some of you may remember that I am writting a paper on media conglomerates trying to sell unerground music/culture, and that I am trying to get as much information as I can about the UR vs. Sony case. I know that this has been asked recently, and I apologize for that, but can anyone tell me who officially produced the fake Jaguar, what label it is currently on, and where I can find information about it, including an mp3 of it? Thanks in advance and hit me up privatly if necessary. -christos
Re: [313] Ford and Atkins
then it's agreed. we all like Malcolm in the Middle :^) I saw it too and was quite pleasantly surprised. They shouldve given us a warning (warning: the following commercial contains a funky ass techno track and may knock the socks off of oldschool tech heads) or listed it on the TV guide or something. you cant just spring something like that on a person all out of the blue like :^) sean -- sean deason matrix records p.o. box 343 dearborn, mi 48121-0343 ph/fax: 313.582.3410 cell: 313.522.3550 email: [EMAIL PROTECTED] profile: seandeason.metrotimes.com From: [EMAIL PROTECTED] [EMAIL PROTECTED] Date: Sun, 12 Nov 2000 21:10:26 -0500 To: [EMAIL PROTECTED], 313 Detroit 313@hyperreal.org Subject: Re: [313] Ford and Atkins on 11/12/00 8:51 PM, Dave Walker at [EMAIL PROTECTED] wrote: The advert just played on Fox, during Malcolm in the Middle Very cool. Reminds me a bit of Chris Cunningham's Second Bad Vilbel video. Just saw it myself and I had the same reaction. Not very cheesy, and the edit from the track was nicely done, fairly dense. Fast cuts on the video edit. I wouldn't be surprised if it ran during x-files as well. Good to see you're still out there, Dave. -- There4IM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mark Kinchen
On Sat, 11 Nov 2000, RC wrote: Maybe someone can confirm this, but didn't he go mainstream and started to produce for people like Madonna (amongst others) in early '90's, or was that his brother Scott? Mark went to school with my wife and I spoke with him at their reunion. I can confirm this. He's in NY now.
RE: [313] Re: midem vs. sonar
A friend who is off list is thinking of going to either. MIDEM: Looks like WMC Europe (bad) to me (http://www.midem.com/) MIDEM: Is in Cannes (good), but in late January (br) no - one good thing about Cannes is that the weather remains nice - even in January Sonar: Doesn't look or feel like WMC (good) Sonar: Is in Barcelona (better), and in mid June (ahh) I know which one I'd choose. (Hint: I've been to Sonar twice, MIDEM nonce) The two are completly different - from what I remember, Sonar is techno only with a focus on the most interesting artists, Midem is music industry at large with a focus on what's selling Gwendal
RE: [313] Re: midem vs. sonar
Sonar is fairly broad actually... sets i've heard in real audio are from as far reaching as Kit Clayton to Scion w/ Tikiman... even listened to some nice Chicago House. I would definitely go to Sonar over pretty much anything, given the opportunity. Ryan Heard -Original Message- From: Gwendal Cobert [mailto:[EMAIL PROTECTED] Sent: Monday, November 13, 2000 1:45 AM To: 313@hyperreal.org Subject: RE: [313] Re: midem vs. sonar A friend who is off list is thinking of going to either. MIDEM: Looks like WMC Europe (bad) to me (http://www.midem.com/) MIDEM: Is in Cannes (good), but in late January (br) no - one good thing about Cannes is that the weather remains nice - even in January Sonar: Doesn't look or feel like WMC (good) Sonar: Is in Barcelona (better), and in mid June (ahh) I know which one I'd choose. (Hint: I've been to Sonar twice, MIDEM nonce) The two are completly different - from what I remember, Sonar is techno only with a focus on the most interesting artists, Midem is music industry at large with a focus on what's selling Gwendal - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
deep chord
Any UK list-members know where I could get hold of the Deep Chord material in London? Anxious to check it out after some of the discussion on the list recently... Batch of reviews to come this week - there's some awesome new material coming from the Defocus and Delsin camps, not to mention the continued rise of West London nu jazz... Cheers, Tom
Redux - Finale!!
Yep, I hopped in the studio at 1130pm last night and threw together one last Redux track called Technological Garbage II. The 1st few listens I'm sure will be quite confusing but if you listen enough times and play it loud enough it starts to make sense ;-) Listen at http://www.acidplanet.com/Lounge/SongDetail.asp?PID=45787 (Technological Garbage I is almost the same but has an annoying, unfitting techno line in the middle of it). enjoy, djr _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Betr.: Re: [313] Mark Kinchen
Isn't he doing some RB stuff with (t)his group 702? W Lester Kenyatta Spence [EMAIL PROTECTED] 13-11-2000 5:27:38 On Sat, 11 Nov 2000, RC wrote: Maybe someone can confirm this, but didn't he go mainstream and started to produce for people like Madonna (amongst others) in early '90's, or was that his brother Scott? Mark went to school with my wife and I spoke with him at their reunion. I can confirm this. He's in NY now. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Betr.: Re: [313] Mark Kinchen
He did production for En Vogue fo a while, produced one of their albums(and he did quite a good job, excellent album, forgot the title,yy, 154 def down wit EV!!)
Re: this sunday
sorry if this doesn't apply to you but we need to get this message out. this sunday's innercity party with carl craig k1 is defenitely on apparently there are rumours to the contrary but please just ignore them. thanks paul innercity www.innercity.co.uk
Missing links in that Theo Live in Detroit tracklisting...
Nate (and interested others), Track 12 from Theo Parrish's Live in Detroit '99 is from Blaze's Artful Noyz EP for Area Code records. I have had this since it came out and, because I always listened to the (absolutely excellent) Love For You on the other side, never realised that I had the track you're looking for. This is the very latiny type Body Soul track that begins just before side 1 ends (or about 46 mins on the CD). He only plays the second half of the full track. Hope that helps. Now there's only 2 to get, and one of them's Mysterious People. Email me off list for a full listing if you want it. Take care, Jonny. NP: Karen Pollock Reach Out To Me.
Re: [313] Ford and Atkins
I was watching fox too. The commercial's end disturbed me a bit: DETROIT TECHNO FORD FOCUS (or whatever) Not to go all Roland Barthes on you but the commercial pretty transparently tries to take the sign 'DETROIT TECHNO' and assign a new meaning to it, namely a FORD Automobile. It was another example as well of a commercial with an 'in' joke. The association of the car with Detroit Techno at the end only works, or works best, if you know that it's a Juan Atkins track. Otherwise, it's just another anonymous dance track. BTW Any show where people beat the crap out of clowns is great in my book kent williams -- [EMAIL PROTECTED] http://jump.to/cornwarning -- Iowa's First Techno Record Label http://www.mp3.com/chaircrusher -- tunes
Derrick Carter mix. Track IDs?
I've just been listening to Derrick Carter's mix on www.biostat.wisc.edu/~rose/house/mixes12a.htm (its #328). Can anybody ID any of the following: 1. The Martin Luther King sampling track at around 7 minutes in. 2. The track after MAW's mix of DeeLite's Runaway at approx 35mins. (at which point the whole thing goes off!)? Thanks, Jonny.
Re: [313] Ford and Atkins
In a message dated 11/13/00 12:15:35 PM, [EMAIL PROTECTED] writes: I was watching fox too. The commercial's end disturbed me a bit: DETROIT TECHNO FORD FOCUS (or whatever) Not to go all Roland Barthes on you but the commercial pretty transparently tries to take the sign 'DETROIT TECHNO' and assign a new meaning to it, namely a FORD Automobile. Most people don't even know what the first meaning of it is, let alone any new one. It was another example as well of a commercial with an 'in' joke. The association of the car with Detroit Techno at the end only works, or works best, if you know that it's a Juan Atkins track. Otherwise, it's just another anonymous dance track. Damn, Kent, why can't you just be glad that Ford is using Juan's music in a MAJOR commercial, and hopefully paying him accordingly ??? That kind of mass recognition is long past due for the Godfather of Techno. And isn't it the POINT that you're gratified by knowing it's Juan's track underneath the commercial and the masses don't ? Would you be more happy if they were using a Crystal Method or Fatboy Slim or Moby track like they do everything else? Dang, let the man have his due, for God's sakes. Alan Oldham via Glyph1001 (couldn't resist, dammit)
moodyman track id
Hi all I'm looking for a track id from the Kenny Dixon DEMF set on groovetech he played it in his set at approx 29 minutes just be thankful for what you've got s smooth thanks in advance time for a timewarp _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Re: midem vs. sonar
Midem is pretty business heavy and most of it isn't electronic-music oriented. It's a business trade-show first and a music showcase second. BTW - Cannes isn't warm in January, it's not freezing but it ain't WMC. It's also EXPENSIVE AS HELL. Drinks are about $10 - $15 each. Lodging sucks and is expensive too. The food rocks though. Sonar is a music festival first and a conference second. Barcelona is the coolest city on the planet IMO. And the food rocks and the weather is warm and Spanish people rule and it's fairly inexpensive by European standards. Love that country..;) I think it really depends on what your friend hopes to accomplish - hardcore business it'd be Midem. Fun and schmoozing it'd be Sonar. So long, Alex Ryan Heard wrote: Sonar is fairly broad actually... sets i've heard in real audio are from as far reaching as Kit Clayton to Scion w/ Tikiman... even listened to some nice Chicago House. I would definitely go to Sonar over pretty much anything, given the opportunity. Ryan Heard -Original Message- From: Gwendal Cobert [mailto:[EMAIL PROTECTED] Sent: Monday, November 13, 2000 1:45 AM To: 313@hyperreal.org Subject: RE: [313] Re: midem vs. sonar A friend who is off list is thinking of going to either. MIDEM: Looks like WMC Europe (bad) to me (http://www.midem.com/) MIDEM: Is in Cannes (good), but in late January (br) no - one good thing about Cannes is that the weather remains nice - even in January Sonar: Doesn't look or feel like WMC (good) Sonar: Is in Barcelona (better), and in mid June (ahh) I know which one I'd choose. (Hint: I've been to Sonar twice, MIDEM nonce) The two are completly different - from what I remember, Sonar is techno only with a focus on the most interesting artists, Midem is music industry at large with a focus on what's selling Gwendal - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] --
email prob
anyone else using eudora lite 3 having probs with 313 digest occasionally hanging eudora? p-d
TIGERBEAT6 tour
TIGERBEAT6 PAWS ACROSS THE MIDWEST Tour! Tigerbeat6, the upstart electronic/punk/techno/idm/ whatever-the-hell-you-wanna-call-it label/collective run by Kid606 and friends brings you: Kid606 Blectum from Blechdom Cex! Gold Chains For any additional info email us directly at: [EMAIL PROTECTED] or: http://www.tigerbeat6.com The shows: 18th Columbus, OH @ fire exit/scale 19th Cleveland, OH @ speak in tongues 20th Detroit, MI @ detroit center for contemporary arts 21st Chicago, IL @ bin/empty bottle __ Details on the Detroit show: Monday, November 20th Contemporary Arts Center, 5141 Rosa Parks in Detroit Presented by Maersk-Music Kid606 Blectum from Blechdom Cex Gold Chains Maersk
Re: [313] Ford and Atkins
On Mon, 13 Nov 2000 [EMAIL PROTECTED] wrote: Damn, Kent, why can't you just be glad that Ford is using Juan's music in a MAJOR commercial, and hopefully paying him accordingly ??? I'm glad he's getting paid. I can be glad for him and still be a bit disturbed by the commercial can't I? My being disturbed comes out of my feelings for the music; to me it's a lot more than a commercial soundtrack. Face it, Commercials use drum bass and techno and hip hop beats all the time because it doesn't have words, and it's relatively cheap to license. They'd use Elvis songs if it suited their purpose and it came cheap. Music is just a design feature of commercials, meant only to serve the manipulation of people to the advertiser's will. In that context, music is in service of capitalist mind control. It's worth more than that to me on it's own terms.
RE: [313] Ford and Atkins
Music is just a design feature of commercials, meant only to serve the manipulation of people to the advertiser's will. In that context, music is in service of capitalist mind control. It's worth more than that to me on it's own terms. actually it sounds to me like your beef is more with commercials than any set style of music being used within them Commercials are meant only to manipulate people to the company's will. thats the whole idea. i guess im one of those ignorant people that doesn't see how ford focus' getting sold will destroy techno.
Two Moody Q's
1) Um saw a copy of Analog Live today: does everyone else's copy look like this one? The one I saw looked like a one-sided white label with only one track that had label art looking like a pasted on xerox. I'd tell you how it sounded, but the vinyl had all sorts of pockmarks and indentations, causing the stylus to bounce around like a lowrider. I heard the first white label for this had two tracks, so evidently things have changed. Please tell me there are copies out there that play without skipping and I just saw a mispressing. 2) Can anyone tell me the tracklisting on the old Black Sunday 12 that was the promo for Mahogany Brown? Does it have a track exclusive to the album, or is it just Black Sunday? I thought it had an exclusive, but then I heard it was one-sided (which wouldn't surprise me - what the heck is with Kenny and these one-sided records!) Thanks, Matt
FOCUS DETROIT TECHNO/STREET EDITION..
d e _ f r a g Pulled this off the net: MIAMI, Oct. 6 /PRNewswire/ -- Ford (NYSE:F) unveiled the latest in its series of limited edition Focus cars with the introduction of the Focus Street Edition at the Miami Auto Show today. Focus Street Edition incorporates fashion, music and fun to attract the Echo Boom generation. As part of the ongoing episodic Focus launch, Detroit Techno music will become a focal point for the overall Focus marketing campaign. Focus Street Edition features a European-tuned suspension, black body kit, 6-disc in-dash CD changer, sport bucket seats as well as 16 inch six-spoke machined aluminum wheels and a chrome exhaust tip. On the exterior, the front chin, rocker panels, bodyside moldings and lower rear fascia are in black. Colors are Infra-Red, and for the first time on sedan and wagon, Egg Yolk Yellow and Malibu Blue. Street Edition uses the same springs, dampers and anti-roll bars found in the European Focus, offering driving enthusiasts enhanced agility, stability and precision handling. Inside, it features sport bucket seats with European-style diamond patterned seat inserts. A silver-masked instrument cluster, radio bezel, door accents and a silver shift knob highlight the interior package. Street Edition combines elements that we feel people who love to drive will embrace. This car has stylistic qualities as well as great driving dynamics that set it apart from the crowd, said Focus Brand Manager Bob Fesmire. Music a Key for Young Consumers Focus has been a hit with young car buyers, with almost half the buyers age 35 or younger. Focus marketing revolves around fashion, music and summer fun, all designed to appeal to young consumers. Street Edition is an important part of the overall marketing effort, and it will use an exciting new sound from Detroit to appeal to young consumers. Since the Focus is attracting younger, more diverse buyers, we wanted to continue to develop marketing programs that fit the personality and lifestyle of our target buyers, said Fesmire. Detroit Techno is a music style that is recognized by young people around the world. We know that music is one of the biggest passions for our young car buyers, so it made sense for us to incorporate a unique music element in our campaign. Focus and Street Edition will feature an image exclaiming Detroit Techno on posters and in print ads. The Street Edition is the third in a series of Focus statement cars built since Focus was launched in the U.S. last year. The Sony Limited Edition Focus and the Kona Mountain Bike Edition were the first two statement cars. There will be only 7,500 total Street Editions built with approximately 85 percent of them available as a Sedan. With an MSRP of $15,750 (Sedan) and $17,745 (Wagon), these statement edition vehicles will be sold nationwide beginning in December. hmmm, tempting! / d e _ f r a g -- Totally Amazing Search Results - Just C4 Yourself! http://www.C4.com - Total Search Technology
