RE: [313] Resonate (metro DC 2/23,stewart walker/sean rudiman)
Anyway, I showed up just when Brian Zentz came on, and he played a set that was banging, funky, and dynamic. Brian has flawless rock the house fist pumping DJ instincts and taste as well. He played (I think) a lot of his own tracks from CD that were great... * Speaking of Brian Zentz, can someone email me in private his contact info. thanx in advance dK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Resonate (metro DC 2/23,stewart walker/sean rudiman)
Anyway, I showed up just when Brian Zentz came on, and he played a set that was banging, funky, and dynamic. Brian has flawless rock the house fist pumping DJ instincts and taste as well. He played (I think) a lot of his own tracks from CD that were great... * Speaking of Brian Zentz, can someone email me in private his contact info. thanx in advance dK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Derr Misfire Resonate (metro DC 2/23,stewart walker/sean rudiman
I hit send before I was supposed to -- try again ... Last night I experienced a show that really restored my faith in live Techno. Major props first of all to the Kick Drum crew for putting on a first rate party with an amazing line up. Promoting something that has some artistic ambition is tricky and risky, and I have nothing but praise for the courage and heart the Kick Drum crew put into the event. Anyway, I showed up just when Brian Zentz came on, and he played a set that was banging, funky, and dynamic. Brian has flawless rock the house fist pumping DJ instincts and taste as well. He played (I think) a lot of his own tracks from CD that were great... Shawn Rudiman played an old school way live techno set. As in bring all the drum machines and synths out, get everything going and sculpt the set way live. Musically is was pure Shawn, but the technique was a lot like the old prototype 909 live sets, and also like the live to DAT way that techno used to be produced. Lots of thick soulful synth work and great beats, but above all a sense of pure improvisation and discover. Stewart Walker, I've seen play several times over the past few years, and he's really worked his live PA into something very technically polished; not in the sense of being slick, but in the sense of great control over the sound. In other words, he has mastered his chosen instruments to where he can really go where he wants to with a set. Musically he kind of rides the line between straight up hard minimal techno -- but without grating or being overly repetetive -- and a really deep dubby feel -- but without the dub techno cliches. Stewart may well be unique among people who make techno in having played live enough times to really be comfortable in that setting. I also really appreciate how Stewart makes live it's own animal -- his live sets are really a completely different thing than his recorded work because the intention is different. But all in all I have to say both Shawn and Stewart presented comprehensively great live sets in a genre not known for having a strong tradition of live performance. Both are not-quite-grizzed veterans of 10 years of a love affair with the music and they really wore that love on their sleeves. For me personally it felt like one of my peak live experiences, right up there with Metro Area at the 7th City party last may. BOOK THESE GUYS -- you won't be disappointed. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] audio::nimbus on Enough Radio
_ audio::nimbus :: enough radio idm::exp.electronics::techno::ambient::minimal::digital.beauty.. http://enough.box.sk/v2/radio.php, http://www.audionimbus.com Audio::Nimbus comes back to the air-waves this time in the form of an online stream via the kind folks at Enough Records. Broadcasting live from the Pietrobotics Studio area every Sunday evening from 5pm to 7pm (PST) with a live MP3 stream available at http://enough.box.sk/v2. Seeking to expand, cultivate, and promote good electronic music from one extreme to the next. Server Info:: (type this into your WinAmp player..) Server 01 -- enough.box.sk:2002 Server 02 -- 213.15.136.41:8000 Pietro. || audio::nimbus :: [EMAIL PROTECTED] .. .. .. || web :: www.audionimbus.com .. .. .. || p.o. box 443, orange - california, 92856 .. .. .. ::
[313] Resonate (metro DC 2/23,stewart walker/sean rudiman)
Last night I experienced a show that really restored my faith in live Techno. Major props first of all to the Kick Drum crew for putting on a first rate party with an amazing line up. Promoting something that has some artistic ambition is tricky and risky, and I have nothing but praise for the courage and heart the Kick Drum crew put into the event. Anyway, I showed up just when Brian Zentz came on, and he played a set that was banging, funky, and dynamic. Brian has flawless rock the house fist pumping DJ instincts and taste as well. He played (I think) a lot of his own tracks from CD that were great... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] carl craig question
Hans Veneman answered: > > anyone knows in what ep or lp was the track DREAMLAND released? > > It was released on the Eevo Lute compilation Agenda 21 in 1993. > http://www.eevolute.com/eevocd1.html Wasn't it also released on one of the New Electronica compilations? The orange one if I remember correctly, 'Global Technological Innovations'. Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] track ids.
http://www.paxahau.com/sounds/2000/gjune/06-30-00_derekplaslaiko_1of2_cloud9.ram i should know this, so what track is playing at 01:11:00 of this mix? and also the track in the miss kitty mix (like 25min into it) that says some crazy bullshmack about liking me and liking other stuff as well. i like that track. ok thanks, chad http://hyperreal.org/~chad - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] 313 pops up
Yes, I've got Max Payne and remember that bit too. The thing is you then hunt the guy who is supposed to be in there and you kill him cold blooded, so what are you trying to say pal, just what are you trying to say? :) I never go out myself on the 31st March because I live in the UK and something spooky could go off. Scott Mc Original Message - > >>From: "Giles Dickerson" <[EMAIL PROTECTED]> > >>To: "313@Hyperreal.Org (E-mail)" <313@hyperreal.org> > >>Sent: Friday, February 22, 2002 10:37 PM > >>Subject: [313] 313 pops up > >> > >> > >>> I don't know if anyone's played "Max Payne" (rpg game for ps2, etc.) > >>>but = > >>> I was sneaking up a stairwell on my way to make a mafia hit in a seedy > >>>= > >>> redlight district hotel and there he was in room "313". Coincidence? > >>> > >>> - Giles > >>> > >>> D I G I T A S // B O S T O N > >>> -- > >>> Giles Dickerson > >>> Art Director > >>> 800 Boylston Street > >>> Boston, MA > >>> 02199 > >>> -- > >>> mobile 617 899 9635 > >>> office 617 369 8601 > >>> > >>> - > >>> To unsubscribe, e-mail: [EMAIL PROTECTED] > >>> For additional commands, e-mail: [EMAIL PROTECTED] > >>> > >>> > >>> Deze e-mail is door E-mail VirusScanner van Planet Internet > >>>gecontroleerd > >>op virussen. > >>> Op http://www.planet.nl/evs staat een verwijzing naar de actuele lijst > >>waar op wordt gecontroleerd. > >>> > >> > >> > >>- > >>To unsubscribe, e-mail: [EMAIL PROTECTED] > >>For additional commands, e-mail: [EMAIL PROTECTED] > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > _ > Join the world's largest e-mail service with MSN Hotmail. > http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] 313 pops up
i was reading all this yesterday...funny stuff. last night i went to the store and among other things bought a block of sharp cheddar...the price...you guessed it $3.13. -stephen -Original Message- From: John Osselaer [mailto:[EMAIL PROTECTED] Sent: Saturday, February 23, 2002 6:20 AM To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: [313] 313 pops up That one night we had ADULT. over in Ghent KJ and me really had a blast. I came into my bedroom, watched the clock and it was 3.13 In the morning I frequently check my watch around 8.08 and I usually get behind my computer at work at 9.09. This morning I turned in at 3.03 Do I need help? John PS Luckily I don't wake up around 5.05 ; 6.06 (6.26) or 7.07 I do get up around 7.27 though. >From: Dan Sicko <[EMAIL PROTECTED]> >To: "W Lammerts" <[EMAIL PROTECTED]>, "313@Hyperreal.Org \(E-mail\)" ><313@hyperreal.org> >Subject: Re: [313] 313 pops up >Date: Fri, 22 Feb 2002 18:21:27 -0800 > >hehe. you'll see it everywhere if you try > >In my daughter's book "Officer Buckle & Gloria," it says "Officer >Buckle told his safety tips to 313 schools." > >-d > >At 10:44 PM +0100 2/22/02, W Lammerts wrote: >>At my office I am printer on this brand new HP 8550 printer, the internal >>code name for it is AMSBOP313... >> >>Coincidence? >> >>W >>- Original Message - >>From: "Giles Dickerson" <[EMAIL PROTECTED]> >>To: "313@Hyperreal.Org (E-mail)" <313@hyperreal.org> >>Sent: Friday, February 22, 2002 10:37 PM >>Subject: [313] 313 pops up >> >> >>> I don't know if anyone's played "Max Payne" (rpg game for ps2, etc.) >>>but = >>> I was sneaking up a stairwell on my way to make a mafia hit in a seedy >>>= >>> redlight district hotel and there he was in room "313". Coincidence? >>> >>> - Giles >>> >>> D I G I T A S // B O S T O N >>> -- >>> Giles Dickerson >>> Art Director >>> 800 Boylston Street >>> Boston, MA >>> 02199 >>> -- >>> mobile 617 899 9635 >>> office 617 369 8601 >>> >>> - >>> To unsubscribe, e-mail: [EMAIL PROTECTED] >>> For additional commands, e-mail: [EMAIL PROTECTED] >>> >>> >>> Deze e-mail is door E-mail VirusScanner van Planet Internet >>>gecontroleerd >>op virussen. >>> Op http://www.planet.nl/evs staat een verwijzing naar de actuele lijst >>waar op wordt gecontroleerd. >>> >> >> >>- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] classic techno
Check it out for some classic music including dr kervorkian, robert armani, vapourspace remixes, morgan geist, boo williams, detrechno, clark - lofthouse, dan curtin, gigi galaxy, claude young, matrix records http://cgi6.ebay.co.uk/aw-cgi/eBayISAPI.dll?ViewListedItems&userid=studio-seven&include=0&since=-1&sort=2&rows=25 more added later including kirk degiorgio and planet of drums. thanks for looking. paul
Re: [313] paging Yura Moorush.... please pick up the red phone.....
Hi Aaron, try this: [EMAIL PROTECTED] Mislav - Original Message - From: "Aaron Michelson" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org>; <[EMAIL PROTECTED]> Sent: Sunday, February 24, 2002 1:50 Subject: [313] paging Yura Moorush please pick up the red phone. > Sorry for the cross-posting but > > Anyone have Yura's contact info? I lost it moving from one computer to > another, and I urgently need to speak with him. > > Thanks, > > Aaron Michelson > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ghetto stomp
Anybody ever run across the term - ghetto stomp - as a specific dance rhythm/form? thanks mediadrome - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Phew!
It's not often that we have a night dedicated to techno in DC, but tonight was really, really special. I will preface this by saying that I'm a friend of the promoter, but in a techno scene this small that's bound to happen. At any rate, we arrived at the party around 12:30 when Bryan Zentz took to the tables. 2nd song was Kit Clayton's W-Shape (I think), and went in an extrememly varied direction for the next 90 minutes. I had seen him once before, and didn't care much for some of Carl Coxish track selection (very appropriate for the venue though it was), and this totally reset my expectations. Exceedingly tight and varied. Great stuff! Nothing could have prepared me for Shawn Rudiman's live PA. WOW!!! I have never seen anything remotely close to this calliber. He had an Alesis MMT-8 sequencing an Access Virus and his friend Luke was throwing in loops from a laptop running Ableton periodically (very periodically - I was playing very close atention and I could never tell when the laptop was being used). I mention this, b/c it was the only part of his set that involved pre-sequencing. Everything else was performed 100% live. He had 5 (five) drum machines he was programming 100% on the fly (606, 909, Korg Electribe, Retro-Future 777 and something else, perhaps Yamaha I couldn't recognize) while controlling the entire arrangement as well. Given all of this gear, things could have gotten very muddy, but never did. He didn't even use a mixer!!! One thing that really impressed me was that the Korg's MIDI fizzled a few times and he would stop the 909 (which controlled the MIDI clock) on the 8th beat, and start it back in on time on the 1st with the Korg sync'ed back up. This was completely unnoticable to anyone on the dancefloor unless you noticed him briefly shaking his head when he noticed it wasn't playing. That kind of flexibility and presence is trully uncommon. Enough of the technical mubo-jumbo though (which really enhanced the experience if you could appreciate the cratsmanship). His set was *so* dynamic. It moved everywhere and every way, down to programming basslines on the fly on the Korg. The pre-sequenced melodies were anything but stock too, often seeming to loop for at least 16 bars, if not more (I couldn't even keep track most of the time). This went on for 90 minutes. The bar has been raised from the high jump to the pole vault. He's also a very entertaining guy. Do not miss an opportunity to witness this. Stewart Walker followed. He had to contend with a drape between him and the crowd that Shawn did not have in the way, and the crowd was a bit exasperated by this point. I have always ranked Stewart at the top of my list of live PAs, and he really didn't dissapoint, athough it took a bit to acclimate to such a different approach. The gear mimiced the music in this respect. Stewart is a master of subtlety, and his sets are becoming more and more improvised with rhythmic drumming of sequences on the Akai. It was really great. I wish I wasn't so tired, which was the only thing that tainted the experience at all. So much has been said about Stewart's PAs here that I don't need to rant like I did above, but let me just say that this, my 3rd time was equal to the 1st when I saw him in '99 around the time of Nothing Produces Stark Imagery. His sense of movement demands the full attention of his audience, and his occasional live rhythmic sequencing really cranks up the audience involvement from his earlier PAs. Even Stewart was astounded with Shawn's performance though. I haven't had this much fun here since I don't know when. These are the nights that make clubbing dissapointments sufferable. These are the nights that squash anti-live PA rhetoric. Tristan -- http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email <- AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] carl craig question
it's on the 'songs.. ' album as well, but also this vinyl is out of print. cd is pretty available At 24-2-2002 +0100 11:13, you wrote: > anyone knows in what ep or lp was the track DREAMLAND released? It was released on the Eevo Lute compilation Agenda 21 in 1993. http://www.eevolute.com/eevocd1.html > i would love to have this song on vinyl.. Agenda 21 was also released on vinyl: http://www.eevolute.com/eevolp1.html Might be hard to find tho... .. . :: http://nomorewords.net
Re: [313] carl craig question
> anyone knows in what ep or lp was the track DREAMLAND released? It was released on the Eevo Lute compilation Agenda 21 in 1993. http://www.eevolute.com/eevocd1.html > i would love to have this song on vinyl.. Agenda 21 was also released on vinyl: http://www.eevolute.com/eevolp1.html Might be hard to find tho... Cheers, Hans -- Hans Veneman [EMAIL PROTECTED] http://technotourist.org http://www.TV-99-AD.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] carl craig question
anyone knows in what ep or lp was the track DREAMLAND released? i would love to have this song on vinyl.. take care u all henrique - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] TEST-ignore
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