RE: (313) Metro Area interview
Another new MA interview at http://www.inthemix.com.au Cheers Benn -- Benn Glazier [EMAIL PROTECTED] http://www.royaltech.net -- http://fastmail.fm/ - Access your email from home and the web
Re: (313) OT: headphones
I'm a freak. I disagree with everyone so far. :) My recommendation would be to get different headphones for home listening and DJing. just like me. for home use (producing, listening) i've got Beyerdynamic DT 331's and for DJ and other occasional use i've got Sony MDR-V500's i have Sennheiser HD250 for DJing and other outdoor activities :) and Beyerdynamic DT831 with Meier-Audio's Porta Corda (headphone amp) for home listening... bye rob
(313) Bali
I am sorry this off topic I just have to say my heart goes out to all those involved in this tragic tragic event. I am shocked but not if you know what I mean. Peace to all.. --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.380 / Virus Database: 213 - Release Date: 24/07/02
(313) Fw: Overload VS Ugly Funk - Next Friday 18/10/2002
Quick reminder... Overload VS UF 18/10/2002 Hello there, Just a quick mail to let you know that the Overload VS Ugly Funk event @ Electrowerkz is just one week away (Friday October 18th), tickets are going fast, so guarantee your place there for the bargain price of £6+BF at one of the following outlets; Eukatech (0207 2408060) Smallfish (0207 7392252) Access All Areas (0207 2678320) PRESS RELEASE Overload Media in conjunction with Ugly Funk present AN ALL-NIGHTER AT ELECTROWERKZ, ANGEL, LONDON - 18TH OCTOBER 2002 OVERLOAD MEDIA, the UK's premiere web resource for underground electronic music, teams up with London-based crew UGLY FUNK for a feisty night of deviant sounds, subterranean rhythms and visual pandemonium at the Electrowerkz in London. The all-night event will feature music from leading UK DJ/producers such as Si Begg, Ben Sims and Mark Broom, alongside a healthy spread of artist representation from both the Overload and Ugly Funk camps. The night also sees Mark Hawkins of Djax / Pro-Jex fame performing his debut live set. Expect a heady collision of techno, house, electro, noise, breaks, sludge and mangled pop, with support from two of London's finest visual crews - 'The Kitchen Staff' and 'New Visual Alliance'. LINE-UP Si Begg (Noodles / Novamute) Ben Sims (Theory / Hardgroove) Mark Broom (Pure Plastic) Mark Hawkins Debut Live Set (Ugly Funk/Djax) Rick Hopkins (Haywire) Jerome (Don't / Ugly Funk) Cut Out (Nest / Ugly Funk) Chris Finke (Flux) Edit Live (Ugly Funk) Uberdog (Language) Po-Ski (Werk / Flux) Esther Ofei (Sheer Records / Ugly Funk) Nick Craddock (Third Ear / Valvo) Glenn Mcmahon (Concept) Motorboy (Language) Matt Chester (11th Hour) Rebel Intelligence Method Djs Venue: Electrowerkz, 7 Torrens Street, London, EC1 Door times: 10pm-6am Cost: £6 advance + BF / £10 Door FURTHER INFO 0781 7699921 / 0781 2660056 / 0781 4796231/ http://www.overloadmedia.co.uk / http://www.uglyfunk.com Hope to see you all there! Overload Media Team
Re: (313) [313] simon walley... i'm calling you out.
From: Tristan Watkins [EMAIL PROTECTED] Subject: Re: (313) [313] simon walley... i'm calling you out. - Original Message - From: Lee Herrington IV [EMAIL PROTECTED] hey simon... what's up with these fill tracks? they're some of the most melodic and engaging works that i have heard. but they are only a minute or so long! can you stretch any of them out a bit? i wanna kick back with headphones and melt with the fill tracks for at least 15 minutes. please. : ) I was listening to his live in Chicago PA again on the bus tonight, and I think there are two possible responses to this: a) he is the real 'subliminal seducer'. b) he can't orchestrate a track to the point of finishing it at a length greater than 4 minutes. I think anyone familiar with his work will agree the answer is 'a', and Carl Craig is not, if fact, the subliminal seducer. ;) Or maybe they both are in different ways? Whilst I would like to claim (a) above, I should own up and confirm (b). I often have problems finishing tracks - however rather than trash it because it's short and hence 'unfinished', if I am happy with the track as it is, wringing it out and extending it to the industry standard length seems pointless. One of my favourite tracks, Drexciyas' Sighting in the Abyss is 2-3 minutes long and I always hated the fact that such a stunning track was so short. But the length ties in with the track title - it is fleeting and once you catch a glimpse, hopefully you'll want to hang around to try and catch it again. Simon [CiM] _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
Re: (313) Fw: Overload VS Ugly Funk - Next Friday 18/10/2002
You can't argue with £6 for a line-up like that. - Original Message - From: Tom Robbins/Magic Feet [EMAIL PROTECTED] To: 313 mailing list 313@hyperreal.org Sent: Monday, October 14, 2002 9:25 AM Subject: (313) Fw: Overload VS Ugly Funk - Next Friday 18/10/2002 Quick reminder... Overload VS UF 18/10/2002 Hello there, Just a quick mail to let you know that the Overload VS Ugly Funk event @ Electrowerkz is just one week away (Friday October 18th), tickets are going fast, so guarantee your place there for the bargain price of £6+BF at one of the following outlets; Eukatech (0207 2408060) Smallfish (0207 7392252) Access All Areas (0207 2678320) PRESS RELEASE Overload Media in conjunction with Ugly Funk present AN ALL-NIGHTER AT ELECTROWERKZ, ANGEL, LONDON - 18TH OCTOBER 2002 OVERLOAD MEDIA, the UK's premiere web resource for underground electronic music, teams up with London-based crew UGLY FUNK for a feisty night of deviant sounds, subterranean rhythms and visual pandemonium at the Electrowerkz in London. The all-night event will feature music from leading UK DJ/producers such as Si Begg, Ben Sims and Mark Broom, alongside a healthy spread of artist representation from both the Overload and Ugly Funk camps. The night also sees Mark Hawkins of Djax / Pro-Jex fame performing his debut live set. Expect a heady collision of techno, house, electro, noise, breaks, sludge and mangled pop, with support from two of London's finest visual crews - 'The Kitchen Staff' and 'New Visual Alliance'. LINE-UP Si Begg (Noodles / Novamute) Ben Sims (Theory / Hardgroove) Mark Broom (Pure Plastic) Mark Hawkins Debut Live Set (Ugly Funk/Djax) Rick Hopkins (Haywire) Jerome (Don't / Ugly Funk) Cut Out (Nest / Ugly Funk) Chris Finke (Flux) Edit Live (Ugly Funk) Uberdog (Language) Po-Ski (Werk / Flux) Esther Ofei (Sheer Records / Ugly Funk) Nick Craddock (Third Ear / Valvo) Glenn Mcmahon (Concept) Motorboy (Language) Matt Chester (11th Hour) Rebel Intelligence Method Djs Venue: Electrowerkz, 7 Torrens Street, London, EC1 Door times: 10pm-6am Cost: £6 advance + BF / £10 Door FURTHER INFO 0781 7699921 / 0781 2660056 / 0781 4796231/ http://www.overloadmedia.co.uk / http://www.uglyfunk.com Hope to see you all there! Overload Media Team
Re: (313) Tune ID
definitely Gary Martin - Percuasive Percussion EP - Teknotika Records (track b2) btw played it out yesterday night... mislav - Original Message - From: James Philbin [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, October 13, 2002 5:41 Subject: (313) Tune ID Hi, Can anyone id this tune for me? It was played on a Jeff Mills set he did for John Peel on Radio 1. http://users.ox.ac.uk/~orie1075/JeffMills.mp3 Cheers, James
RE: (313) Fw: Overload VS Ugly Funk - Next Friday 18/10/2002
yep now who is going in the uk to this? for £6 I'll be like a kid in a candy store! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 14 October 2002 09:58 To: Tom Robbins/Magic Feet; 313 mailing list Subject: Re: (313) Fw: Overload VS Ugly Funk - Next Friday 18/10/2002 You can't argue with £6 for a line-up like that. - Original Message - From: Tom Robbins/Magic Feet [EMAIL PROTECTED] To: 313 mailing list 313@hyperreal.org Sent: Monday, October 14, 2002 9:25 AM Subject: (313) Fw: Overload VS Ugly Funk - Next Friday 18/10/2002 Quick reminder... Overload VS UF 18/10/2002 Hello there, Just a quick mail to let you know that the Overload VS Ugly Funk event @ Electrowerkz is just one week away (Friday October 18th), tickets are going fast, so guarantee your place there for the bargain price of £6+BF at one of the following outlets; Eukatech (0207 2408060) Smallfish (0207 7392252) Access All Areas (0207 2678320) PRESS RELEASE Overload Media in conjunction with Ugly Funk present AN ALL-NIGHTER AT ELECTROWERKZ, ANGEL, LONDON - 18TH OCTOBER 2002 OVERLOAD MEDIA, the UK's premiere web resource for underground electronic music, teams up with London-based crew UGLY FUNK for a feisty night of deviant sounds, subterranean rhythms and visual pandemonium at the Electrowerkz in London. The all-night event will feature music from leading UK DJ/producers such as Si Begg, Ben Sims and Mark Broom, alongside a healthy spread of artist representation from both the Overload and Ugly Funk camps. The night also sees Mark Hawkins of Djax / Pro-Jex fame performing his debut live set. Expect a heady collision of techno, house, electro, noise, breaks, sludge and mangled pop, with support from two of London's finest visual crews - 'The Kitchen Staff' and 'New Visual Alliance'. LINE-UP Si Begg (Noodles / Novamute) Ben Sims (Theory / Hardgroove) Mark Broom (Pure Plastic) Mark Hawkins Debut Live Set (Ugly Funk/Djax) Rick Hopkins (Haywire) Jerome (Don't / Ugly Funk) Cut Out (Nest / Ugly Funk) Chris Finke (Flux) Edit Live (Ugly Funk) Uberdog (Language) Po-Ski (Werk / Flux) Esther Ofei (Sheer Records / Ugly Funk) Nick Craddock (Third Ear / Valvo) Glenn Mcmahon (Concept) Motorboy (Language) Matt Chester (11th Hour) Rebel Intelligence Method Djs Venue: Electrowerkz, 7 Torrens Street, London, EC1 Door times: 10pm-6am Cost: £6 advance + BF / £10 Door FURTHER INFO 0781 7699921 / 0781 2660056 / 0781 4796231/ http://www.overloadmedia.co.uk / http://www.uglyfunk.com Hope to see you all there! Overload Media Team --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.380 / Virus Database: 213 - Release Date: 24/07/02 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.380 / Virus Database: 213 - Release Date: 24/07/02
Re: (313) Metro Area interview
for the a-side we are told to listen at 45rpm, which sounds right, but then the b-side sounds way more like it's supposed to be played at 33. That'll be because it is supposed to be played at 33... :) Is it possible to make vinyl in such a way that one side is 45 and the other 33? Yeah - the sides are cut independently of one another, one at a time, so it makes no difference... Cheers, Tom
Re: (313) OT: UK TV alert/Levis ad
Also, that's Pole's music in the current Levis ad on UK TV, right? The one with all the models rubbing themselves on the ground? Yeah, it's 'Taxi' from the yellow (third) album... See http://www.commercialbreaksandbeats.co.uk for all your UK advert track ID needs :) Cheers, Tom
(313) Titonton on Groovetech Radio now
Titonton is playing on Groovetech Radio now until 2pm GMT. **http://www.groovetech.com - Voted Best Retailer Online - 2001 UK Online Music Awards/ 2002 MidemNet Awards**
(313) Re: [313] Tune ID
http://users.ox.ac.uk/~orie1075/JeffMills.mp3 dunno what tune it is, but as far as i can hear from the short segment, it sounds more like two tracks at the same time, and the piano part sounds somewhat like octave one. but i could be way off... jurren _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx
(313) Titonton on Groovetech Radio now
he's great ! this Saturday he will be spinning at Weetamix, Geneva. Luckily I am flying there on Friday and thought if any other 313-ers will go too ? or any residents (geneva) on this list ? mislav - Original Message - From: Colette Lewis [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Monday, October 14, 2002 3:27 Subject: (313) Titonton on Groovetech Radio now Titonton is playing on Groovetech Radio now until 2pm GMT. **http://www.groovetech.com - Voted Best Retailer Online - 2001 UK Online Music Awards/ 2002 MidemNet Awards**
(313) no subject
Pod vanguard ep Was listening to it on the way to work this morning... Just lifted me up and took me away Also missed my tube stop This is a timeless piece of music.. Anyone else feelin this Placid -- http://www.acid-house.net Everything you wanted to know about acid house
Re: (313) no subject
if i could find a copy - i'd love to feel it on 15/10/02 6:28 AM, Placid at [EMAIL PROTECTED] wrote: Pod vanguard ep Was listening to it on the way to work this morning... Just lifted me up and took me away Also missed my tube stop This is a timeless piece of music.. Anyone else feelin this Placid
RE: (313) OT: headphones
...and OF COURSE the studio standard, the AKG K240m's as well as the new lower Ohm rated version that just came out recently. The most comfortable headphones I've ever had. You could leave them on for 24hrs. and only forget that they're there. Every pair of Sony's I've had, have broken somehow. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Sunday, October 13, 2002 10:45 AM To: 313@hyperreal.org Subject: RE: (313) OT: headphones My 2 cents... I personally hate the silver sonys. I have owned the pair just under them.. the Sony V-600. I make music into the wee hours of the night with these and they are comfy and no sound leaks out. They fit over your whole ear instead of ON your ear like the silver sonys. I have had them for 6 years now and Its nice to mix with them as well because they are a totally closed cup design and when your cuing you dont have spillage from your monitor into the headphones. If my v-600s break.. Im goin to buy some new ones. They are about $100... peace -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 10 October 2002 12:48 To: 313@hyperreal.org Subject: (313) OT: headphones Hi, what would you consider to be the best headphones for mixing in a club as well as for home listening? Suggestions/reviews very welcome! Bye, Remco -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. ??ÇöüñtërpöïñT?? http://stage.vitaminic.com/main/counterpoint/all_tracks/ latest track is mis-communication *new* ??ÇöüñtërpöïñT??
(313) npr interview on now
on breaking about a new documentary..just had afrika bambaataa talking about The Freshest Kids: A History Of The B-Boy what a pleasant monday morning gift
RE: (313) OT: headphones
I have owned the pair just under them.. the Sony V-600. I make music into the wee hours of the night with these and they are comfy and no sound leaks out. They fit over your whole ear instead of ON your ear like the silver sonys. My sony's are silver and are 700's [I think] they have a closed-cup design and do fit over your ears. Maybe there are a variety of sony silver cans ? The ones I have are : http://www.sonystyle.com/home/item.jsp?hierc=9688itemid=207 apparently they let you : Mix Your Music like a DJ quite handy then ;) peace, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) OT: headphones
Personally speaking, and I know you probably won't agree, but I was given some Beyerdynamic DT150's (the black ones) and they sound great, have replaceable parts, and are very hard wearing. A bit expensive, though. - Original Message - From: Darren Longton (Merch) [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, October 14, 2002 1:33 PM Subject: RE: (313) OT: headphones ...and OF COURSE the studio standard, the AKG K240m's as well as the new lower Ohm rated version that just came out recently. The most comfortable headphones I've ever had. You could leave them on for 24hrs. and only forget that they're there. Every pair of Sony's I've had, have broken somehow. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Sunday, October 13, 2002 10:45 AM To: 313@hyperreal.org Subject: RE: (313) OT: headphones My 2 cents... I personally hate the silver sonys. I have owned the pair just under them.. the Sony V-600. I make music into the wee hours of the night with these and they are comfy and no sound leaks out. They fit over your whole ear instead of ON your ear like the silver sonys. I have had them for 6 years now and Its nice to mix with them as well because they are a totally closed cup design and when your cuing you dont have spillage from your monitor into the headphones. If my v-600s break.. Im goin to buy some new ones. They are about $100... peace -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 10 October 2002 12:48 To: 313@hyperreal.org Subject: (313) OT: headphones Hi, what would you consider to be the best headphones for mixing in a club as well as for home listening? Suggestions/reviews very welcome! Bye, Remco -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. ??ÇöüñtërpöïñT?? http://stage.vitaminic.com/main/counterpoint/all_tracks/ latest track is mis-communication *new* ??ÇöüñtërpöïñT??
Re: (313) no subject
it sure is northern lights forever! At 14-10-2002 -0700 13:28, you wrote: Pod vanguard ep Was listening to it on the way to work this morning... Just lifted me up and took me away Also missed my tube stop This is a timeless piece of music.. Anyone else feelin this .. . :: http://nomorewords.net
RE: (313) no subject
If it's an ep which contains 'Northern Lights' then I'm (still) feeling it too. It's coming up to a decade old now, isn't it? I guess that's a definition of timeless! k -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: Monday, October 14, 2002 9:28 PM To: [EMAIL PROTECTED] Org Subject: (313) no subject Pod vanguard ep Was listening to it on the way to work this morning... Just lifted me up and took me away Also missed my tube stop This is a timeless piece of music.. Anyone else feelin this Placid -- http://www.acid-house.net Everything you wanted to know about acid house
Re: (313) Metro Area interview
I was at Oberlin for one year with Morgan. Kym and Dave of the now-defunct Spelunk Records were also there at the time. They now spin electro in and around NYC and I'm sure they are still producing though I don't know that they have released anything recently. There were actually a bunch of great DJs and producers there. Partly due to the electronic music program at the Conservatory (TIMARA - technology in music and related arts). Before I left the best teacher from that department was fired for being a little bit too liberal. After that the department went downhill and I believe they are firmly mired in classical style electronic music these days (ie. high-concept music, musique concrete, and that sort of thing). Paul Davis of Beige Records in Chicago was there well after Morgan left. Around the time I graduated the Oberlin scene (if you can call it that) had started to degenerate into raver kids with big pants and after I left the co-op record store closed which probably broke the last tie with Detroit and Chicago. A friend of mine went back for a reunion this past May and said that there wasn't much of anything going on. When I was there we basically had a couple different influences: Detroit influenced people like Morgan, Kym and Dave and a few others. Chicago influenced the West Coast house DJs who found Chicago house to be incredible. Eric At 01:29 PM 10/12/2002 +0100, Tristan Watkins wrote: Hmm... I read it a little differently. I thought he was just saying that he isn't feeling the current techno output, not that he's not influenced by techno at all. I was shocked to find out he went to Oberlin. I had friends there around that time and they always seemed excited about the music producers and DJ's there, but this is crazy. I could have some details wrong, but by my count, at least one of the guys who runs Loveslap (San Francisco-based deep/Chicago-influenced house label), Morgan Geist, Trans Am (??? - I could be totally wrong about this bit) and I think I'm forgetting some others were all there at the same time! That's pretty impressive for a small liberal arts school, secluded in the middle of Ohio. I guess their electronic music program must have really drawn the right people in. Are there other Oberlin alums who've made their mark? I wonder what the Oberlin scene is like now, and who will emerge from it 5 years from now? I'm also curious about how much of an influence Ohio techno has there. Interesting school... Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
RE: (313) no subject
Vanguard EP is defininiately my favourite ep from Kenny Larkin, Azymuth is a good runner up btw. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: Odeluga, Ken [mailto:[EMAIL PROTECTED] Verzonden: maandag 14 oktober 2002 15:28 Aan: Placid; [EMAIL PROTECTED] Org Onderwerp: RE: (313) no subject If it's an ep which contains 'Northern Lights' then I'm (still) feeling it too. It's coming up to a decade old now, isn't it? I guess that's a definition of timeless! k -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: Monday, October 14, 2002 9:28 PM To: [EMAIL PROTECTED] Org Subject: (313) no subject Pod vanguard ep Was listening to it on the way to work this morning... Just lifted me up and took me away Also missed my tube stop This is a timeless piece of music.. Anyone else feelin this Placid -- http://www.acid-house.net Everything you wanted to know about acid house -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. --
RE: (313) no subject
naaah... War of The Worlds is a definate winner. With that POD ep is a close second. I'd just wish he would make more stuff in this vein. W -Original Message- From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] Sent: maandag 14 oktober 2002 15:34 To: 'Odeluga, Ken'; Placid; [EMAIL PROTECTED] Org Subject: RE: (313) no subject Vanguard EP is defininiately my favourite ep from Kenny Larkin, Azymuth is a good runner up btw. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: Odeluga, Ken [mailto:[EMAIL PROTECTED] Verzonden: maandag 14 oktober 2002 15:28 Aan: Placid; [EMAIL PROTECTED] Org Onderwerp: RE: (313) no subject If it's an ep which contains 'Northern Lights' then I'm (still) feeling it too. It's coming up to a decade old now, isn't it? I guess that's a definition of timeless! k -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: Monday, October 14, 2002 9:28 PM To: [EMAIL PROTECTED] Org Subject: (313) no subject Pod vanguard ep Was listening to it on the way to work this morning... Just lifted me up and took me away Also missed my tube stop This is a timeless piece of music.. Anyone else feelin this Placid -- http://www.acid-house.net Everything you wanted to know about acid house -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. --
Re: (313) RE: What's On This Weekend?
At 12-10-2002 +0100 05:03, you wrote: John Arnold's We're Not (Ayro remix, totally does it for me) Just wanted to say that twelve by John Arnold on Ubiquity is absolutely stunning!!! I go for the a-side, although the Ayro remix is very, very smooth as well! .. . :: http://nomorewords.net
(313) Detroit flavored mix....
New mix..w/313 undertones http://www.acid-house.net/313_303.mp3 speedy j,kenny larkin, lfo,hawtin,markarian, etc. enjoy placid
(313) t-funkshun
Just a quickie to file my report on Scott McGill T-Funkshun's new Liverpool night. These guys are really doing their bit to represent quality music in Liverpool, and they're a great bunch - I had a great time on Friday night. They are also doing their bit to support the local licensed trade: I left three of them at 2pm the following day, still in the pub, with a large queue of Sambucas lined up. I bow down... ;) The next couple of nights with Baby Ford and then Luke Solomon will be great, never mind Valentine's Day. I also bumped into an old school friend, Jamie Ball, whose Turning Point records are as bonkers and scary as I'd expect. Check out Mark Forshaw's Revolution - with a healthy dose of Rob Hood influence. 0151 represents! J - Time to Jack: www.timetojack.org Jonny McIntosh, Someone Dressed In Beige DJ Oil Water
Re: (313) no subject
I'd just wish he would make more stuff in this vein. Or as we periodically lament: just more stuff full stop. Please!
RE: (313) no subject
Maybe we can solve this 'mystery' abt KL's recent output once and for all (maybe) ... (1) Seven Days (LP did appear) - Seven Nights - was supposed to accompany the former soon after, but it didn't did it? Will it ever, anyone know? (2) There were supposed to be 2 12s by Kenny Larkin either late last year or early this year. Was this so? k -Original Message- From: Wibo Lammerts [mailto:[EMAIL PROTECTED] Sent: Monday, October 14, 2002 2:47 PM To: '313@hyperreal.org' Subject: RE: (313) no subject naaah... War of The Worlds is a definate winner. With that POD ep is a close second. I'd just wish he would make more stuff in this vein. W -Original Message- From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] Sent: maandag 14 oktober 2002 15:34 To: 'Odeluga, Ken'; Placid; [EMAIL PROTECTED] Org Subject: RE: (313) no subject Vanguard EP is defininiately my favourite ep from Kenny Larkin, Azymuth is a good runner up btw. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: Odeluga, Ken [mailto:[EMAIL PROTECTED] Verzonden: maandag 14 oktober 2002 15:28 Aan: Placid; [EMAIL PROTECTED] Org Onderwerp: RE: (313) no subject If it's an ep which contains 'Northern Lights' then I'm (still) feeling it too. It's coming up to a decade old now, isn't it? I guess that's a definition of timeless! k -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: Monday, October 14, 2002 9:28 PM To: [EMAIL PROTECTED] Org Subject: (313) no subject Pod vanguard ep Was listening to it on the way to work this morning... Just lifted me up and took me away Also missed my tube stop This is a timeless piece of music.. Anyone else feelin this Placid -- http://www.acid-house.net Everything you wanted to know about acid house -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. --
RE: (313) OT: headphones
You must have tiny ears... The whole of the exposed part of my ear doesn't fit within the confines of the Sony 700 without being crushed against my head, resulting in annoying ear pain after an hour or two. Why they make them round is a mystery to me when people's ears are more or less oval in shape. I again reccommend the IXOS: http://gear.ign.com/articles/307131p1.html ... Additional reviews of other headphones for your reading pleasure: http://www.ecoustics.com/Home/Accessories/Headphones/Headphone_Reviews/2001/ Tim -Original Message- From: Langsman, Marc [mailto:[EMAIL PROTECTED] Sent: Monday, October 14, 2002 5:48 AM To: 313@hyperreal.org Subject: RE: (313) OT: headphones I have owned the pair just under them.. the Sony V-600. I make music into the wee hours of the night with these and they are comfy and no sound leaks out. They fit over your whole ear instead of ON your ear like the silver sonys. My sony's are silver and are 700's [I think] they have a closed-cup design and do fit over your ears. Maybe there are a variety of sony silver cans ? The ones I have are : http://www.sonystyle.com/home/item.jsp?hierc=9688itemid=207 apparently they let you : Mix Your Music like a DJ quite handy then ;) peace, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) Metro Area interview (and electronic music programs)
This reminded me of something I was wondering about over the weekend... What is the present state of electronic music programs in colleges/conservatories in the United States? How are they compared to programs abroad? Maybe the answers are obvious, but they're things I know little to nothing about. -dina - Original Message - From: Eric Scuccimarra [EMAIL PROTECTED] To: Tristan Watkins [EMAIL PROTECTED]; henrique casanova [EMAIL PROTECTED]; 313@hyperreal.org Sent: Monday, October 14, 2002 8:26 AM Subject: Re: (313) Metro Area interview I was at Oberlin for one year with Morgan. Kym and Dave of the now-defunct Spelunk Records were also there at the time. They now spin electro in and around NYC and I'm sure they are still producing though I don't know that they have released anything recently. There were actually a bunch of great DJs and producers there. Partly due to the electronic music program at the Conservatory (TIMARA - technology in music and related arts). Before I left the best teacher from that department was fired for being a little bit too liberal. After that the department went downhill and I believe they are firmly mired in classical style electronic music these days (ie. high-concept music, musique concrete, and that sort of thing). Paul Davis of Beige Records in Chicago was there well after Morgan left. Around the time I graduated the Oberlin scene (if you can call it that) had started to degenerate into raver kids with big pants and after I left the co-op record store closed which probably broke the last tie with Detroit and Chicago. A friend of mine went back for a reunion this past May and said that there wasn't much of anything going on. When I was there we basically had a couple different influences: Detroit influenced people like Morgan, Kym and Dave and a few others. Chicago influenced the West Coast house DJs who found Chicago house to be incredible. Eric At 01:29 PM 10/12/2002 +0100, Tristan Watkins wrote: Hmm... I read it a little differently. I thought he was just saying that he isn't feeling the current techno output, not that he's not influenced by techno at all. I was shocked to find out he went to Oberlin. I had friends there around that time and they always seemed excited about the music producers and DJ's there, but this is crazy. I could have some details wrong, but by my count, at least one of the guys who runs Loveslap (San Francisco-based deep/Chicago-influenced house label), Morgan Geist, Trans Am (??? - I could be totally wrong about this bit) and I think I'm forgetting some others were all there at the same time! That's pretty impressive for a small liberal arts school, secluded in the middle of Ohio. I guess their electronic music program must have really drawn the right people in. Are there other Oberlin alums who've made their mark? I wonder what the Oberlin scene is like now, and who will emerge from it 5 years from now? I'm also curious about how much of an influence Ohio techno has there. Interesting school... Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
RE: (313) no subject
sorry, but imho war of the worlds is the worst track kenny ever did!! the p.o.d. blows it to smithereens.. :P From: Wibo Lammerts [EMAIL PROTECTED] To: '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) no subject Date: Mon, 14 Oct 2002 15:47:15 +0200 naaah... War of The Worlds is a definate winner. With that POD ep is a close second. I'd just wish he would make more stuff in this vein. W -Original Message- From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] Sent: maandag 14 oktober 2002 15:34 To: 'Odeluga, Ken'; Placid; [EMAIL PROTECTED] Org Subject: RE: (313) no subject Vanguard EP is defininiately my favourite ep from Kenny Larkin, Azymuth is a good runner up btw. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: Odeluga, Ken [mailto:[EMAIL PROTECTED] Verzonden: maandag 14 oktober 2002 15:28 Aan: Placid; [EMAIL PROTECTED] Org Onderwerp: RE: (313) no subject If it's an ep which contains 'Northern Lights' then I'm (still) feeling it too. It's coming up to a decade old now, isn't it? I guess that's a definition of timeless! k -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: Monday, October 14, 2002 9:28 PM To: [EMAIL PROTECTED] Org Subject: (313) no subject Pod vanguard ep Was listening to it on the way to work this morning... Just lifted me up and took me away Also missed my tube stop This is a timeless piece of music.. Anyone else feelin this Placid -- http://www.acid-house.net Everything you wanted to know about acid house -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
Re: (313) no subject
You mean the one on transmat.. I really like that.. But vanguard on the vanguard ep does just kill it... sorry, but imho war of the worlds is the worst track kenny ever did!! the p.o.d. blows it to smithereens.. :P From: Wibo Lammerts [EMAIL PROTECTED] To: '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) no subject Date: Mon, 14 Oct 2002 15:47:15 +0200 naaah... War of The Worlds is a definate winner. With that POD ep is a close second. I'd just wish he would make more stuff in this vein. W -Original Message- From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] Sent: maandag 14 oktober 2002 15:34 To: 'Odeluga, Ken'; Placid; [EMAIL PROTECTED] Org Subject: RE: (313) no subject Vanguard EP is defininiately my favourite ep from Kenny Larkin, Azymuth is a good runner up btw. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: Odeluga, Ken [mailto:[EMAIL PROTECTED] Verzonden: maandag 14 oktober 2002 15:28 Aan: Placid; [EMAIL PROTECTED] Org Onderwerp: RE: (313) no subject If it's an ep which contains 'Northern Lights' then I'm (still) feeling it too. It's coming up to a decade old now, isn't it? I guess that's a definition of timeless! k -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: Monday, October 14, 2002 9:28 PM To: [EMAIL PROTECTED] Org Subject: (313) no subject Pod vanguard ep Was listening to it on the way to work this morning... Just lifted me up and took me away Also missed my tube stop This is a timeless piece of music.. Anyone else feelin this Placid -- http://www.acid-house.net Everything you wanted to know about acid house -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
Re: (313) OT: UK TV alert/Levis ad
Wildly off-topic by this point but... The soundtrack which was released for this film is totally different to the actual score, they've re-worked most of the tracks, rapped over them, that kind of thing. It's pretty good, mind, but it missed a few ace tracks (esp. the music when he's practicing on the roof). Anyway, I seem to remember there was a 4-track vinyl promo doing the rounds when the film came out. Did anyone pick it up? and if so, what was on it? Oh, and a bit of pointless movie trivia, the indian guy they mistake for Ghost Dog (Stupid F**king Whiteman) was Gary Farmer, who played exactly the same character in Dead Man... Perfect film. -s There was a thread recently about movie soundtracks... don't know if this one was mentioned then but showing tonight on Chennel 4 at 11.40pm is 'Ghost Dog: The Way Of The Samurai' which has a wonderful dark hip-hop soundtrack by The RZA that many on this list will really enjoy. It's also an all-round excellent film: directed by Jim Jarmusch and starring Forest Whitaker as a pigeon-keeping Zen-abiding mob hitman whose bosses turn against him. My favourite scene is the one with the hardbitten mobster dancing around his bathroom to the strains of Public Enemy's 'Flavor Flav Cold Lampin' - sheer genius. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
(313) Oberlin/melodiez + memoriez
Fwd: from morgan geist ([EMAIL PROTECTED]): I received these messages forwarded in the digest but can't seem to send a mail to 313. Even Mr. Sicko called this morning - it's becoming a trip down memory lane ;) I wanted to add some notes... There were actually a bunch of great DJs and producers there. Partly due to the electronic music program at the Conservatory (TIMARA - technology in music and related arts). During my time at Oberlin, I must say that the Conservatory did NOTHING to encourage college kids (like me) to take courses there. Oberlin (even if you had financial aid like friends had) was expensive, too - you'd think they'd allow or encourage a little cross-fertilization for all the loot they charged. The TIMARA department didn't do crap for innovative dance music while I was there except thwart it. In fact before electronica/dance was OK'd (for a few years, at least) as the soundtrack to N. American youth culture advertising, I'd venture to guess it was neglected at most schools except for few lucky ones that happened to be located in dance music cities. When I was there we basically had a couple different influences: Detroit influenced people like Morgan, Kym and Dave and a few others. Chicago influenced the West Coast house DJs who found Chicago house to be incredible. Again I must respectfully add/amend - with the exception of a number of people I can count on one hand (and maybe those you mentioned) barely anyone was interested in Detroit or Chicago for most of my stay there. Only what was then considered to be progressive house got any play, maybe some obvious vocal tracks. A typical Oberlin 'Sco (the college disco) memory for me is riding some Kraftwerk over DJ Funk, Dan Selzer (Environ designer) working a sweat with the lightboard...then maybe THREE people begrudgingly dancing on the floor! It was lame. However I must prop two Oberlin things: 1) The radio station. Even though dance music got very little support, we were free to play it if we got shows, and stuff like DBX's Silicon Ghetto would come in the Net record pool box! I saw a post from Ironman, who turned me on to great music including life-changing stuff like the whole Computer World album (I only knew Electric Cafe and Numbers) and Yellow Magic Orchestra and we did some great shows that no one listened to! Calling Mike Banks from the station phone was a highlight too. Anyone reading this and in college now - go get yourself a radio show! 2) The Coop Bookstore, 1991-1994. The record area was staffed by people who really knew and supported dance music. It was just a couple people (Todd Hutlock comes to mind) but I'm quite sure it was the only bookstore in the country where you could find Applied Rhythmic Technology CDs in the racks and Red Planet and Transmat records in the vinyl bin! Plus since almost no one gave a s*** about the music at Oberlin, the records would fail to sell and eventually get reduced to something that better fit the student budget! Oh yeah - school had internet access (read: access to 313, Reverb, [EMAIL PROTECTED] Sato,etc!). -mg PS: I'm not ashamed of or blackmailable by my early recordings at all -that's a pretty bizarre idea to me, actually. Those are some great memories - and even the most cringe-worthy moments metamorphose into entertainment years later (see GHEE - J.T. seems to enjoy outing me on this list!) BTW the tapes referred to by Kent Williams were called FUSION and put out by Charles Noel I believe...
(313) CMJ NY 313ers hook-up?
There is a chance that I'm going to be at the CMJ music marathon at the end of the month - I've got a place to stay but could use some friendly faces to hang out with at some shows. Hit me back off list please. MEK
(313) Morgan Geist on Kenny Larkin
With all the talk of Morgan Geist's musical tastes, I'd figure I'd drop line that you can go back and read his words on the matter, posted to our own 313 list. He was a pretty active participant back in the day. Check out the the oldest archive to see his opinion on War of the Worlds. reflections to the future --
