Re: (313) Audiopad - meet the future of midi control

2003-08-02 Thread Kent williams
It's a nice proof of concept, but the fact that it doesn't really
make performing any easier, more intuitive or more expressive is what
disappoints me.  Furthermore, it's just a slightly different way
of doing a touchscreen, which is old news.

One of the guys that did it is on IDM and he's a nice guy. I'm not
saying that it isn't cool looking. All I'm saying is that it's nothing
earth shattering.

On Fri, 1 Aug 2003 [EMAIL PROTECTED] wrote:

 Ok it might not be all that earth-shattering from a _programming_ level but
 from an _interactive/performance presentation_ level I do think it will
 open doors to the next step.



Re: (313) Attention spotters!

2003-08-02 Thread stewart
Ok, here it is, I think.

House of Jazz: Traxx of Life (LazyBoy records) LB 104.

I think its by Reggie Hall.

Stewart

- Original Message - 
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, August 02, 2003 12:14 AM
Subject: Re: (313) Attention spotters!


 It sounds like a catalogue number for LazyBoy Records. They're fairly hard to 
 come by, but possibly its a Roy Davis Jnr track?
 
 Stewart
 
 
 - Original Message - 
 From: Tom Churchill [EMAIL PROTECTED]
 To: 313 313@hyperreal.org
 Sent: Friday, August 01, 2003 10:58 PM
 Subject: (313) Attention spotters!
 
 
  Just got this from a friend...
  
   have discovered an amazing old deep house record, but the only info I have
   about it is from a white label copy which has LB104 etched into it.
   
   Believe me, you would also want a copy of this tune.
   
   But can't for the life of me think what LB would stand for...  The style 
   of
   the tune is kind of old-school and bleepy, could be an old Chicago thing 
   cos
   it has a sort of Fingers can you feel it-style sample in it, but i 
   think it
   might be a new york thang...
   
   Have tried discogs and google, but don't know where else to search only
   knowing the catalogue number?
  
  ...any of you champion spotters got any tips?
  
  Cheers,
  
  Tom
  
  
  
 
 
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Re: (313) Audiopad - meet the future of (performing)

2003-08-02 Thread Michael . Elliot-Knight




I agree that in and of itself it is not earth-shattering, but they have
overcome the obstacle of the audience's general inability to connect with
the performer, or better, the performance during a typical laptop
performance.
I'd still like to know which you'd rather *watch* for, say, 45 minutes - an
Audiopad performance or a standard laptop - if the music is exactly the
same?

To me, it's quite a breakthrough - because the interaction between the
performer and the audience is a very important, if not the most important
aspect of the performance - which is where this little unit seems to be
tailored to. I don't think it has much strength in the studio - which is
something I should have clarified.

It may be a glorified touchscreen - or maybe a primitive one at this stage
depending on how you think it may develop - but who has presented their
laptop musical performance in a way so that you can see, understand, and
even be entertained by what the person is doing without being a programmer
yourself?

I'm not sure what their goal was, if they were addressing issues from a
performer's perspective or from a spectator's - but in the end I think the
Audiopad benefits the spectator, and that is how you really get your music
across. If the spectator has a hang-up about just looking at someone
sitting behind a computer nodding their head (which from past discussions
on this list is a big issue) - then this might get said person a little
more into it. That is a HUGE break through.

Maybe it is just a LiteBrite - but if my LiteBrite allowed me to manipulate
music by moving colorful glowing pegs around on a board - hell yeah, I'd
use it. ;D

MEK



 
  Kent williams 
 
  [EMAIL PROTECTED]To:   [EMAIL PROTECTED]

   cc:   [EMAIL PROTECTED], 313 
list 313@hyperreal.org   
  08/01/03 06:00 PMSubject:  Re: (313) Audiopad - 
meet the future of midi control

 

 




It's a nice proof of concept, but the fact that it doesn't really
make performing any easier, more intuitive or more expressive is what
disappoints me.  Furthermore, it's just a slightly different way
of doing a touchscreen, which is old news.

One of the guys that did it is on IDM and he's a nice guy. I'm not
saying that it isn't cool looking. All I'm saying is that it's nothing
earth shattering.

On Fri, 1 Aug 2003 [EMAIL PROTECTED] wrote:

 Ok it might not be all that earth-shattering from a _programming_ level
but
 from an _interactive/performance presentation_ level I do think it will
 open doors to the next step.






Re: (313) Audiopad - meet the future of midi control

2003-08-02 Thread lisa

I agree. Think about how fun it might be to DJ using that concept.

lisa


[EMAIL PROTECTED] wrote:


[snip] 

IMO it's pretty forward thinking

MEK






Re: (313) Audiopad - meet the future of (performing)

2003-08-02 Thread Ian
On 8/1/03 10:32 PM, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:

 Maybe it is just a LiteBrite - but if my LiteBrite allowed me to manipulate
 music by moving colorful glowing pegs around on a board - hell yeah, I'd
 use it. ;D

Similar, say, to the massive patch bays that Tangerine Dream used to plug
pegs in and out of circa 1973?   ;-)(Minus the glow of course.)
-- 
Im



Re: (313) Audiopad - meet the future of (performing)

2003-08-02 Thread Phonopsia
If they only had the foresight to add two goals, perforated air vents, a
couple of paddles and a bunch of spastic energy, we might be in business. :)
I think it's cool b/c it's a step in the right direction. But for me air
hockey is still air hockey and a laptop is still a laptop. The stoned
brainstorming session at the student union that conjured this must've been
wicked though! ;)

Tristan
===
Text/Mixes/Pics: http://www.phonopsia.co.uk
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]




(313) Adult. in Europe starting next week

2003-08-02 Thread Greg Earle
Adult.'s Anxiety Always tour hits Europe and the UK starting next week:

http://www.ErsatzAudio.COM/Tour2003.html

- Greg