Re: (313) Fuse-In Day 1
[EMAIL PROTECTED] wrote: LOL..beautiful post! Yeah, if I see another 18 year old with implants I'm gonna snap. Speaking of...I have to say there was an upswing on the extra-heavy petting/almost bumpin-uglies dancing by the prepubescent set in the Underground on Saturday night. I swear these kids looked like they were still waiting on pubes and were practicing for when they got 'em. I'm not exactly a prude, but the girl on girl on boy (ANY boy) jumbled with hand grabs from this fairly dusgusting guy who just went from young girl to young girl, staring openly and directly at body parts (and often grabbing wherever he chose) was somewhat disturbing. Not that I'm interested in what people do with each other behind closed doors, but this would have made the hippies at Woodstock put their clothes back on! :-) That wandering perv guy was particularly creepy. jeff
Re: (313) Fuse-In Day 1
On May 29, 2005, at 10:36 PM, theREALmxyzptlk wrote: That wandering perv guy was particularly creepy. Wait. I thought Mr. Bond was still in the UK...
Re: (313) Fuse-In Day 1
ah yes, the glowstick on the end of a rope - some muscle dude hit me in the head with one of those at limelight while i was dancing to claude young a few years back. man, did i harsh his buzz and put an abrupt end to his e honeymoon period. james www.jbucknell.com theREALmxyzptlk theREALmxyzptlk@ comcast.net To Fred Heutte 30/05/05 12:14 AM [EMAIL PROTECTED] cc 313@hyperreal.org Please respond to Subject [EMAIL PROTECTED] Re: (313) Fuse-In Day 1 omcast.net Fred Heutte wrote: Really nice weather today -- a few sprinkles but mostly sunny/partly cloudy. The crowds are down just a bit but better than I expected so the $10 admission didn't really hurt things at all. This is an excellent sign for the financial health of the festival. Really - I thought it was actually a little more populated than usual when the fest first started (it's always sparse on day 1 at noon) and it got pretty crowded as we got into nighttime. And y'know...I know I'm a year older. I know I've put on some weight. I know I must be a bit grayer. But my wife and I had 3 different sets of high school age kids come up and ask us... are you enjoying yourselves?is your son spinning here?...do you like techno? As my wife is a High School English teacher and we occasionally run into kids she has taught/is teaching (and it was pretty loud, so if they said something to her, I wouldn't have caught it), I just thought she knew these kids. I then realized that we were a curiosity for them - those old fogies at the techno show. Of course, part of me wanted to give them a pop quiz on techno history and ask who's your daddy, but they already thought I WAS their daddy's (or grandfacther's) age. It was harmless - and even funny. My wife isn't so pleased by it (and she's 10 years my junior).It's interesting to see so many youger people just discover techno and think it is their secret. Ah, youth. I'm sure I was probably more naive when I was young. Maybe not. I have never appreciated stupidity in crowds, I have to say. I almost took someone's glow sticks away, I must admit (she had them on long ropes and was swinging them in a 15' swath in a tight crowd - ...but that's why we came down here! re: why? to clip people upside the head? If you came down here to swing those, go stand in the middle of I-75 and do it there!). As Kent said, I'm turning into the old man at the screen door yelling You kids get offa my lawn!!. :-) It wasn't as bad as this sounds - really it wasn't. I didn't even make her stand in the corner. I'm getting ready to head back down in a few and I'm taking my paddle with me this time, so if you're a young whippersnapper and you want to get sassy, you best get a head start. I'm a lot faster than I look. ;-) jeff ForwardSourceID:NT0001EC1E
Re: (313) Sasha playing Detroit stuff!
It's no surprise to me. Those prog DJs desperately need fresh inspiration and are delving into electro, breaks, techno... It's good to see them expose someone like Carl, surely. The new Chris Fortier CD has some cool Lucas Rodenbush on there too. I am def not into prog, but I quite enjoyed Sasha's Involver CD. He's definitely moving into new space. But he has no charisma as a club DJ for me. sasha's changing his playlists again I see. carl craig mix of beanfield! http://www.progressive-sounds.com/features/Sasha-Fundacion-NYC.asp
Re: (313) Fuse-In Day 1
He wasn't armed with a record bag full of Sasha 'prog' remixes by any chance, was he ?? ;) - Original Message - From: Ian Malbon [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313 List 313@hyperreal.org Sent: Monday, May 30, 2005 3:53 AM Subject: Re: (313) Fuse-In Day 1 On May 29, 2005, at 10:36 PM, theREALmxyzptlk wrote: That wandering perv guy was particularly creepy. Wait. I thought Mr. Bond was still in the UK...
Re: (313) Fuse-In Day 1
Completely agree..my wife brought my 8 year old son down to see me play and she had to keep covering up his eyes because of what people were doing. This festival has turned into a fuc*ing unorganized rave. This is the first year I have not bothered going back after the first day. A shame.. theREALmxyzptlk [EMAIL PROTECTED] 05/29/2005 10:36 PM Please respond to [EMAIL PROTECTED] To [EMAIL PROTECTED] cc 313@hyperreal.org Subject Re: (313) Fuse-In Day 1 [EMAIL PROTECTED] wrote: LOL..beautiful post! Yeah, if I see another 18 year old with implants I'm gonna snap. Speaking of...I have to say there was an upswing on the extra-heavy petting/almost bumpin-uglies dancing by the prepubescent set in the Underground on Saturday night. I swear these kids looked like they were still waiting on pubes and were practicing for when they got 'em. I'm not exactly a prude, but the girl on girl on boy (ANY boy) jumbled with hand grabs from this fairly dusgusting guy who just went from young girl to young girl, staring openly and directly at body parts (and often grabbing wherever he chose) was somewhat disturbing. Not that I'm interested in what people do with each other behind closed doors, but this would have made the hippies at Woodstock put their clothes back on! :-) That wandering perv guy was particularly creepy. jeff
RE: (313) Fuse-In Day 1
-Original Message- From: Ian Malbon [mailto:[EMAIL PROTECTED] Sent: 30 May 2005 03:54 To: [EMAIL PROTECTED] Cc: 313 List Subject: Re: (313) Fuse-In Day 1 On May 29, 2005, at 10:36 PM, theREALmxyzptlk wrote: That wandering perv guy was particularly creepy. Wait. I thought Mr. Bond was still in the UK... LOL! Sharp! :-) Roll with it Alex, it's Detroit's time to shine after all! We could use some more detailed reports though, someone please, when you get up. Ken
Re: (313) Theo Parrish mix on WestEnd!
isn't the theo mix exactly the same track as on the ss017, rotating assembly - rusty waters? (www.discogs.com/release/130248) don't have the vinyl here at the mo', but i'm pretty sure it is... c* [EMAIL PROTECTED] wrote: There's a new 12 on Westend by a group from Detroit. Kings Of Late Night feat. Billy Love. if you go here: http://westendrecords.com/shop/downloads.php3#WES1044 you can listen to it, third item down the page. you can also check THEO PARRISH'S mix. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) Fuse-In Reports
OK, I read a bit lower in my inbox! :-). Ta. Ken
(313) FUSE-IN REPORT
Yesterday I hung around my hotel until around 530ish, there was a free party here at the pontchartrain and for about an hour they had free redbull--and smart water that lasted longer. When I was there Keith Stoll was listed at that time slot. The free drinks and urb magazine was a nice bonus... better than tea and usa today. We had to buy wrist bands at cobo hall, I didn't go on friday, because by the time we got settled the acts i wanted to see, had played. Sunday was the first time that there were no techno acts on smaller stages that i was interested in. The tronic marco carola ben sims misstress barbara possie were in the underground stage--packed but not my style at all. Seems like there is a new bread of raver trash in the midwest... Weird vibe this year, this is the first year where flashing pacifiers were sold like at a sports event or circus, vendors going up and down the heavy foot traffic areas, selling that junk. I would not call it a rave, but a circus. Model 500 played live classics, which was very entertaining but lacking new material. Redman made an appearance and did a few cuts, before introducing kevin saunder --then i went back to the hotel and called it a night because I got enough rave at substance in the broderick tower. I wish Carl Craig was the one behind it, not kevin!!! I still had alot of fun, a good 10$ music event. I would detail more but i must pack and check-out.
Re: (313) FUSE-IN REPORT
On May 30, 2005, at 8:18 AM, david smith wrote: I wish Carl Craig was the one behind it, not kevin!!! why?
(313) Day 2
Last night I started out at the Untitled party -- cool artist warehouse at the corner of Grand River Warren. Just caught the end of Derek P and a bunch of the Dorkwave crew mixing it up, then a live set -- really fine sound in a nice big room. Unfortunately right around 2 I happened to see two of the po-po walking through looking a little (a lot) unhappy. They were headed for the room with the bar so I headed for the corridor to the door. Walked over to Detroit Contempo-, er, CAID, and as I was getting close I heard beats echoing off the buildings and I thought, they have a big system back at the last party. But no, it was AO bangin' the box at CAID with about 50 bored (I hesitate to stereotype but what the heck) suburbotypes sitting around drinking beer. Stayed for a while but decided it was worth one more try. Next stop, the official festival party at an absolutely enormous warehouse on Clay, the main room must have been 15,000 square-feet-for-real, with a terrific four-corner sound system and a second system in the only somewhat smaller entry room. But unfortunately only a couple hundred watching KMS and then Ken Ishii, I guess it was just too far from downtown and too new to attract a big crowd on a night with many competing events. I didn't have quite as good a run today at the festival as on Saturday, but the Dutch crew playing lots of acid house (if not all that well mixed) was a lot of fun, as was watching Derek and Rob Theakston and Craig Gonzalez at the DJ Supply booth. Craig got the call for an afternoon fill-in set on the main stage that went pretty well. Otherwise I think my favorites today were Scan 7 with a blistering set closing with (natch) I Am From Detroit, and Stacey Pullen's crowd-pleasing set. Aux was a disappointment only because they had big audio problems until late in their set, which really dampened things out. But they came back and played a very good set with Juan Atkins as Model 500 - my only complaint was it was too short at just over half an hour due to schedule slippage. The closing version of Clear is a real keeper. Maybe the BBC will play that one (hint hint) :) phred live from harmonie park
Re: (313) Day 2
So Sunday started out for me at the Plugged-in brunch @ the Hub on Gratiot. decent food, really good times with excellent sets by Paul Randolph, Zoetic, Colin Zyskowski and Szymanski, followed by a Really Nice Recordings medley with Brownstudy, myself and Mr Pickles. Later that evening We got to the Works for my live set and caught some of Edwin Fabres broken/house thing in the back room. After my set we left for the Listed party with Theo Parrish and Rich Medina. We walked in to a flooded first floor of a beautiful virgin space. made our way upstairs to the bar ( free drinks) and then on up to catch dj defiant and some hip hop group. They were good, but certainly no Rich or Theo. Then Malik Alston came on with special guest E-man. Fantastic live house. Then Amp Fiddler comes out and guests on some keys! gravy! Rich Medina comes out and does poetry over Maliks beats, then Lays down some serious Afrobeat. Unfortunately the floor was bouncing so much, he couldn't use the 1200s. Only 2 cdjs. Theo comes on @ 5 and can't make the tables work, so he uses cds but still manages to throw some great stuff on. Oh well. we called it a night about 5:30 All in all that has been the best party yet this year, in spite of difficulties. I'm curious to hear how the official afterparty was with Adent live and murat. David Armin-Parcells www.daimusic.com [EMAIL PROTECTED] - Original Message - From: Fred Heutte [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, May 30, 2005 12:51 AM Subject: (313) Day 2 Last night I started out at the Untitled party -- cool artist warehouse at the corner of Grand River Warren. Just caught the end of Derek P and a bunch of the Dorkwave crew mixing it up, then a live set -- really fine sound in a nice big room. Unfortunately right around 2 I happened to see two of the po-po walking through looking a little (a lot) unhappy. They were headed for the room with the bar so I headed for the corridor to the door. Walked over to Detroit Contempo-, er, CAID, and as I was getting close I heard beats echoing off the buildings and I thought, they have a big system back at the last party. But no, it was AO bangin' the box at CAID with about 50 bored (I hesitate to stereotype but what the heck) suburbotypes sitting around drinking beer. Stayed for a while but decided it was worth one more try. Next stop, the official festival party at an absolutely enormous warehouse on Clay, the main room must have been 15,000 square-feet-for-real, with a terrific four-corner sound system and a second system in the only somewhat smaller entry room. But unfortunately only a couple hundred watching KMS and then Ken Ishii, I guess it was just too far from downtown and too new to attract a big crowd on a night with many competing events. I didn't have quite as good a run today at the festival as on Saturday, but the Dutch crew playing lots of acid house (if not all that well mixed) was a lot of fun, as was watching Derek and Rob Theakston and Craig Gonzalez at the DJ Supply booth. Craig got the call for an afternoon fill-in set on the main stage that went pretty well. Otherwise I think my favorites today were Scan 7 with a blistering set closing with (natch) I Am From Detroit, and Stacey Pullen's crowd-pleasing set. Aux was a disappointment only because they had big audio problems until late in their set, which really dampened things out. But they came back and played a very good set with Juan Atkins as Model 500 - my only complaint was it was too short at just over half an hour due to schedule slippage. The closing version of Clear is a real keeper. Maybe the BBC will play that one (hint hint) :) phred live from harmonie park
(313) Listening to Fuse-In on Cjam
Anyone else here listening to the archives / live on cjam? I noticed they had lots of technical difficulties linking up with main stage, so if anyone has any info on what is on what file, please share ;) I'll start - Aux 88 http://137.207.3.102/mp3log/t1117414312.mp3 (28 Min in) and http://137.207.3.102/mp3log/t1117417911.mp3 sorry if you get this 2x, mesgs weren't going through b4. melody ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
