(313) Aki Latvamäki - 3 remastered EPs OUT NOW
Aki Latvamäki aka. Artificial Latvamäki has remastered his first three EPs, which are now fresh and hot sounding and available for listening and specially priced download from http://latvamaki.bandcamp.com Included are such tracks as: *"Mänty", a detroit techno influenced melodic minimal groover, which was originally released on Trapez, Germany *"It Is Not Now Either", a true club anthem supported by such as Ellen Allien and James Zabiela amongst others *"A Bath Tub Of Full Mutated Bees", where IDM, noise and detroit feel collapse into infernal, mutated space-techno Bio: "Aki Latvamäki hails from the city of Oulu in Northern Finland. With releases on Curle and Cocoon among others and DJ support from the likes of Sven Väth and Ellen Allien, he is one of Finland’s most talented up-and-coming techno producers. Latvamäki started experimenting with musical ideas at the tender age of 10 with an Amiga 500. Soon he joined an alternative rock band, which eventually changed style to minimal krautrock influenced by bands like Circle and Burzum. But before long it was all about 4/4 bass drums, IDM, techno, and everything in between, even Commodore 64 sound scapes. From these elements, Artificial Latvamäki’s brand of innovative minimal techno was born. His first single was released by Germany’s Trapez label in 2005 and he started doing selected live gigs, including a performance in Frankfurt’s prestigious Cocoon club in 2007. Currently Latvamäki is working on his debut album." Listen free, or try the cost-effective options to download in several formats including FLAC, OGG and 320 MP3. With more material on the way, including plans to release new, unreleased tracks and more! Downloading from bandcamp the artists receives 85% of the value from the products, while same amount in other, leading mp3 stores, could be as low as 5-10%. Support the artists! All tracks fully listenable from http://latvamaki.bandcamp.com -- http://latvamaki.bandcamp.com http://latvamaki.blogspot.com http://www.myspace.com/alatvama
Re: (313) A-C: Big C
Bleh...Aaron just sent another update: The cancer is Lymphoma. They are testing his bone marrow now to determine the origin. :( Angela Schwendemann Label Manager Detroit Techno Militia http://www.detroittechnomilitia.com 313-449-8655 On Thu, Sep 23, 2010 at 7:39 PM, Greg Earle wrote: > Bad news: Angie Schwendemann Linder is reporting on her FB page that > Aaron-Carl has been diagnosed with Cancer. > > Seeing all of Aaron-Carl's family backstage at the DEMF (err, Fuse-In) in > 2005 and all wearing A-C shirts was one of my all-time Festival highlights. > > I hope the big guy can beat it and if there are any fundraising efforts in > his behalf, please post them here to (313). > > - Greg > >
Re: (313) A-C: Big C
I spoke to Aaron last night and he is in good spirits. He said that the outpouring of love from all over has really helped. He has been in the hospital for several days now and they had not been able to make a formal diagnosis. It wasn't until they removed the fluid around his lungs did they discover it. On a positive note, they do feel they discovered it in the early stages and that it will be treatable. They will be testing his bone marrow today and hopefully make a formal diagnosis. If you have a free second, stop by his Facebook and leave him a message. His only connection to the world right now is his blackberry. -Angie Linder http://www.detroittechnomilitia.com Sent from my iPhone On Sep 24, 2010, at 2:41 AM, Klaas-Jan Jongsma wrote: > unfortunatly, he confirmed it today: > > @aaroncarl: Today, the doctor diagnosed me with cancer. They're testing more > to figure out exactly what kind it is.. I am NOT accepting this!!! > > http://twitter.com/aaroncarl/status/25346563071 > > > On 24 sep 2010, at 05:57, kent williams wrote: > >> Last I heard was this: http://aaroncarl.blogspot.com/ >> >> I hope we can get more details, when AC is ready to talk about it. >> >> On Thu, Sep 23, 2010 at 6:39 PM, Greg Earle wrote: >>> Bad news: Angie Schwendemann Linder is reporting on her FB page that >>> Aaron-Carl has been diagnosed with Cancer. >>> >>> Seeing all of Aaron-Carl's family backstage at the DEMF (err, Fuse-In) in >>> 2005 and all wearing A-C shirts was one of my all-time Festival highlights. >>> >>> I hope the big guy can beat it and if there are any fundraising efforts in >>> his behalf, please post them here to (313). >>> >>> - Greg >>> >>> >
(313) Sound Design + Electronic Music History
We touched on this a bit yesterday but I thought I'd share these links with people. It's difficult listening in places but very interesting and worth sticking it out. The idea of a completely original piece of music is fairly recent. Music was passed on through sound, through generations, even for centuries after the invention of written music. Only in the 14th century did it become standard practice for a composer to sign his name to a piece of music and claim it entirely as his own, giving rise to the cult of the individual composer. But as recording supplanted sheet music in the 20th century, the presence of communal influence became unavoidably obvious once again as composers began to use recordings to make new recordings. We can now hear the presence of more than one voice. And there is a reason why people don't say they listen to a record – they say that they play a record. From the beginning, recordings have been instruments. The first episode of this overview of appropriative collage in music covers the years 1909 through 1961, beginning with Charles Ives, who composed in a cut and paste style with sheet music in a way that anticipated what later composers would do with multi-track tapes and mixers. We skip through decades to arrive at "Twisting the Dials", the Happiness Boys' 1928 tribute to late night radio surfing, before moving to John Cage's proto-sampling pieces for radio and tape, "Credo in US" and the "Imaginary Landscapes". We witness the million-selling cut-in records of Buchanan and Goodman and the resulting lawsuits, Richard Maxfield's tape cut-ups of a sermonizing preacher, and conclude with James Tenney's dedicated dissection of a single recording of Elvis: "Collage No. 1", the first 'remix'. http://rwm.macba.cat/ca/variacions_tag Simon Sound Simon did a series of programs which he selected early pioneers from each country, again, well worth a listen: http://feeds.feedburner.com/thesimonsoundtransmission I have all the files if people would like copies m
(313) Sound Design + Electronic Music History
We touched on this a bit yesterday but I thought I'd share these links with people. It's difficult listening in places but very interesting and worth sticking it out. The idea of a completely original piece of music is fairly recent. Music was passed on through sound, through generations, even for centuries after the invention of written music. Only in the 14th century did it become standard practice for a composer to sign his name to a piece of music and claim it entirely as his own, giving rise to the cult of the individual composer. But as recording supplanted sheet music in the 20th century, the presence of communal influence became unavoidably obvious once again as composers began to use recordings to make new recordings. We can now hear the presence of more than one voice. And there is a reason why people don't say they listen to a record – they say that they play a record. From the beginning, recordings have been instruments. The first episode of this overview of appropriative collage in music covers the years 1909 through 1961, beginning with Charles Ives, who composed in a cut and paste style with sheet music in a way that anticipated what later composers would do with multi-track tapes and mixers. We skip through decades to arrive at "Twisting the Dials", the Happiness Boys' 1928 tribute to late night radio surfing, before moving to John Cage's proto-sampling pieces for radio and tape, "Credo in US" and the "Imaginary Landscapes". We witness the million-selling cut-in records of Buchanan and Goodman and the resulting lawsuits, Richard Maxfield's tape cut-ups of a sermonizing preacher, and conclude with James Tenney's dedicated dissection of a single recording of Elvis: "Collage No. 1", the first 'remix'. http://rwm.macba.cat/ca/variacions_tag Simon Sound Simon did a series of programs which he selected early pioneers from each country, again, well worth a listen: http://feeds.feedburner.com/thesimonsoundtransmission
Re: (313) New interviews
On 23 Sep 2010, at 21:01, maxphi...@gmail.com wrote: > http://www.residentadvisor.net/feature.aspx?1245 > > I'm quite surprised at all the negative feedback both on 313 and RA to Rick's > interview, largely on the basis of his comments about the vinyl / digital > debate in answer to just a few questions out of the whole article. I thought > he came off quite well overall. I don't feel people have been that negative, if you're going to be outspoken then you should at the very least expect people to answer back. > > For a remarkably different perspective, check out: > > http://www.littlewhiteearbuds.com/feature/little-white-earbuds-interviews-shed/ > A lot of people didn't seem to like the above interview much, I kinda did :) m
(313) Some tBd Mixes
Morning 313, Here's some mixes from us, mix of ambient and DJ sets. You can also grab them from here: http://soundcloud.com/the-black-dog The Black Dog – Drifting 2 – M:Cast Ambient Mix 1. Lustmord & Robert Rich – Elemental Trigger - Fathom 2. The Black Dog & Sean Bean – Drumhead – Dust Science 3. Jacaszek - Rytm to nie?miertelnio?æ I - Miasmah 4. Brian Eno & Harold Budd – The Plateaux of Mirror – Polydor 5. Labradford – I – Kranky 6. The Black Dog – Wait Behind This Line – Soma 7. Autechre – Yulquen – Warp 8. MLO – Aqua - Plus 8 Records 9. FUSE – Carocell – Plus 8 Records 10. Scanner – PuccScan – DS93 11. Throbbing Gristle – Weeping – Industrial Records 12. Beaumont Hannant – Water & Space – GPR 13. The Black Dog – Witches Ov (Beatless Version) – Dust Science http://www.theblackdogma.com/tbd/?p=1597 The Black Dog - 09. DJ Head Kick 01. Cio D’or – Seide (Tränensalz) – Prologue 02. Lucy & Ercolino – GMORK Dadub Tool – Stroboscopic Artefacts 03. Dinky – Anemik – Wagon Repair 04. Paco Osuna – Looking For V2 – PLUS 8 05. Mark Archer – I Said Funky – DS93 06. DNCN – Kitchener – Dust Science 07. Alec Troniq – I M The Foolaloof (TimsusaVsJanyang Rmx) – Broque 08. Sebrok – Brother, What Time Is It – Paso Music 09. Carl Craig – Darkness – Planet E 10. The Black Dog – CCTV Nation (Slam Remix) – Soma 11. Iori – Dial – Prologue 12. Silent Servant – (Regis Edit) – Sandwell District 13. Terence Fixmer – Electric City – Electric Deluxe 14. Pig & Dan – Organix – Cocoon Recordings 15. Mihalis Safras – There Is A Place (Harvey McKay Remix) – Material Series 16. Carl Taylor – DS27 – Dust Science http://www.theblackdogma.com/tbd/?p=1572 The Black Dog 08. Dark Days, Grey Nights 01. David Lynch – The Air Is On Fire – Strange World Music 02. Gas – Untitled – Kompakt 03. Pan Sonic – Wanyugo – Blast First 04. Nocturnal Emissions – Clear Bells – Earthly Delights 05. Alva Noto – Prototype 8 – Mille Plateaux 06. William Basinski – Fringe Area – Raster-Noton 07. Labradford – P – Kranky 08. White Rainbow – Awakening – Kranky 09. The Black Dog – Gate 21 – Dust Science 10. Lustmord & Robert Rich – Undulating Terrain – Fathom 11. Chris Watson – Vatnajokull – Touch http://www.theblackdogma.com/tbd/?p=1551
