(313) Claude Young's DEMF set
If you were there or listened to it on the RA stream you'll already know that it's passed into the stuff of legend. Now courtesy of his partner in Different World you can relive it again, or hear it for the first time yourself: http://www.mediafire.com/?ct7zht976rx7vra - Greg
(313) more thoughts on Movement 2011
Monday was a good day at the festival. I arrived in time to hear TP on the main stage bring Strings of Life into a remix of Patrice Rushen's Haven't You Heard (I like Steve Rachmad's A Lot of Love on Spiritual/Outland more but this version was slower and more in line with the mix). Terrence was in a vocal mood, singing along with several tracks. And he played Blow Your House Down. Couldn't ask for more. I liked DJ Three (Chris Milo) on the Beatport stage playing an unhurried set of solid acid-tinged stuff. Boo Williams and GU were unfortunately stuck in the underground stage; when will Paxahau finally admit house just doesn't work in there? But I spent most of the day at the Made in Detroit stage. Just missed seeing Franki Juncaj (formerly the friendly guy at the register at Somewhere in Detroit and also a quite good DJ), but heard a lot of District 909 (Tim Baker and HD Substance). Tim Baker has had some interesting releases but I wasn't sure what to expect, and what they deliver is basic stripped down live techno sliding back and forth between really tough and cool and somewhat aimless. Next up was DTM on 5 turntables, that's right, count 'em, 5x5. It could have been a classic pileup but actually it was kind of fun. First up was Throw as the soundbed, which is the obvious way to get started and it went from there. Layers and layers of tracks'n'scratches. Then DJ T-1000 or as known among these parts, Alan. You know what he does and that's bring it up to a high level of intensity and lets it roll. As good as AO was, Claude Young finally had the time, the space and the crowd to really throw down -- nearly two and half hours worth. Everyone I talked to including the man himself felt the inspiration. It's not just about playing the great old records, as great as they remain, or the great new ones, still fresh and not struggling against familiarity. It is about playing great music with purpose and precision. It's what Detroit techno at its best truly represents. And now some comments on the festival itself (I'll save my rant about afterparties for another time). With a year away due to work requirements last year, I have a little more perspective perhaps than I used to, having been to all ten from 2000 to 2009. First of all, what's working right? Paxahau has a business model that actually works. They are putting serious, serious cash into upgrading the sound, the staging, the lights and all the little things needed to make this work better every year. Even the underground. The big improvement to me was the decision to get rid of the tents for the Beatport and Made in Detroit areas and invest in real stages. The music selection is somewhat less adventurous than I suppose could be imagined, but it is a pretty decent job for what it does. There are too many overrated European superstar-or-wannabes on stage for my taste, but they bring in a crowd (see business model). On the other hand, I can complain about Fatboy Slim or whatever but they also bring in Adam X who rocks the box. I didn't feel this year like there were periods where nothing decent was on offer, which was the case in previous years ago for considerable parts of the weekend. And I want to call Paxahau out for praise very specifically for one thing: the strong commitment to live performances across all genres. They not only book creatively on that, but they obviously put serious effort into providing the staging and support needed, from equipment setups to sound and lights. The ticket prices are reasonable given the size and breadth of the event. The lines were better run this year, and amidst the usual carney fare they brought in Slows -- epic win. The not so good parts. Well, obviously it's a white people festival now. I'm not sorry to say it so bluntly. It is in the city of Detroit, but it does not represent Detroit the city. Why? This gets back to business model. When the festival was free, the city did come, and not just because it was free, but because the proportion of known Detroit talent was higher. The organizing of the festival was drama supreme in the early years, but out on the walks and in the stage audiences, it was inclusive for all of Detroit and the region. So Movement has evolved from being a somewhat disorganized civic celebration to being more of a destination event for the suburbs (see business model). Give Paxahau credit, the Made in Detroit stage is an explicit nod to where this all comes from and provides (some) space for the various threads of Detroit techno and house for the last 30 years -- but only some, and we aren't seeing much space at all for new upcoming local talent. Much more has been put into the big and up-and- coming talent elsewhere in the US and Europe. I look forward to seeing non-Detroit performers, and many are quite good and really add to the general diversity and enjoyment. I'd maybe never see someone like Ana Sia otherwise, and she was great. But
Re: (313) more thoughts on Movement 2011
Thanks a lot for the excellent, informative post Mr. Huette :) I'm happy to admit I also particularly like it because I agree with your sentiments near the end! Ken Sent from my BlackBerry® wireless device -Original Message- From: Fred Heutte ph...@sunlightdata.com Date: Wed, 1 Jun 2011 01:59:03 To: 313@hyperreal.org Subject: (313) more thoughts on Movement 2011 Monday was a good day at the festival. I arrived in time to hear TP on the main stage bring Strings of Life into a remix of Patrice Rushen's Haven't You Heard (I like Steve Rachmad's A Lot of Love on Spiritual/Outland more but this version was slower and more in line with the mix). Terrence was in a vocal mood, singing along with several tracks. And he played Blow Your House Down. Couldn't ask for more. I liked DJ Three (Chris Milo) on the Beatport stage playing an unhurried set of solid acid-tinged stuff. Boo Williams and GU were unfortunately stuck in the underground stage; when will Paxahau finally admit house just doesn't work in there? But I spent most of the day at the Made in Detroit stage. Just missed seeing Franki Juncaj (formerly the friendly guy at the register at Somewhere in Detroit and also a quite good DJ), but heard a lot of District 909 (Tim Baker and HD Substance). Tim Baker has had some interesting releases but I wasn't sure what to expect, and what they deliver is basic stripped down live techno sliding back and forth between really tough and cool and somewhat aimless. Next up was DTM on 5 turntables, that's right, count 'em, 5x5. It could have been a classic pileup but actually it was kind of fun. First up was Throw as the soundbed, which is the obvious way to get started and it went from there. Layers and layers of tracks'n'scratches. Then DJ T-1000 or as known among these parts, Alan. You know what he does and that's bring it up to a high level of intensity and lets it roll. As good as AO was, Claude Young finally had the time, the space and the crowd to really throw down -- nearly two and half hours worth. Everyone I talked to including the man himself felt the inspiration. It's not just about playing the great old records, as great as they remain, or the great new ones, still fresh and not struggling against familiarity. It is about playing great music with purpose and precision. It's what Detroit techno at its best truly represents. And now some comments on the festival itself (I'll save my rant about afterparties for another time). With a year away due to work requirements last year, I have a little more perspective perhaps than I used to, having been to all ten from 2000 to 2009. First of all, what's working right? Paxahau has a business model that actually works. They are putting serious, serious cash into upgrading the sound, the staging, the lights and all the little things needed to make this work better every year. Even the underground. The big improvement to me was the decision to get rid of the tents for the Beatport and Made in Detroit areas and invest in real stages. The music selection is somewhat less adventurous than I suppose could be imagined, but it is a pretty decent job for what it does. There are too many overrated European superstar-or-wannabes on stage for my taste, but they bring in a crowd (see business model). On the other hand, I can complain about Fatboy Slim or whatever but they also bring in Adam X who rocks the box. I didn't feel this year like there were periods where nothing decent was on offer, which was the case in previous years ago for considerable parts of the weekend. And I want to call Paxahau out for praise very specifically for one thing: the strong commitment to live performances across all genres. They not only book creatively on that, but they obviously put serious effort into providing the staging and support needed, from equipment setups to sound and lights. The ticket prices are reasonable given the size and breadth of the event. The lines were better run this year, and amidst the usual carney fare they brought in Slows -- epic win. The not so good parts. Well, obviously it's a white people festival now. I'm not sorry to say it so bluntly. It is in the city of Detroit, but it does not represent Detroit the city. Why? This gets back to business model. When the festival was free, the city did come, and not just because it was free, but because the proportion of known Detroit talent was higher. The organizing of the festival was drama supreme in the early years, but out on the walks and in the stage audiences, it was inclusive for all of Detroit and the region. So Movement has evolved from being a somewhat disorganized civic celebration to being more of a destination event for the suburbs (see business model). Give Paxahau credit, the Made in Detroit stage is an explicit nod to where this all comes from and provides (some) space for the various threads of Detroit techno and house for the last 30 years -- but
Re: (313) Claude Young's DEMF set
yes!!! this was incredible! On Wed, Jun 1, 2011 at 4:05 AM, Greg Earle ea...@isolar.dyndns.org wrote: If you were there or listened to it on the RA stream you'll already know that it's passed into the stuff of legend. Now courtesy of his partner in Different World you can relive it again, or hear it for the first time yourself: http://www.mediafire.com/?ct7zht976rx7vra - Greg
Re: (313) more thoughts on Movement 2011
Highlights of the weekend for me: 1. Seth Troxler's set finishing up for Visionquest on the Made In Detroit stage. I wasn't sure what to expect, but this set was pure FIRE. I have no idea what tracks he was playing, but it was pure Motor City funk, somewhere in between techno and house, and Seth was really channeling something--I think he gets to the level of a shaman when he's on. As far as I'm concerned, based on that set Seth is definitely the heir to the Detroit techno and house legacy... I especially remember how great the basslines were, they all had that Detroit funk edge. I also love the Prince vibe Seth has going, he pulls that off really well. He actually opened with the intro from Purple Rain and it was great. 2. Cassy at the Old Miami--very tight mixing and excellent track selection. Plus the vibes and crowd there are amazing, and you can sit under the trees or by the pond in back, which is a nice change from all the concrete! 3. Aux 88 live. I was pleasantly surprised at how tight they sounded and how good the sound was... I just wish they'd gotten to play on the Made in Detroit Stage, they were on the same stage as the dubstep acts and the crowd was kind of young and ravey, didn't see many heads there. Of course, putting them at the same time as 69 live was a poor programming choice in my opinion. 4. Delano Smith at Made in Detroit... I'm a big fan of Delano's music and I really enjoyed his set. A bit techier than I expected but still sounded great. 5. Matt Tolfrey at Brandon Burke's Floating Frequencies boat party. This party occurs on Saturday at 1pm just as DEMF is starting, and may actually be the most enjoyable party I've ever attended. Everyone lost it when he dropped Big Fun. Really good vibes from the crowd and just amazing to ride through tjhe water front on the top of a boat hearing great music. Of course, this party has a huge Chicago contingent, I'm sure I knew at least 100 people on the boat, so sharing the moment with great friends is probably a big part of what made this event so special (Old Miami is similar in this respect). Biggest regret: Not making it to the SHXT SHOW party... I just got stranded at Old Miami and it was too hard to get over there. I know they had some really good Deep House and Disco on their line up. Plus some sort of crazy petting zoo from what I heard... My only complaint about the fest itself is that DJ's always play festival style even house DJ's play techier sets and really you don't get to hear any deeper and sexier music at a slower BPM at the fest. I'd love for Paxahau to program a day on stage that focused on house and maybe disco more in the 118-122 bpm range. Part of what makes Old Miami so refreshing is that ihe music is definitely slower and sexier then what you hear the rest of the weekend. As far as the programming, sure I disagree with a lot of their programming choices, but I think they've done about as good as you can do while still keeping the festival commercially viable. ~David On Wed, Jun 1, 2011 at 3:59 AM, Fred Heutte ph...@sunlightdata.com wrote: Monday was a good day at the festival. I arrived in time to hear TP on the main stage bring Strings of Life into a remix of Patrice Rushen's Haven't You Heard (I like Steve Rachmad's A Lot of Love on Spiritual/Outland more but this version was slower and more in line with the mix). Terrence was in a vocal mood, singing along with several tracks. And he played Blow Your House Down. Couldn't ask for more. I liked DJ Three (Chris Milo) on the Beatport stage playing an unhurried set of solid acid-tinged stuff. Boo Williams and GU were unfortunately stuck in the underground stage; when will Paxahau finally admit house just doesn't work in there? But I spent most of the day at the Made in Detroit stage. Just missed seeing Franki Juncaj (formerly the friendly guy at the register at Somewhere in Detroit and also a quite good DJ), but heard a lot of District 909 (Tim Baker and HD Substance). Tim Baker has had some interesting releases but I wasn't sure what to expect, and what they deliver is basic stripped down live techno sliding back and forth between really tough and cool and somewhat aimless. Next up was DTM on 5 turntables, that's right, count 'em, 5x5. It could have been a classic pileup but actually it was kind of fun. First up was Throw as the soundbed, which is the obvious way to get started and it went from there. Layers and layers of tracks'n'scratches. Then DJ T-1000 or as known among these parts, Alan. You know what he does and that's bring it up to a high level of intensity and lets it roll. As good as AO was, Claude Young finally had the time, the space and the crowd to really throw down -- nearly two and half hours worth. Everyone I talked to including the man himself felt the inspiration. It's not just about playing the great old records, as great as they remain, or the great new ones, still fresh and not struggling
Re: (313) Claude Young's DEMF set
can anybody point out the time when Claude's set actually starts on that recording? is it at like, 19:35? up until that point it all seems very messy, like possibly the end of one set and then sound check and other nonsense in between the two. also at like 20:20 it sounds like he's trying to do some double copy tricks and, well, failing. i'll give it some time before passing final judgement though On Wed, Jun 1, 2011 at 10:03 AM, JD Harrington p...@y0ru.net wrote: yes!!! this was incredible! On Wed, Jun 1, 2011 at 4:05 AM, Greg Earle ea...@isolar.dyndns.org wrote: If you were there or listened to it on the RA stream you'll already know that it's passed into the stuff of legend. Now courtesy of his partner in Different World you can relive it again, or hear it for the first time yourself: http://www.mediafire.com/?ct7zht976rx7vra - Greg -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) Claude Young's DEMF set
T-1000's last track is the industrial ebm thing that ends at 17:15. You kind of had to be there. Legendary time for me. Quoting Frank Glazer cpe1704...@gmail.com: can anybody point out the time when Claude's set actually starts on that recording? is it at like, 19:35? up until that point it all seems very messy, like possibly the end of one set and then sound check and other nonsense in between the two. also at like 20:20 it sounds like he's trying to do some double copy tricks and, well, failing. i'll give it some time before passing final judgement though On Wed, Jun 1, 2011 at 10:03 AM, JD Harrington p...@y0ru.net wrote: yes!!! this was incredible! On Wed, Jun 1, 2011 at 4:05 AM, Greg Earle ea...@isolar.dyndns.org wrote: If you were there or listened to it on the RA stream you'll already know that it's passed into the stuff of legend. Now courtesy of his partner in Different World you can relive it again, or hear it for the first time yourself: http://www.mediafire.com/?ct7zht976rx7vra - Greg -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) Claude Young's DEMF set
For some reason the mediafire link appears to be broken. Does someone have a better link or file of Claude's set they can share? Also, what's good in the Bay Area the weekend of 6/10 - 6/13? I will be traveling and would love to catch a good set or two. Thanks! JS From: james.hurl...@utoronto.ca james.hurl...@utoronto.ca To: 313@hyperreal.org Sent: Wed, June 1, 2011 1:32:46 PM Subject: Re: (313) Claude Young's DEMF set T-1000's last track is the industrial ebm thing that ends at 17:15. You kind of had to be there. Legendary time for me. Quoting Frank Glazer cpe1704...@gmail.com: can anybody point out the time when Claude's set actually starts on that recording? is it at like, 19:35? up until that point it all seems very messy, like possibly the end of one set and then sound check and other nonsense in between the two. also at like 20:20 it sounds like he's trying to do some double copy tricks and, well, failing. i'll give it some time before passing final judgement though On Wed, Jun 1, 2011 at 10:03 AM, JD Harrington p...@y0ru.net wrote: yes!!! this was incredible! On Wed, Jun 1, 2011 at 4:05 AM, Greg Earle ea...@isolar.dyndns.org wrote: If you were there or listened to it on the RA stream you'll already know that it's passed into the stuff of legend. Now courtesy of his partner in Different World you can relive it again, or hear it for the first time yourself: http://www.mediafire.com/?ct7zht976rx7vra - Greg -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) Claude Young's DEMF set
We're (AS YOU LIKE IT) doing a free day party in Golden Gate Park Sat from noon to 6pm and Sunday Pacific Sound has A Guy Called Gerald also at a free day party. This one is on Treasure Island. I can send more info, if you want, privately. - Jeremy Ayli-sf.com
(313) track id: want/need/feel my love
hi all omar s killed it on saturday at deep detroit. pretty much his whole set was unidentifiable mid 90s house/garage/acid. one track in particular had lyrics which presumably should make it easier to identify though my efforts so far have failed. basically it was a female vocal that repeated the following in a call and response style: don't you want it? don't you want my love? don't you need it? don't you need my love? don't you feel it? don't you feel my love? any ideas? -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) track id: want/need/feel my love
Davina Don't you want it? Or is that just too easy? 2011/6/1 Frank Glazer cpe1704...@gmail.com: hi all omar s killed it on saturday at deep detroit. pretty much his whole set was unidentifiable mid 90s house/garage/acid. one track in particular had lyrics which presumably should make it easier to identify though my efforts so far have failed. basically it was a female vocal that repeated the following in a call and response style: don't you want it? don't you want my love? don't you need it? don't you need my love? don't you feel it? don't you feel my love? any ideas? -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com -- http://soundcloud.com/w1b0 | http://network.technobass.net/profile/w1b0 | http://twitter.com/w1b0 --
Re: (313) track id: want/need/feel my love
could be this Davina – Don't You Want It On 1 Jun 2011, at 20:25, Frank Glazer wrote: hi all omar s killed it on saturday at deep detroit. pretty much his whole set was unidentifiable mid 90s house/garage/acid. one track in particular had lyrics which presumably should make it easier to identify though my efforts so far have failed. basically it was a female vocal that repeated the following in a call and response style: don't you want it? don't you want my love? don't you need it? don't you need my love? don't you feel it? don't you feel my love? any ideas? -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) track id: want/need/feel my love
Whether it is or not, I love this track. Hmmm not seen my copy in a while goes off to rifle through racks R On 1 Jun 2011, at 21:05, Wibo Lammerts wrote: Davina Don't you want it? Or is that just too easy? 2011/6/1 Frank Glazer cpe1704...@gmail.com: hi all omar s killed it on saturday at deep detroit. pretty much his whole set was unidentifiable mid 90s house/garage/acid. one track in particular had lyrics which presumably should make it easier to identify though my efforts so far have failed. basically it was a female vocal that repeated the following in a call and response style: don't you want it? don't you want my love? don't you need it? don't you need my love? don't you feel it? don't you feel my love? any ideas? -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com -- http://soundcloud.com/w1b0 | http://network.technobass.net/profile/w1b0 | http://twitter.com/w1b0 --
Re: (313) track id: want/need/feel my love
I'd say it's not the great track 'Don't You Want It' by UR (yes!) feat. Davina. The other lyrics don't seem to fit how I remember it. But maybe I better dig out my copy before I say for sure. Ken - Original Message - From: Frank Glazer [mailto:cpe1704...@gmail.com] Sent: Wednesday, June 01, 2011 08:25 PM To: list 313 313@hyperreal.org Subject: (313) track id: want/need/feel my love hi all omar s killed it on saturday at deep detroit. pretty much his whole set was unidentifiable mid 90s house/garage/acid. one track in particular had lyrics which presumably should make it easier to identify though my efforts so far have failed. basically it was a female vocal that repeated the following in a call and response style: don't you want it? don't you want my love? don't you need it? don't you need my love? don't you feel it? don't you feel my love? any ideas? -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) track id: want/need/feel my love
I think Ken is right. Based on youtube clips of the (also totally awesome) Davina track, the cut that Omar S played is a completely different horse, though with some similarities. On Wed, Jun 1, 2011 at 4:17 PM, Odeluga, Ken ken.odel...@dowjones.com wrote: I'd say it's not the great track 'Don't You Want It' by UR (yes!) feat. Davina. The other lyrics don't seem to fit how I remember it. But maybe I better dig out my copy before I say for sure. Ken - Original Message - From: Frank Glazer [mailto:cpe1704...@gmail.com] Sent: Wednesday, June 01, 2011 08:25 PM To: list 313 313@hyperreal.org Subject: (313) track id: want/need/feel my love hi all omar s killed it on saturday at deep detroit. pretty much his whole set was unidentifiable mid 90s house/garage/acid. one track in particular had lyrics which presumably should make it easier to identify though my efforts so far have failed. basically it was a female vocal that repeated the following in a call and response style: don't you want it? don't you want my love? don't you need it? don't you need my love? don't you feel it? don't you feel my love? any ideas? -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) track id: want/need/feel my love
i've seen acapellas of that floating around so could be someone's remix? On Wed, Jun 1, 2011 at 10:26 PM, Frank Glazer cpe1704...@gmail.com wrote: I think Ken is right. Based on youtube clips of the (also totally awesome) Davina track, the cut that Omar S played is a completely different horse, though with some similarities. On Wed, Jun 1, 2011 at 4:17 PM, Odeluga, Ken ken.odel...@dowjones.com wrote: I'd say it's not the great track 'Don't You Want It' by UR (yes!) feat. Davina. The other lyrics don't seem to fit how I remember it. But maybe I better dig out my copy before I say for sure. Ken - Original Message - From: Frank Glazer [mailto:cpe1704...@gmail.com] Sent: Wednesday, June 01, 2011 08:25 PM To: list 313 313@hyperreal.org Subject: (313) track id: want/need/feel my love hi all omar s killed it on saturday at deep detroit. pretty much his whole set was unidentifiable mid 90s house/garage/acid. one track in particular had lyrics which presumably should make it easier to identify though my efforts so far have failed. basically it was a female vocal that repeated the following in a call and response style: don't you want it? don't you want my love? don't you need it? don't you need my love? don't you feel it? don't you feel my love? any ideas? -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) track id: want/need/feel my love
no, it's a completely different track, the main lyric is similar but completely different phrasing and melody. the accent on davina's lyric is on the don't, whereas the accent on the track that omar played is on the want. also davina never says need or feel, just want. On Wed, Jun 1, 2011 at 5:31 PM, Juho Hietala hiet...@gmail.com wrote: i've seen acapellas of that floating around so could be someone's remix? On Wed, Jun 1, 2011 at 10:26 PM, Frank Glazer cpe1704...@gmail.com wrote: I think Ken is right. Based on youtube clips of the (also totally awesome) Davina track, the cut that Omar S played is a completely different horse, though with some similarities. On Wed, Jun 1, 2011 at 4:17 PM, Odeluga, Ken ken.odel...@dowjones.com wrote: I'd say it's not the great track 'Don't You Want It' by UR (yes!) feat. Davina. The other lyrics don't seem to fit how I remember it. But maybe I better dig out my copy before I say for sure. Ken - Original Message - From: Frank Glazer [mailto:cpe1704...@gmail.com] Sent: Wednesday, June 01, 2011 08:25 PM To: list 313 313@hyperreal.org Subject: (313) track id: want/need/feel my love hi all omar s killed it on saturday at deep detroit. pretty much his whole set was unidentifiable mid 90s house/garage/acid. one track in particular had lyrics which presumably should make it easier to identify though my efforts so far have failed. basically it was a female vocal that repeated the following in a call and response style: don't you want it? don't you want my love? don't you need it? don't you need my love? don't you feel it? don't you feel my love? any ideas? -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) Claude Young's DEMF set
Re-up? please On Thu, Jun 2, 2011 at 4:54 AM, jeremy bispo jbi...@gmail.com wrote: We're (AS YOU LIKE IT) doing a free day party in Golden Gate Park Sat from noon to 6pm and Sunday Pacific Sound has A Guy Called Gerald also at a free day party. This one is on Treasure Island. I can send more info, if you want, privately. - Jeremy Ayli-sf.com
RE: (313) Claude Young's DEMF set
ugh, tried to upload it via Yousendit. There's a cap of 50MB for free users. I'll see if I can find somewhere else for it. -Original Message- From: Samuel Karmel [mailto:samuel.kar...@gmail.com] Sent: Wednesday, June 01, 2011 3:17 PM To: jeremy bispo Cc: Jay Stickel; james.hurl...@utoronto.ca; 313@hyperreal.org Subject: Re: (313) Claude Young's DEMF set Re-up? please On Thu, Jun 2, 2011 at 4:54 AM, jeremy bispo jbi...@gmail.com wrote: We're (AS YOU LIKE IT) doing a free day party in Golden Gate Park Sat from noon to 6pm and Sunday Pacific Sound has A Guy Called Gerald also at a free day party. This one is on Treasure Island. I can send more info, if you want, privately. - Jeremy Ayli-sf.com
Re: (313) Claude Young's DEMF set
Try sendspace.com or megaupload.com Regards, Ramon Sent from my iPhone On Jun 1, 2011, at 6:26 PM, G. Jones log...@cox.net wrote: ugh, tried to upload it via Yousendit. There's a cap of 50MB for free users. I'll see if I can find somewhere else for it. -Original Message- From: Samuel Karmel [mailto:samuel.kar...@gmail.com] Sent: Wednesday, June 01, 2011 3:17 PM To: jeremy bispo Cc: Jay Stickel; james.hurl...@utoronto.ca; 313@hyperreal.org Subject: Re: (313) Claude Young's DEMF set Re-up? please On Thu, Jun 2, 2011 at 4:54 AM, jeremy bispo jbi...@gmail.com wrote: We're (AS YOU LIKE IT) doing a free day party in Golden Gate Park Sat from noon to 6pm and Sunday Pacific Sound has A Guy Called Gerald also at a free day party. This one is on Treasure Island. I can send more info, if you want, privately. - Jeremy Ayli-sf.com
Re: (313) Claude Young's DEMF set
ok someone send this to r_co @ http://soundcloud.com/r_co/ for upload cause i wanna hear this. On Thu, Jun 2, 2011 at 7:42 AM, Ramon Crespo ra...@ramoncrespo.com wrote: Try sendspace.com or megaupload.com Regards, Ramon Sent from my iPhone On Jun 1, 2011, at 6:26 PM, G. Jones log...@cox.net wrote: ugh, tried to upload it via Yousendit. There's a cap of 50MB for free users. I'll see if I can find somewhere else for it. -Original Message- From: Samuel Karmel [mailto:samuel.kar...@gmail.com] Sent: Wednesday, June 01, 2011 3:17 PM To: jeremy bispo Cc: Jay Stickel; james.hurl...@utoronto.ca; 313@hyperreal.org Subject: Re: (313) Claude Young's DEMF set Re-up? please On Thu, Jun 2, 2011 at 4:54 AM, jeremy bispo jbi...@gmail.com wrote: We're (AS YOU LIKE IT) doing a free day party in Golden Gate Park Sat from noon to 6pm and Sunday Pacific Sound has A Guy Called Gerald also at a free day party. This one is on Treasure Island. I can send more info, if you want, privately. - Jeremy Ayli-sf.com
Re: (313) Claude Young's DEMF set
On Jun 1, 2011, at 7:03 AM, JD Harrington wrote: yes!!! this was incredible! On Wed, Jun 1, 2011 at 4:05 AM, Greg Earle ea...@isolar.dyndns.org wrote: If you were there or listened to it on the RA stream you'll already know that it's passed into the stuff of legend. Now courtesy of his partner in Different World you can relive it again, or hear it for the first time yourself: All: I was asked by Claude (via a note from his Different World partner in crime Takasi Nakajima) to take the set down. So I did. Maybe Claude has a better copy (the one I posted was obviously recorded by someone from the live stream, probably via Audio Hijack Pro or similar) and he'll post it to his SoundCloud sometime soon? - Greg
Re: (313) Claude Young's DEMF set
damn nam nam it!! On Thu, Jun 2, 2011 at 11:01 AM, Greg Earle ea...@isolar.dyndns.org wrote: On Jun 1, 2011, at 7:03 AM, JD Harrington wrote: yes!!! this was incredible! On Wed, Jun 1, 2011 at 4:05 AM, Greg Earle ea...@isolar.dyndns.org wrote: If you were there or listened to it on the RA stream you'll already know that it's passed into the stuff of legend. Now courtesy of his partner in Different World you can relive it again, or hear it for the first time yourself: All: I was asked by Claude (via a note from his Different World partner in crime Takasi Nakajima) to take the set down. So I did. Maybe Claude has a better copy (the one I posted was obviously recorded by someone from the live stream, probably via Audio Hijack Pro or similar) and he'll post it to his SoundCloud sometime soon? - Greg
